Conservative strands in American literature are often overlooked in university courses. This book focuses on the works of conservative American writers and of others who have written of America from a conservative perspective. Beginning with the work of Edgar Allan Poe, the book explores the traditionalist temper in books by Vachel Lindsay, James Agee, Flannery O'Connor, V.S. Naipaul, and Kent Haruf. Drawing on the theories of Lewis P. Simpson, Leszek Kolakowski, Roger Scruton, and Gertrude Himmelfarb, among others, this text offers a fresh examination of a significant aspect of American literature.
Winner of the 2009 Society for Cinema and Media Studies Katherine Singer Kovacs Book Award The Midwest of popular imagination is a "Heartland" characterized by traditional cultural values and mass market dispositions. Whether cast positively —; as authentic, pastoral, populist, hardworking, and all-American—or negatively—as backward, narrow–minded, unsophisticated, conservative, and out-of-touch—the myth of the Heartland endures. Heartland TV examines the centrality of this myth to television's promotion and development, programming and marketing appeals, and public debates over the medium's and its audience's cultural worth. Victoria E. Johnson investigates how the "square" image of the heartland has been ritually recuperated on prime time television, from The Lawrence Welk Show in the 1950s, to documentary specials in the 1960s, to The Mary Tyler Moore Show in the 1970s, to Ellen in the 1990s. She also examines news specials on the Oklahoma City bombing to reveal how that city has been inscribed as the epitome of a timeless, pastoral heartland, and concludes with an analysis of network branding practices and appeals to an imagined "red state" audience. Johnson argues that non-white, queer, and urban culture is consistently erased from depictions of the Midwest in order to reinforce its "reassuring" image as white and straight. Through analyses of policy, industry discourse, and case studies of specific shows, Heartland TV exposes the cultural function of the Midwest as a site of national transference and disavowal with regard to race, sexuality, and citizenship ideals.
Introduction -- The Midwest and white virtue -- Heartland histories -- Inside out : the global production of insular whiteness -- No place like home : the "ordinary" Midwest through popular fiction and fantasy -- Theater of whitness : mass media discourses on the Midwest region -- Conclusion -- Appendix A : bibliography of films referenced in chapter 4 -- Appendix B : bibliography of media articles referenced in chapter 5.
The Midwest has always been the heart of America-both its economic bellwether and the repository of its national identity. Now, in a new, globalized age, the Midwest is challenged as never before. With an influx of immigrant workers and an outpouring of manufacturing jobs, the region that defines the American self-the Lake Wobegon image of solid, hardworking farmers and factory hands-is changing at breakneck speed. As factory farms and global forces displace old ways of life, the United States is being transformed literally from the inside out. In Caught in the Middle, longtime Chicago Tribune reporter Richard C. Longworth explores the new reality of life in today's heartland and reveals what these changes mean for the region-and the country. Ranging from the manufacturing collapse that has crippled the Midwest to the biofuels revolution that may save it, and from the school districts struggling with new migrants to the Iowa meatpacking town that can't survive without them, Longworth addresses what's right and what's wrong in the region, and offers a prescription for how it must change-politically as well as economically-if it is to survive and prosper.
She came to protect a people, but she needs to preserve a world. Kyndra has saved and damned the people of Mariar. Her star-born powers healed a land in turmoil, but destroyed an ancient magic – which once concealed them from invaders. Now Kyndra must head into enemy territory to secure peace. She finds the Sartyan Empire, unstable but as warlike as ever. It’s plagued by dissident factions, yet its emperor still has the strength to crush her homeland. The Khronostians, assassins who dance through time, could help Kyndra; or they might be her undoing. And deep within the desert, Char Lesko struggles to control his own emerging powers. He’s been raised by a mercenary whose secrets could change everything – including the future and the past. But when Kyndra and Char meet, will their goals align? Kyndra must harness the full glory of the stars and Char has to channel his rage, or two continents will be lost.
What happens when you think you've died, only to wake up on a movie set and find out your whole life may be a figment of someone else's imagination? What if everyone sees you as the hero? JayJay's new life may seem like a dream to him--but it's a miracle to everyone else.
Bursting with distinctive, highly detailed, full-color paintings, drawings, sketches, and photographs, Charles Wysocki's love affair with life and with Americana is chronicled in this bright and beautiful collection. More than 75 full-page full-color reproductions, 50 full-color photographs, and dozens of source sketches reveal the artist's heart.
Heartland is a short novel, a parable about a community that is trying to heal itself. More than just a piece of fiction, it is according to its author, 'a true story about a people ¿ Christians ¿ who are living a profound contradiction . Hannah is a runaway girl in search of her roots and her identity in the midst of a divided farming community. Pursued by her father, she crosses dangerous, inhospitable borderlands to learn about her people¿s history and their deep-seated prejudices as she pits her wits against the elders of the land. The 'coming of age¿ they all experience is empowered by some magic story-telling drawn from ancient myths and legends that will enchant both young and old.
In this Time Top 100 Book of the Year, the National Book Award finalist and New York Times bestselling author of Heartland “analyzes how Dolly Parton’s songs—and success—have embodied feminism for working-class women” (People). Growing up amid Kansas wheat fields and airplane factories, Sarah Smarsh witnessed firsthand the particular vulnerabilities—and strengths—of women in working poverty. Meanwhile, country songs by female artists played in the background, telling powerful stories about life, men, hard times, and surviving. In her family, she writes, “country music was foremost a language among women. It’s how we talked to each other in a place where feelings aren’t discussed.” And no one provided that language better than Dolly Parton. In this “tribute to the woman who continues to demonstrate that feminism comes in coats of many colors,” Smarsh tells readers how Parton’s songs have validated women who go unheard: the poor woman, the pregnant teenager, the struggling mother disparaged as “trailer trash.” Parton’s broader career—from singing on the front porch of her family’s cabin in the Great Smoky Mountains to achieving stardom in Nashville and Hollywood, from “girl singer” managed by powerful men to self-made mogul of business and philanthropy—offers a springboard to examining the intersections of gender, class, and culture. Infused with Smarsh’s trademark insight, intelligence, and humanity, this is “an ambitious book” (The New Republic) about the icon Dolly Parton and an “in-depth examination into gender and class and what it means to be a woman and a working-class hero that feels particularly important right now” (Refinery29).
