Nach wie vor wird das Verhältnis des späten Mittelalters zur anbrechenden Neuzeit kontrovers diskutiert. Manche sehen im 14. und 15. Jahrhundert eine Periode des Verfalls, andere betonen die prägende und innovative Rolle dieser Epoche für die Neuzeit. Der 31. Band der Miscellanea Mediaevalia wirft einen interdisziplinären Blick auf diese Zeitspanne und wendet sich dabei auch kritisch klassischen Einschätzungen zu.
This book offers a fresh account of one of the remarkable figures in the Renaissance, Giovanni Pico della Mirandola (1463-1494), by focusing on a neglected aspect of his work; his reading of scholasticism and its reception in the fifteenth century.
Dieser Band bietet mit Stephan von Gumpenberg Ansichten des Heiligen Landes um 1417/18, gewährt mit Roland von Waldenburg Einblicke in das Italien des 16. Jahrhunderts, läßt das Japan des 17. Jahrhunderts mit den Augen Engelbert Kaempfers sehen und das Ägypten des Jahres 1994 mit denen Salzburger Studierender. Der Leser durchleidet die Qualen eines polnischen Landadligen auf der Meerfahrt von Danzig nach Lübeck und die Schiffbrüche des Alvar Núñez als Bericht über eine gescheiterte Expedition nach Florida. Er besucht mit Sigmund von Herberstein das Moskowitische Rußland im 16. Jahrhundert und erfährt im Gegenzug allerlei Unterhaltsames über Europa aus der Sicht der russischen Reisenden Nikolaj Karamzin und Fedor M. Dostojevskij. Und das sind nur einige Themen dieses faszinierenden Gießener Symposionsbandes, der nach Untersuchungen mythischer Strukturen im Reisebericht und zur Konstruktion von Weiblichkeit in mittelalterlichen Weltkarten eine Reise durch Länder, Zeiten und Kulturen beginnt: er macht den Leser mit byzantinischen, hebräischen sowie arabischen Reisenden des 11./12. und 17. Jahrhunderts und ihren Berichten vertraut, zeigt die Sicht europäischer Adliger des Spätmittelalters auf die Fremde und “besingt” die Reiselieder Oswalds von Wolkenstein. Der Band endet mit einem Blick auf den Traum von der Insel des Glücks. Dazwischen spannt sich der Bogen der Untersuchungen von Nahreisen in die Landschaften Koreas im vormodernen koreanischen Reisebericht, in die Bergwelt Chinas in den chinesischen Bergmonographien oder in die Mark Brandenburg Fontanes über die Reisen des Fürsten von Pückler-Muskau in Franken, Europa und Nordafrika bis hin zu den großen Fernreisen eines Amerigo Vespucci in die Neue Welt und des Odorico da Pordenone nach Asien (mit einer Edition der Aufzeichnungen nach dem mündlichen Bericht des Reisenden). Asien ist auch das Thema der Autorin Sir Galahad und der Filmemacherin Ulrike Ottinger, denen ein weiterer Beitrag gewidmet ist. Den Band beschließt ein umfangreiches Namen- und Werktitelregister, das die Fülle der gebotenen Informationen aufschlüsselt.
Islamic thought is the most beautiful result of a multicultural dialogue. Islamic culture became a bridge between antiquity, Iranian scholars, Syriac and Arabic Christians and the Latin Middle Ages. Its richness of ideas, its plurality of values can contribute to the requirements of modern plurality. The monograph aims at a historical and bibliographical survey of the qurʾānic and rational world-view of early Islam, of the period of translations from Greek into Syriac and Arabic, and of the impact of Islamic thought on the Latin Middle Ages. Critical reflexions of Muslim scholars stimulated new scientific ideas and make us aware of the contribution of Islam to humanity.
The nature and properties of angels occupied a prominent place in medieval philosophical inquiry. Creatures of two worlds, angels provided ideal ground for exploring the nature of God and his creation, being perceived as 'models' according to which a whole range of questions were defined, from cosmological order, movement and place, to individuation, cognition, volition, and modes of language. This collection of essays is a significant scholarly contribution to angelology, centred on the function and significance of angels in medieval speculation and its history. The unifying theme is that of the role of angels in philosophical inquiry, where each contribution represents a case study in which the angelic model is seen to motivate developments in specific areas and periods of medieval philosophical thought.
