Heber Chase Kimball (1801-1868) was born in Sheldon, Vermont to Solomon Farnham Kimball and Anna Spaulding. In 1831 he joined the LDS Church and in 1835 he became and apostle. he served for a number of years as a counselor to Brigham Young. Heber was married to forty-three women and was the father of sixty-five children.
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"Romance the way it was meant to be!" - Kathe Robin, RT Book Reviews Guarded Hearts… ~ A French pirate of smoldering passions, Justin St. Briac will never marry. However, when his manipulative mother beckons him to her deathbed in Cornwall, he succumbs to her plea that he take a bride. ~ Mouette Raveneau, once the toast of the London ton, has been ruined by her dead husband’s crimes. With two adolescent sons and no means of support, she reluctantly takes refuge in Cornwall. A Pretend Marriage… To grant his mother’s dying wish, Justin devises an elaborate charade. Her days are numbered, after all, and soon he’ll return to his life of unfettered romantic conquests and adventure in France. But, what if his mother isn’t really dying? And what if he begins to enjoy the very thing he’s avoided his whole life? Rakes & Rebels: The Raveneau Family series: 1 - SILVER STORM (André & Devon) 2 - HER HUSBAND, THE RAKE: a sequel novella (André & Devon) 3 - SMUGGLER'S MOON (Sebastian & Julia) 4 - THE SECRET OF LOVE (Gabriel & Isabella) 5 - SURRENDER THE STARS (Ryan & Lindsay) 6 - HIS MAKE-BELIEVE BRIDE (Justin & Mouette) 7 - HIS RECKLESS BARGAIN (Nathan & Adrienne) 8 - TEMPEST (Adam & Cathy)
This volume brings together new approaches to music history to reveal the interdependence of music and religion in nineteenth-century culture. As composers and performers drew inspiration from the Bible and new historical sciences called into question the historicity of Scripture, controversies raged over the performance, publication and censorship of old and new musical forms. From oratorio to opera, from parlour song to pantomime, and from hymn to broadside, nineteenth-century Britons continually encountered elements of the biblical past in song. Both elite and popular music came to play a significant role in the formation, regulation and contestation of religious and cultural identity and were used to address questions of class, nation and race, leading to the beginnings of ethnomusicology. This richly interdisciplinary volume brings together musicologists, historians, literary and art historians and theologians to reveal points of intersection between music, religion and cultural history.