Making Harvard Modern

Making Harvard Modern

Author: Morton Keller

Publisher: Oxford University Press

Published: 2001-11-15

Total Pages: 609

ISBN-13: 019803301X

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Making Harvard Modern is a candid, richly detailed portrait of America's most prominent university from 1933 to the present: seven decades of dramatic change. Early twentieth century Harvard was the country's oldest and richest university, but not necessarily its outstanding one. By the century's end it was widely regarded as the nation's, and the world's, leading institution of higher education. With verve, humor, and insight, Morton and Phyllis Keller tell the story of that rise: a tale of compelling personalities, notable achievement and no less notable academic pratfalls. Their book is based on rich and revealing archival materials, interviews, and personal experience. Young, humbly born James Bryant Conant succeeded Boston Brahmin A. Lawrence Lowell as Harvard's president in 1933, and set out to change a Brahmin-dominated university into a meritocratic one. He hoped to recruit the nation's finest scholars and an outstanding national student body. But the lack of new money during the Depression and the distractions of World War Two kept Conant, and Harvard, from achieving this goal. In the 1950s and 1960s, during the presidency of Conant's successor Nathan Marsh Pusey, Harvard raised the money, recruited the faculty, and attracted the students that made it a great meritocratic institution: America's university. The authors provide the fullest account yet of this transformation, and of the wrenching campus crisis of the late 'sixties. During the last thirty years of the twentieth century, a new academic culture arose: meritocratic Harvard morphed into worldly Harvard. During the presidencies of Derek Bok and Neil Rudenstine the university opened its doors to growing numbers of foreign students, women, African- and Asian-Americans, and Hispanics. Its administration, faculty, and students became more deeply engaged in social issues; its scientists and professional schools were more ready to enter into shared commercial ventures. But worldliness brought its own conflicts: over affirmative action and political correctness, over commercialization, over the ever higher costs of higher education. This fascinating account, the first comprehensive history of a modern American university, is essential reading for anyone with an interest in the present state and future course of higher education.


Anthropology at Harvard

Anthropology at Harvard

Author: David L. Browman

Publisher: Harvard University Press

Published: 2013-07-15

Total Pages: 666

ISBN-13: 0873659139

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The history of anthropology at Harvard is told through vignettes about the people, famous and obscure, who shaped the discipline at Harvard College and the Peabody Museum. The role of amateurs and private funders in the early growth of the field is highlighted, as is the participation of women and of students and scholars of diverse ethnicities.


The half opened door

The half opened door

Author: Marcia Graham Synnott

Publisher: Transaction Publishers

Published:

Total Pages: 351

ISBN-13: 1412843316

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Originally published: Westport, Conn.: Greenwood Press, 1979.


Mulliken and Young's Vascular Anomalies

Mulliken and Young's Vascular Anomalies

Author: John B. Mulliken

Publisher: Oxford University Press, USA

Published: 2013-07

Total Pages: 1139

ISBN-13: 0195145054

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Based on the key concept that vascular anomalies can be classified separately as tumours or malformations, this comprehensive and interdisciplinary volume furthers the understanding of the biological and behavioural differences of cutaneous vascular lesions.


FROZEN IN TIME: An Early Carte de Visite Album from New Bedford, Massachusetts

FROZEN IN TIME: An Early Carte de Visite Album from New Bedford, Massachusetts

Author: Susan Snow Lukesh

Publisher: BookLocker.com, Inc.

Published: 2021-08-10

Total Pages: 181

ISBN-13: 1647198615

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In Frozen in Time, Susan Snow Lukesh takes a mid-nineteenth century photo album from New Bedford, Massachusetts, created against an almost unmentioned backdrop of the Civil War, and moves the people seemingly frozen in time backwards and forwards, offering details of daily living, marrying, working, and dying of both the individuals whose portraits are included as well as their kin and colleagues. The details of daily living, of the marrying, working, and dying of the neighbors and kin in the photo album from New Bedford, demonstrate the personal side of the development of this famous whaling capital through its transition to a strong mill economy. These details also show how the financial and intellectual capital of the city fueled development throughout the United States. This album with its very small cast of neighbors and kin thus unfolds to offer a glimpse of the rich panorama of nineteenth-century New Bedford. The biographical sketches of the onstage and offstage players combined with the histories presented (of New Bedford, of nineteenth-century social media, and of the album itself) reveal a snapshot of New Bedford’s citizens, New Bedford’s history and industries, and, importantly, New Bedford’s part in the Civil War. Frozen in Time presents local history in the broader context of the United States and can be seen as well as an example of petite histoire – an account of particular households and neighborhoods, reminding readers of the continuing importance of both family and neighborhoods, real or virtual. The discussion of nineteenth-century social media also shows those in the twenty-first century that Facebook can be seen as old social media on a new platform. The photographs from the time of the Civil War underscore the arc of photography from its first use capturing images of war to its present use to record violence perpetuated on and perpetuated by police and others at home and around the world. Lukesh was entrusted with the family album that is the basis for Frozen in Time and used her experience in research, artifact interpretation, and writing to develop the narrative of the book. She hopes readers will take away the importance and value of both family and history, as well as the part of the family in history.


Catalog of Copyright Entries. Third Series

Catalog of Copyright Entries. Third Series

Author: Library of Congress. Copyright Office

Publisher: Copyright Office, Library of Congress

Published: 1951

Total Pages: 1300

ISBN-13:

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Includes Part 1A: Books and Part 1B: Pamphlets, Serials and Contributions to Periodicals


Patron Saints

Patron Saints

Author: Nicholas Fox Weber

Publisher: Knopf

Published: 2014-10-29

Total Pages: 550

ISBN-13: 0804154023

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This lively work of cultural history tells the stories of five young art patrons who, in the last 1920s and 1930s, were instrumental in bringing modern painting, sculpture, and dance to America. A combination of wealth, Harvard education privilege, and family connections enabled Lincoln Kirstein, Edward M. M. Warburg, Agnes Mongan, James Thrall Soby, and A. Everett (Chick) Austin, Jr., to introduce the work of Picasso, Balanchine, Calder, and other important artists to the United States.