Exploring the relationship between hermeneutics and the arts, including painting, music, and literature, this book builds on hermeneutics from a practical perspective, connecting this area of critical research with others to reveal how it is viewed from different perspectives. International and interdisciplinary in scope, this edited volume draws on the work of scholars and practitioners working across a variety of subject areas, themes and topics, including philosophy, literature, religious paintings, musical oeuvres, Chinese urbanscapes, Moroccan proverbs, and Ukrainian internet blogs. Focusing on the idea of hermeneutics as a discipline that can connect different areas of interest, the book offers an inside view into how the contributors 'interpret' it within their own academic remits, demonstrating its presence in qualitative academic interpretations and canonical contemporary research in humanities.
Understanding Metalepsis provides a state-of-the-art overview of the narratological concept of metalepsis and develops new ways of investigating the forms and functions of metaleptic narratives. Informed by a hermeneutic perspective, this study offers not only an account of the complexities that characterize the process of understanding metaleptic phenomena, but also metatheoretical insights into the hermeneutics of narratology.
Scientific Essay from the year 2012 in the subject Literature - Africa, University of Nigeria, language: English, abstract: Theories of language, linguistic and non linguistic communication are diverse. In the Humanities there are so many interpretative tools. These tools are means to an end and not the end in themselves. Just as we have equations in the natural sciences so do we have theoretical frameworks, literary criticisms and approaches to literature and the communication arts in the Humanities. These interpretative tools are keys to opening and analyzing works in the Humanities and other disciplines. Most of these theories are borrowed from other disciplines other than the ones exploiting them. In the literary sciences, rooms are given for inter-textual interpretations as well as for interdisciplinary and multidisciplinary approaches. Hence one could analyze a given fiction, drama or poem using one or more approaches as the case may be. At the primary and secondary school level, essays are simply written and novels are simply read and interpreted by simple minds. But at the tertiary educational level, one would expect the reader, the critic or the recipient to be thorough, analytical and scientific in his appraisal of the text before him. In receptions-theory the analytical mind is not left empty handed in this art of researching on or beyond the text .For one to access these tools effectively one must be equipped with literary terms. Interpretative tools are legion. Some are text-centered and linguistic and others are extra-textual and non linguistic. Hermeneutics and the sister theoretical frameworks like the positivism, formalism, explication de texte, New Criticism, Structuralism, post-structuralism, Semiotics, de-construction etc are text-centered interpretative tools while the society based theories like Marxist-socialism, psycho-analytic theory, feminism, receptions-theory, racial theory, cultural and intercultural studies, Literature and the media, literature and history, literature and biography etc fall under the beyond textual interpretative approaches. Our interest in this exercise is on the raw textual analytic approach. Many students usually prefer the easier approaches which are mostly society based and abhor the dry and puritanist approaches. This paper is aimed at introducing the audience to the rigors of scientific approaches to the study of texts, images and languages.
Starting from a comprehensive examination of current poststructuralist and sociosemiotic theories of narrative, this book formulates an interactive model of literary interpretation and pedagogy emphasising process, critical self-awareness and strategies of rereading/rewriting. A literary pedagogy premised on the concept of 'rewriting', the author argues, will enable readers to experience the process of narrative and critical construction creatively.
This collection brings together eighteen of the author’s original papers, previously published in a variety of academic journals and edited collections over the last three decades, on the process of interpretation in literature and the visual arts in one comprehensive volume. The volume highlights the centrality of artistic texts to the study of multimodality, organized into six sections each representing a different modality or semiotic system, including literature, television, film, painting, sculpture, and architecture. A new introduction lays the foundation for the theoretically based method of analysis running through each of the chapters, one that emphasizes the interplay of textual details and larger thematic purposes to create an open-ended and continuous approach to the interpretation of artistic texts, otherwise known as the "hermeneutic spiral". Showcasing Michael O’Toole’s extensive contributions to the field of multimodality and in his research on interpretation in literature and the visual arts, this book is essential reading for students and scholars in multimodality, visual arts, art history, film studies, and comparative literature.