A critical study of the relationship between poetics and music theory in medieval culture and aesthetics. Musica Naturalis delivers the first systematic account of speculative music theory as a discursive horizon for literary poetics. The title refers to the late medieval French poet Eustache Deschamps, whose 1392 treatise on verse writing, L'Art de Dictier, famously casts verse as “natural music” in explicit distinction to song, which Deschamps defines as “artificial.” Philipp Jeserich links the significance of the speculative branch of medieval musicology to literary theory and literary production, opening up a field of study that has been largely neglected. Beginning with Augustine and Boethius, he traces the discourse of speculative music theory to the late fifteenth century, giving attention to medieval Latin and vernacular sources. Ultimately, Jeserich calls for the conservatism of Deschamps’s poetics and develops a new perspective on the poetics and poetry of the Grands rhétoriqueurs. Given Jeserich's reliance on the intellectual inheritance of late medieval French poetics and poetry, this book will appeal to English-speaking specialists of Old and Middle French, as well as scholars of the French Renaissance. It will also interest English-language medievalists of several other disciplines: intellectual historians and specialists of English, as well as scholars of Italian and Iberian literature.
The history of belief, piety, and theology ("Frommigkeitsgeschichte") has long stood in the center of Erlangen church historian Berndt Hamm's research interest. Inspired by his work, scholars from Europe and the U.S. have produced this interdisciplinary volume covering topics from the early Middle Ages to the present and dedicate it to him on his sixtieth birthday. Theologie- und frommigkeitsgeschichtlichen Phanomenen gilt das besondere Forschungsinteresse des Erlanger Kirchenhistorikers Berndt Hamm. Die Impulse aus seinen Forschungen aufnehmend, widmen ihm Forscher/-innen aus Europa und den USA zum 60. Geburtstag diesen interdisziplinar angelegten Sammelband mit Beitragen vom Fruhmittelalter bis zur Gegenwart.
Wilhelm G. Grewe's "Epochen der Völkerrechtsgeschichte", published in 1984, is widely regarded as one of the classic twentieth century works of international law. This revised translation by Michael Byers of Duke University, Durham, North Carolina, makes this important book available to non-German readers for the first time. "The Epocs of International Law" provides a theoretical overview and detailed analysis of the history of international law from the Middle Ages, to the Age of Discovery and the Thirty Years War, from Napoleon Bonaparte to the Treaty of Versailles, the Cold War and the Age of the Single Superpower, and does so in a way that reflects Grewe's own experience as one of Germany's leading diplomats and professors of international law. A new chapter, written by Wilhelm G. Grewe and Michael Byers, updates the book to October 1998, making the revised translation of interest to German international layers, international relations scholars and historians as well. Wilhelm G. Grewe was one of Germany's leading diplomats, serving as West German ambassador to Washington, Tokyo and NATO, and was a member of the International Court of Arbitration in The Hague. Subsequently professor of International Law at the University of Freiburg, he remains one of Germany's most famous academic lawyers. Wilhelm G. Grewe died in January 2000. Professor Dr. Michael Byers, Duke University, School of Law, Durham, North Carolina, formerly a Fellow of Jesus College, Oxford, and a visiting Fellow of the Max-Planck-Institute for Comparative Public Law and International Law, Heidelberg.
Aus dem Inhalt: E. Fr�zouls: De la maiestas populi Romani � la majest� imp�riale � B. Bedos-Rezak: Ritual in the Royal Chancery: Text, Image, and the Representation of Kingship in Medieval French Diplomas (700-1200) � S. Bagge: Kingship in Medieval Norway. Ideal and Reality � D. Sadler: The King as Subject, the King as Author: Art and Politics of Louis IX � G. Klaniczay: Representations of the Evil Ruler in the Middle Ages � G. Melville: H�rauts et h�ros � M.D. Birnbaum: Matthias Corvinus in Humanist and Popular Perspective � M.S. Flier: The Iconography of Royal Procession: Ivan the Terrible and the Muscovite Palm Sunday Ritual � L. M. Bryant: Politics, Ceremonies, and Embodiments of Majesty in Henry II's France � H. Weber: Das �Toucher Royal� in Frankreich zur Zeit Heinrichs IV. und Ludwigs XIII. � D. J. Sturdy: The Royal Touch in England � A. Wolf: Ein �Comic� fuer den Kaiser � A. Gu�ry: L'Image perdue des Rois de France (XVIIIe-XXe si�cle) � D. E. Barclay: Ritual, Ceremonial, and the �Invention� of a Monarchical Tradition in Nineteenth-Century Prussia.
In the Middle Ages, as Christian sources on the Islamic world show, Muslim culture was perceived as extremely threatening: there were many defenses of Christianity, like the treatise on the “mistakes” of the followers of Allah. This book shows, through an analysis of the works of Nicholas of Cusa and of other authors, that in the course of time this textual attitude was modified, as European authors aimed to point out the Christian truth in comparison with the “falsity” of Islamic theology, in order to reinforce Christian identity through the presupposition of its own absolute truth. The apologetic aim was gradually replaced by a systematic comparison based on partial translations of the Qur’an. The comparison with the “other” was also the basis for reinforcing identity, in order to demonstrate the truth and consequently the supremacy of one’s own theoretical position.
