Heritage on Stage
Heritage on Stage

Author: Steven D. Hoelscher

Publisher:

Published: 1998

Total Pages: 364

ISBN-13:

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The southwestern Wisconsin town of New Glarus--known internationally for its annual Wilhelm Tell festival, and for decades a favorite cultural destination of tourists and visitors to Wisconsin--comes vividly into focus in Steven D. Hoelscher's many-layered examination of the invention of ethnic place in "America's Little Switzerland." Drawing on sociology, social history, ethnic studies, performance studies, geography, and history, Hoelscher opens up a timely, richly informative and provocative discussion of the ways in which landscape, heritage, and the search for authenticity create identity in a unique ethnic American community. The questions Hoelscher raises about the politics of culture, the role of memory, and the willful manipulation of the past will fascinate historians, geographers, and scholars of stage performance and cultural studies, and are sure to stimulate and challenge all readers interested in Wisconsin history. Both a sensitive portrait of a living community's special identity and a probing exploration of the ways this identity is invented, presented for the public, and sustained, Heritage on Stage is a ground-breaking work and a significant contribution toward the understanding of our nation's perception of itself and its ethnicity.

Performing Heritage
Performing Heritage

Author: Anthony Jackson

Publisher: Manchester University Press

Published: 2012-10-16

Total Pages: 297

ISBN-13: 9780719089053

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Performing Heritage is the first book to bring together the range of voices, debates, and practices that constitute the fields of museum theater and live interpretation. Inspiring and challenging in its scope and level of debate, Performing Heritage crosses the disciplines of performance and museum/heritage studies and offers remarkable and timely insights into the processes, outcomes, and potential of this rich and rapidly developing practice - and in a variety of international contexts. The book productively brings together academic research and professional practice, and will be essential reading for all those interested in, and concerned with the future of, "heritage" and its interpretation.

Kutiyattam
Kutiyattam

Author: Sudha Gopalakrishnan

Publisher:

Published: 2011

Total Pages: 196

ISBN-13: 9788189738822

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Kutiyattam is widely acknowledged as the only living link to India's ancient theatrical tradition. This book discusses the theory and practice of the art form and introduces Kutiyattam to a larger readership. It includes the translation of the performance manual of 'Asokavanikanakam', from Saktibhadra's play 'Ascharyachudamani', as an example. Kutiyattam is widely acknowledged as the only living link to India's ancient theatrical tradition. While its origins are hazy, it is said to have an unbroken history of around two thousand years, combining

Rakugo
Rakugo

Author: Lorie Brau

Publisher: Lexington Books

Published: 2008-02-15

Total Pages: 273

ISBN-13: 1461634105

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An introduction to the theatrical art of comic storytelling that originated in the Edo period, Rakugo sheds light on Japanese culture as a whole: its aesthetics, social relations, and learning styles. Enriched with personal anecdotes, Rakugo explicates the art's contemporary performance culture: the image, training and techniques of the storytellers, the venues where they perform, and the role of the audience in sustaining the art. Laurie Brau inquires into how this comic art form participates in the discourse of heritage, serving as a symbol of the Edo culture, while continuing to appeal to Japanese today. Written in an accessible manner, this book is appropriate for all levels of student or researcher.

The Heritage Theatre
The Heritage Theatre

Author: Marlite Halbertsma

Publisher: Cambridge Scholars Publishing

Published: 2011-05-25

Total Pages: 255

ISBN-13: 144383078X

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The Heritage Theatre is a book about cultural heritage and globalisation. Cultural heritage is the stage on which the global community, smaller communities and individuals play out their similarities and differences, their identities and singularities. Cultural heritage forms an implicit cultural code governing the relationship between parts and the whole, individuals and communities, communities and outsiders, as well as the relationship between communities and the world as a whole. Cultural heritage, by way of its producers, its products and its audience, presents an image of the world and its inner coherence. The subjects in this book range from places as distant from each other as Dar-es-Salaam, Jakarta, Amsterdam, Le Creusot, Trinidad, Brazzaville, Bremerhaven, New York and Prague, and deal with themes such as wayang, Kylie Minogue, airports and heritage, modernist architecture in Africa and the impact of DNA research on the concept of roots. The volume is based on papers presented at a conference organised by the Erasmus School of History, Culture and Communication of Erasmus University Rotterdam. The authors have backgrounds in cultural studies, art history, anthropology, museum studies, sociology, tourist studies and history.