Scientific Essay from the year 2012 in the subject Literature - Africa, University of Nigeria, language: English, abstract: Theories of language, linguistic and non linguistic communication are diverse. In the Humanities there are so many interpretative tools. These tools are means to an end and not the end in themselves. Just as we have equations in the natural sciences so do we have theoretical frameworks, literary criticisms and approaches to literature and the communication arts in the Humanities. These interpretative tools are keys to opening and analyzing works in the Humanities and other disciplines. Most of these theories are borrowed from other disciplines other than the ones exploiting them. In the literary sciences, rooms are given for inter-textual interpretations as well as for interdisciplinary and multidisciplinary approaches. Hence one could analyze a given fiction, drama or poem using one or more approaches as the case may be. At the primary and secondary school level, essays are simply written and novels are simply read and interpreted by simple minds. But at the tertiary educational level, one would expect the reader, the critic or the recipient to be thorough, analytical and scientific in his appraisal of the text before him. In receptions-theory the analytical mind is not left empty handed in this art of researching on or beyond the text .For one to access these tools effectively one must be equipped with literary terms. Interpretative tools are legion. Some are text-centered and linguistic and others are extra-textual and non linguistic. Hermeneutics and the sister theoretical frameworks like the positivism, formalism, explication de texte, New Criticism, Structuralism, post-structuralism, Semiotics, de-construction etc are text-centered interpretative tools while the society based theories like Marxist-socialism, psycho-analytic theory, feminism, receptions-theory, racial theory, cultural and intercultural studies, Literature and the media, l
"This book provides a theoretical-analytical framework for a hermeneutic narrative ethics, which articulates the ethical potential and risks of narrative practices. It analyzes how narratives shape our sense of the possible by enlarging and diminishing the dialogic spaces of possibilities in which we act, think, and re-imagine the world"--
This basic guide to the theory and practice of biblical hermeneutics emphasizes the communicative nature of Scripture, proposing a communication model as an effective approach to interpreting the Bible.
This collection brings together eighteen of the author�s original papers, previously published in a variety of academic journals and edited collections over the last three decades, on the process of interpretation in literature and the visual arts in one comprehensive volume. The volume highlights the centrality of artistic texts to the study of multimodality, organized into six sections each representing a different modality or semiotic system, including literature, television, film, painting, sculpture, and architecture. A new introduction lays the foundation for the theoretically based method of analysis running through each of the chapters, one that emphasizes the interplay of textual details and larger thematic purposes to create an open-ended and continuous approach to the interpretation of artistic texts, otherwise known as the "hermeneutic spiral". Showcasing Michael O�Toole�s extensive contributions to the field of multimodality and in his research on interpretation in literature and the visual arts, this book is essential reading for students and scholars in multimodality, visual arts, art history, film studies, and comparative literature.
For over thirty years, Steven Mailloux has championed and advanced the field of rhetorical hermeneutics, a historically and theoretically informed approach to textual interpretation. This volume collects fourteen of his most recent influential essays on the methodology, plus an interview. Following from the proposition that rhetorical hermeneutics uses rhetoric to practice theory by doing history, this book examines a diverse range of texts from literature, history, law, religion, and cultural studies. Through four sections, Mailloux explores the theoretical writings of Heidegger, Burke, and Rorty, among others; Jesuit educational treatises; and products of popular culture such as Azar Nafisi’s Reading Lolita in Tehran and Star Trek: The Next Generation. In doing so, he shows how rhetorical perspectives and pragmatist traditions work together as two mutually supportive modes of understanding, and he demonstrates how the combination of rhetoric and interpretation works both in theory and in practice. Theoretically, rhetorical hermeneutics can be understood as a form of neopragmatism. Practically, it focuses on the production, circulation, and reception of written and performed communication. A thought-provoking collection from a preeminent literary critic and rhetorician, Rhetoric’s Pragmatism assesses the practice and value of rhetorical hermeneutics today and the directions in which it might head. Scholars and students of rhetoric and communication studies, critical theory, literature, law, religion, and American studies will find Mailloux’s arguments enlightening and essential.
