Robert Grant draws upon his fifty years of experience dealing with the correlation of early Christianity and classical culture to demonstrate that Christian "heretics" were the first to apply literacy criticism to Christian books. He shows that the heretics' methods were the same as those of pagan contemporaries, and that literary criticism derived from the Hellenistic schools. Literary criticism was later used by famous orthodox leaders, and, as time passed, orthodox critics increasingly found that these methods could serve them well. Grant supports his argument by focusing on principal figures Origen, Dionysius of Alexandria, Eusebius, and Jerome.
Some of the most portentous events in medieval history—the Cathar crusade, the persecution and mass burnings of heretics, the papal inquisition—fall between 1000 and 1250, when the Catholic Church confronted the threat of heresy with force. Moore’s narrative focuses on the motives and anxieties of elites who waged war on heresy for political gain.
"Padura’s Heretics spans and defies literary categories . . . ingenious." —Maureen Corrigan, Fresh Air A sweeping novel of art theft, anti-Semitism, contemporary Cuba, and crime from a renowned Cuban author, Heretics is Leonardo Padura's greatest detective work yet. In 1939, the Saint Louis sails from Hamburg into Havana’s port with hundreds of Jewish refugees seeking asylum from the Nazi regime. From the docks, nine-year-old Daniel Kaminsky watches as the passengers, including his mother, father, and sister, become embroiled in a fiasco of Cuban corruption. But the Kaminskys have a treasure that they hope will save them: a small Rembrandt portrait of Christ. Yet six days later the vessel is forced to leave the harbor with the family, bound for the horrors of Europe. The Kaminskys, along with their priceless heirloom, disappear. Nearly seven decades later, the Rembrandt reappears in an auction house in London, prompting Daniel’s son to travel to Cuba to track down the story of his family’s lost masterpiece. He hires the down-on-his-luck private detective Mario Conde, and together they navigate a web of deception and violence in the morally complex city of Havana. In Heretics, Leonardo Padura takes us from the tenements and beaches of Cuba to Rembrandt’s gloomy studio in seventeenth-century Amsterdam, telling the story of people forced to choose between the tenets of their faith and the realities of the world, between their personal desires and the demands of their times. A grand detective story and a moving historical drama, Padura’s novel is as compelling, mysterious, and enduring as the painting at its center.
"An all-out women-driven, queer, transgender, multiracial takeover of the Old West . . . and that's exactly what Melissa Lenhardt delivers in her unapologetically badass western, Heresy." - New York Times "Lenhardt has created a bold new story where women have taken their rightful place in the narrative of the Outlaw Western genre; where wit, wisdom and wiles could mean the difference between life and death, and where the fellowship of women bested every challenge." -- Kathleen Kent Margaret Parker and Hattie LaCour never intended to turn outlaw. After being run off their ranch by a greedy cattleman, their family is left destitute. As women alone they have few choices: marriage, lying on their backs for money, or holding a gun. For Margaret and Hattie the choice is simple. With their small makeshift family, the gang pulls off a series of heists across the West. Though the newspapers refuse to give the female gang credit, their exploits don't go unnoticed. Pinkertons are on their trail, a rival male gang is determined to destroy them, and secrets among the group threaten to tear them apart. Now, Margaret and Hattie must find a way to protect their family, finish one last job, and avoid the hangman's noose. "Readers who relish an unusual narrative structure will enjoy this unique take on the traditional western." -- Booklist
For generations the Inquisition has stood between humanity and the forces of darkness. It has failed. Thanquil Darkheart is a witch hunter for the Inquisition, on a holy crusade to rid the world of heresy. He’s also something else... expendable. When the God Emperor gives Thanquil an impossible task, he knows he has no choice but to venture deep into the Wilds to hunt down a fallen Inquisitor. Even the best swordswoman is one bad day away from a corpse. It’s a lesson Blademaster Jezzet Vel’urn isn’t keen to learn. Chased into the Wilds by a vengeful warlord, Jezzet makes it to the free city of Chade. But instead of sanctuary all she finds are more enemies from her past. The Black Thorn is a cheat, a thief, a murderer and worse. He’s best known for the killing of several Inquisitors and every town in the Wilds has a WANTED poster with his name on it. Thorn knows it’s often best to lie low and let the dust settle, but some jobs pay too well to pass up. As their fates converge, Jezzet, Thanquil, and the Black Thorn will need to forge an uneasy alliance in order to face the truth the Inquisition has been hiding from them all. A dark epic fantasy full of zealous witch hunters, roving warlords, dark magic, and demons. Perfect for fans of Joe Abercrombie and Brent Weeks.