Sounding Out Heritage
Sounding Out Heritage

Author: Lauren Meeker

Publisher:

Published: 2013-09-30

Total Pages: 208

ISBN-13:

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This book interweaves an examination of Vietnamese folk culture, cultural nationalism, and cultural heritage since 1945 with an ethnographic account of the changing social practice of quan ho folk song. The author demonstrates how the discourses on cultu

The Musical Heritage of Al-Andalus
The Musical Heritage of Al-Andalus

Author: Dwight Reynolds

Publisher: Routledge

Published: 2020-12-31

Total Pages: 388

ISBN-13: 1000289540

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The Musical Heritage of Al-Andalus is a critical account of the history of Andalusian music in Iberia from the Islamic conquest of 711 to the final expulsion of the Moriscos (Spanish Muslims converted to Christianity) in the early 17th century. This volume presents the documentation that has come down to us, accompanied by critical and detailed analyses of the sources written in Arabic, Old Catalan, Castilian, Hebrew, and Latin. It is also informed by research the author has conducted on modern Andalusian musical traditions in Morocco, Algeria, Tunisia, Egypt, Lebanon and Syria. While the cultural achievements of medieval Muslim Spain have been the topic of a large number of scholarly and popular publications in recent decades, what may arguably be its most enduring contribution – music – has been almost entirely neglected. The overarching purpose of this work is to elucidate as clearly as possible the many different types of musical interactions that took place in medieval Iberia and the complexity of the various borrowings, adaptations, hybridizations, and appropriations involved.

Fake Heritage
Fake Heritage

Author: John Darlington

Publisher: Yale University Press

Published: 2020-10-02

Total Pages: 250

ISBN-13: 0300246765

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The first survey of the many redesigned and imitation historical landmarks and objects that dot the globe "John Darlington shows . . . it is not just written history that is malleable; it is also history on the ground, heritage in brick and stone, wood and metal."--Simon Jenkins, Times Literary Supplement What happens when the past--or, more specifically, a piece of cultural heritage--is fabricated? From 50 replica Eiffel Towers located around the world to Saddam Hussein's reconstructions of ancient cities, examples of forged heritage are widespread. Some are easy to dismiss as blatant frauds (the Piltdown Man), while others adhere to honest copying or respectful homage (the Parthenon in Nashville, Tennessee). This compelling book examines copies of historic buildings, faux archaeological sites, and other false artifacts, using them to explore the ethics and consequences of reconstructing the past; it also tackles the issues involved with faithful, "above-board" re-creations of ancient landmarks. John Darlington probes questions of historical authenticity, seeking the lessons that lurk when history is twisted to tell an untrue story. Amplified by stunning images, the narrative underscores how the issue of duplicating heritage is both intriguing and incredibly complex, especially in the twenty-first century--as communication and technology flourish, so too do our opportunities to be deceived.

The Cambridge Companion to Performance Studies
The Cambridge Companion to Performance Studies

Author: Tracy C. Davis

Publisher: Cambridge University Press

Published: 2008-11-13

Total Pages: 361

ISBN-13: 1139828185

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Since the turn of the century, Performance Studies has emerged as an increasingly vibrant discipline. Its concerns - embodiment, ethical research and social change - are held in common with many other fields, however a unique combination of methods and applications is used in exploration of the discipline. Bridging live art practices - theatre, performance art and dance - with technological media, and social sciences with humanities, it is truly hybrid and experimental in its techniques. This Companion brings together specially commissioned essays from leading scholars who reflect on their own experiences in Performance Studies and the possibilities this offers to representations of identity, self-and-other, and communities. Theories which have been absorbed into the field are applied to compelling topics in current academic, artistic and community settings. The collection is designed to reflect the diversity of outlooks and provide a guide for students as well as scholars seeking a perspective on research trends.