At West Point, William Babcock Hazen made a life-long enemy of Custer by arresting him, and during the Civil War he made enemies of Rosecrans and Sheridan. After the war Grant came to hate him. These men accused Hazen of stealing, of cowardice in the face of the enemy, of causing the loss at Chickamauga, of being a dupe of the Indians, and they banished him to Fort Buford in the far northwest. Hazen's life debunks the myth of men who fought side by side bonding together into a brotherhood. Hazen also had running feuds with two secretaries of war. He caused one to be impeached and the other to be publicly disgraced. Even Sherman, after years of friendship, turned against Hazen.
In a new approach to Goethe's Faust I, Evanghelia Stead extensively discusses Moritz Retzsch's twenty-six outline prints (1816) and how their spin-offs made the unfathomable play available to larger reader communities through copying and extensive distribution circuits, including bespoke gifts. The images amply transformed as they travelled throughout Europe and overseas, revealing differences between countries and cultures but also their pliability and resilience whenever remediated. This interdisciplinary investigation evidences the importance of print culture throughout the nineteenth and early twentieth centuries in nations involved in competition and conflict. Retzsch's foundational set crucially engenders parody, and inspires the stage, literature, and three-dimensional objects, well beyond common perceptions of print culture's influence. This book is available in open access thanks to an Institut Universitaire de France (IUF) grant.
The fifth and final volume in the Colonels in Blue series, this book covers Civil War Union colonels who commanded regiments of the U.S. Colored Troops, the U.S. Regular Army, the U.S. Marine Corps and the U.S. Sharpshooters. Colonels who served as staff officers or with special units, such as the U.S. Veteran Volunteer Infantry, the U.S. Volunteer Infantry, the Veteran Reserve Corps and various organizations previously undocumented, are also included. Brief biographical sketches cover each officer's Civil War service, followed by pertinent details of their lives. Photographs are provided for most, many published for the first time. Rosters of the colonels in each category include those promoted to higher ranks whose lives are documented in other works.
What an achievement! It is a major work. The letters taken together with the excellent introductory sections - so balanced and judicious and informative - what emerges is an amazing picture of William Sharp the man and the writer which explores just how fascinating a figure he is. Clearly a major reassessment is due and this book could make it happen. —Andrew Hook, Emeritus Bradley Professor of English and American Literature, Glasgow University William Sharp (1855-1905) conducted one of the most audacious literary deceptions of his or any time. Sharp was a Scottish poet, novelist, biographer and editor who in 1893 began to write critically and commercially successful books under the name Fiona Macleod. This was far more than just a pseudonym: he corresponded as Macleod, enlisting his sister to provide the handwriting and address, and for more than a decade "Fiona Macleod" duped not only the general public but such literary luminaries as William Butler Yeats and, in America, E. C. Stedman. Sharp wrote "I feel another self within me now more than ever; it is as if I were possessed by a spirit who must speak out". This three-volume collection brings together Sharp’s own correspondence – a fascinating trove in its own right, by a Victorian man of letters who was on intimate terms with writers including Dante Gabriel Rossetti, Walter Pater, and George Meredith – and the Fiona Macleod letters, which bring to life Sharp’s intriguing "second self". With an introduction and detailed notes by William F. Halloran, this richly rewarding collection offers a wonderful insight into the literary landscape of the time, while also investigating a strange and underappreciated phenomenon of late-nineteenth-century English literature. It is essential for scholars of the period, and it is an illuminating read for anyone interested in authorship and identity.