In Heresy, leading religion expert and church historian Alister McGrath reveals the surprising history of heresy and rival forms of Christianity, arguing that the church must continue to defend what is true about Jesus. He explains that remaining faithful to Jesus’s mission and message is still the mandate of the church despite increasingly popular cries that traditional dogma is outdated and restricts individual freedom.
A driven art critic’s plan to steal a painting leads to murder in this classic neo-noir novel by the author of the Hoke Moseley series. Fast-talking, backstabbing, womanizing, and fiercely ambitious art critic James Figueras will do anything—blackmail, burglary, and beyond—to make a name for himself. When an unscrupulous collector offers Figueras a career-making chance to interview Jacques Debierue, the greatest living—and most reclusive—artist, the critic must decide how far he will go to become the art-world celebrity he hungers to be. Will Figueras stop at the opportunity to skim some cream for himself or push beyond morality’s limits to a bigger payoff? Crossing the art world with the underworld, Willeford creates a novel of dark hue and high aesthetic polish. The Burnt Orange Heresy—the 1970s crime classic now back in print—has lost none of its savage delights as it re-creates the making of a murderer, calmly and with exquisite tension, while satirizing the workings of the art world as the ultimate con. Now a major motion picture starring Donald Sutherland and Mick Jagger Praise for The Burnt Orange Heresy “Stunning . . . A novel full of genuine fun that also manages to make a level statement about the art world and its hermetic credulities.” —New Yorker
This concise and balanced survey of heresy and inquisition in the Middle Ages examines the dynamic interplay between competing medieval notions of Christian observance, tracing the escalating confrontations between piety, reform, dissent, and Church authority between 1100 and 1500. Jennifer Kolpacoff Deane explores the diverse regional and cultural settings in which key disputes over scripture, sacraments, and spiritual hierarchies erupted, events increasingly shaped by new ecclesiastical ideas and inquisitorial procedures. Incorporating recent research and debates in the field, her analysis brings to life a compelling issue that profoundly influenced the medieval world.
The Fool and the Heretic is a deeply personal story told by two respected scientists who hold opposing views on the topic of origins, share a common faith in Jesus Christ, and began a sometimes-painful journey to explore how they can remain in Christian fellowship when each thinks the other is harming the church. To some in the church, anyone who accepts the theory of evolution has rejected biblical teaching and is therefore thought of as a heretic. To many outside the church as well as a growing number of evangelicals, anyone who accepts the view that God created the earth in six days a few thousand years ago must be poorly educated and ignorant--a fool. Todd Wood and Darrel Falk know what it's like to be thought of, respectively, as a fool and a heretic. This book shares their pain in wearing those labels, but more important, provides a model for how faithful Christians can hold opposing views on deeply divisive issues yet grow deeper in their relationship to each other and to God.
Beginning with Walter Bauer in 1934, the denial of clear orthodoxy in early Christianity has shaped and largely defined modern New Testament criticism, recently given new life through the work of spokesmen like Bart Ehrman. Spreading from academia into mainstream media, the suggestion that diversity of doctrine in the early church led to many competing orthodoxies is indicative of today's postmodern relativism. Authors Köstenberger and Kruger engage Ehrman and others in this polemic against a dogged adherence to popular ideals of diversity. Köstenberger and Kruger's accessible and careful scholarship not only counters the "Bauer Thesis" using its own terms, but also engages overlooked evidence from the New Testament. Their conclusions are drawn from analysis of the evidence of unity in the New Testament, the formation and closing of the canon, and the methodology and integrity of the recording and distribution of religious texts within the early church.
