Rowe uses recent work on the oppressive treatment of gays, women and children in his analysis of Henry James, arguing that James mounts a critique of bourgeois values and lack of historical consciousness.
This collection of prefaces, originally written for the 1909 multi-volume New York Edition of Henry James’s fiction, first appeared in book form in 1934 with an introduction by poet and critic R. P. Blackmur. In his prefaces, James tackles the great problems of fiction writing—character, plot, point of view, inspiration—and explains how he came to write novels such as The Portrait of a Lady and The American. As Blackmur puts it, “criticism has never been more ambitious, nor more useful.” The latest edition of this influential work includes a foreword by bestselling author Colm Tóibín, whose critically acclaimed novel The Master is told from the point of view of Henry James. As a guide not only to James’s inspiration and execution, but also to his frustrations and triumphs, this volume will be valuable both to students of James’s fiction and to aspiring writers.
Critical essays and excerpts from James' notebooks, letters, and prefaces accompany nine stories that deal with ghosts, tyranny, the impact of Europe on Americans, and social manipulation
A collection of "the most important" of Henry James' Prefaces; "his studies of Hawthorne, George Eliot, Balzac, Zola, de Maupassant, Turgenev, Sainte-Beuve, and Arnold; and his essays on the function of criticism and the future of the novel."--P. [4] of cover.
Henry James: The Contemporary Reviews presents the most thorough gathering of newspaper and magazine reviews of James' work ever assembled. This collection also reprints many rarely seen notices written by the most important women reviewers of the late nineteenth and early twentieth centuries. Each chapter ends with a checklist of additional reviews not presented here. The introduction surveys the major themes of the reviews and also shows how they personally influenced James and his work.
Young Londoners Kate and Merton are engaged, but have no money to marry on. When the wealthy but terminally ill American heiress Milly arrives in London, Kate schemes for a way to inherit her fortune. But when Kate achieves all she had hoped for, she finds that the money and the gentle, beautiful Milly have changed everything.
This book, the first fully sustained reading of Henry James's and Oscar Wilde's relationship, reveals why the antagonisms between both authors are symptomatic of the cultural oppositions within Aestheticism itself.