Heidegger, Art, and Postmodernity

Heidegger, Art, and Postmodernity

Author: Iain D. Thomson

Publisher: Cambridge University Press

Published: 2011-04-29

Total Pages: 267

ISBN-13: 1139498975

DOWNLOAD EBOOK

Heidegger, Art, and Postmodernity offers a radical new interpretation of Heidegger's later philosophy, developing his argument that art can help lead humanity beyond the nihilistic ontotheology of the modern age. Providing pathbreaking readings of Heidegger's 'The Origin of the Work of Art' and his notoriously difficult Contributions to Philosophy (From Enowning), this book explains precisely what postmodernity meant for Heidegger, the greatest philosophical critic of modernity, and what it could still mean for us today. Exploring these issues, Iain D. Thomson examines several postmodern works of art, including music, literature, painting and even comic books, from a post-Heideggerian perspective. Clearly written and accessible, this book will help readers gain a deeper understanding of Heidegger and his relation to postmodern theory, popular culture and art.


Nietzsche, Heidegger, and the Transition to Postmodernity

Nietzsche, Heidegger, and the Transition to Postmodernity

Author: Gregory B. Smith

Publisher: University of Chicago Press

Published: 1996-02-15

Total Pages: 380

ISBN-13: 9780226763408

DOWNLOAD EBOOK

Nietzsche and Heidegger, Smith argues, have made possible a far more revolutionary critique of modernity than even their most ardent postmodern admirers have realized.


Heidegger's Philosophy of Art

Heidegger's Philosophy of Art

Author: Julian Young

Publisher: Cambridge University Press

Published: 2001-01-25

Total Pages: 206

ISBN-13: 9780521791762

DOWNLOAD EBOOK

This book, the first comprehensive study in English of Heidegger's philosophy of art, starts in the mid-1930s with Heidegger's discussion of the Greek temple and his Hegelian declaration that a great artwork gathers together an entire culture in affirmative celebration of its foundational 'truth', and that, by this criterion, art in modernity is 'dead'. His subsequent work on Hölderlin, whom he later identified as the decisive influence on his mature philosophy, led him into a passionate engagement with the art of Rilke, Cézanne, Klee and Zen Buddhism, liberating him not only from the overly restrictive conception of art of the mid-1930s but also from the disastrous politics of the period. Drawing on material hitherto unknown in the anglophone world, Young establishes a new account of Heidegger's philosophy of art and shows that his famous essay 'The Origin of the Work of Art' is its beginning, not its end.


Schopenhauer, Philosophy and the Arts

Schopenhauer, Philosophy and the Arts

Author: Dale Jacquette

Publisher: Cambridge University Press

Published: 2007-11-05

Total Pages: 324

ISBN-13: 9780521044066

DOWNLOAD EBOOK

This collection brings together thirteen new essays by some of the most respected contemporary scholars of Schopenhauer's aesthetics from a wide spectrum of philosophical perspectives. It examines the unique theory Schopenhauer developed to explain the life and work of the artist, and the influence his aesthetic philosophy has had on subsequent artistic traditions in such diverse areas as music, painting, poetry, literature, and architecture. The authors present Schopenhauer's thought as a vital and enduring contribution to aesthetic theory, and to the idealist vision that continues to guide Romantic and neo-Romantic art.


The End of Art

The End of Art

Author: Eva Geulen

Publisher: Stanford University Press

Published: 2006

Total Pages: 220

ISBN-13: 9780804744249

DOWNLOAD EBOOK

Since Hegel, the idea of an end of art has become a staple of aesthetic theory. This book analyzes its role and its rhetoric in Hegel, Nietzsche, Benjamin, Adorno, and Heidegger in order to account for the topic's enduring persistence. In addition to providing a general overview of the main thinkers of post-Idealist German aesthetics, the book explores the relationship between tradition and modernity. For despite the differences that distinguish one philosopher's end of art from another's, all authors treated here turn the end of art into an occasion to thematize and to reflect on the very thing that modernism cannot or should not be: tradition. As a discourse, the end of art is one of our modern traditions.


Interpreting Heidegger

Interpreting Heidegger

Author: Daniel O. Dahlstrom

Publisher: Cambridge University Press

Published: 2011-03-17

Total Pages: 321

ISBN-13: 1139500422

DOWNLOAD EBOOK

This volume of essays by internationally prominent scholars interprets the full range of Heidegger's thought and major critical interpretations of it. It explores such central themes as hermeneutics, facticity and Ereignis, conscience in Being and Time, freedom in the writings of his period of transition from fundamental ontology, and his mature criticisms of metaphysics and ontotheology. The volume also examines Heidegger's interpretations of other authors, the philosophers Aristotle, Kant and Nietzsche and the poets Rilke, Trakl and George. A final group of essays interprets the critical reception of Heidegger's thought, both in the analytic tradition (Ryle, Carnap, Rorty and Dreyfus) and in France (Derrida and Lévinas). This rich and wide-ranging collection will appeal to all who are interested in the themes, the development and the context of Heidegger's philosophical thought.


Aesthetics, Theory and Interpretation of the Literary Work

Aesthetics, Theory and Interpretation of the Literary Work

Author: Paolo Euron

Publisher: BRILL

Published: 2019-08-12

Total Pages: 251

ISBN-13: 9004409238

DOWNLOAD EBOOK

This book introduces the reader to the literary work and to an understanding of its cultural background and its specific features. In doing so, it refers to two main traditions of Western culture: one of aesthetics and the theory of art and the other of literary theory. In our postmodern world, language and artistic creation (and above all literature as the art of language) occupy a special role in understanding the human world and become existential issues. A critical attitude requires knowledge of the relevant past in order to understand what we are today. The author presents key topics, ideas, and representatives of aesthetics, theory, and the interpretation of works of art in an historical perspective, in order to explain the Western tradition with constant attention to the present condition. Aesthetics, Theory and Interpretation of the Literary Work offers an outline of essential concepts and authors of aesthetics and theories of the literary work, presenting basic topics and ideas in their historical context and development, considering their relevance to the contemporary debate, and highlighting the specificity of the experience of the art work in our present world. The best way to approach a work of art is to enjoy it. In order to enjoy a literary work, we have to consider its correct context and its specific artistic qualities. The book is conceived as a general and enjoyable introduction to the experience of the work of art in Western culture. See inside the book.


Postmodernism, or, The Cultural Logic of Late Capitalism

Postmodernism, or, The Cultural Logic of Late Capitalism

Author: Fredric Jameson

Publisher: Duke University Press

Published: 1992-01-06

Total Pages: 474

ISBN-13: 9780822310907

DOWNLOAD EBOOK

Now in paperback, Fredric Jameson’s most wide-ranging work seeks to crystalize a definition of ”postmodernism”. Jameson’s inquiry looks at the postmodern across a wide landscape, from “high” art to “low” from market ideology to architecture, from painting to “punk” film, from video art to literature.