The Hothouse

The Hothouse

Author: Harold Pinter

Publisher: Dramatists Play Service, Inc.

Published: 1980

Total Pages: 76

ISBN-13: 9780822205357

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THE STORY: The scene is a government institution, possibly mental or medical and presumably penal, where the inmates are kept behind locked gates and are referred to by number rather than name. In charge is Roote, a pompous ex-colonel who is surely


The Hothouse

The Hothouse

Author: Harold Pinter

Publisher: Grove Press

Published: 1980

Total Pages: 160

ISBN-13: 9780802136435

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Dramatically depicts a government mental institution, ostensibly run to help the mentally ill, that is caught up in corruption and an ironic disregard for human life.


Ashes to Ashes

Ashes to Ashes

Author: Harold Pinter

Publisher: Grove Press

Published: 1997

Total Pages: 100

ISBN-13: 9780802135100

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First presented by the Royal Court Theatre in London in September of 1996, Ashes to Ashes is a triumph of power and concision. In the living room of a pleasant house in a university town outside of London, Devlin, threatened by his wife Rebecca's recollections of an abusive ex-lover, questions her relentlessly in his need for a single truth. In her seamless blending of what she knows of violence with the wider violence of the world, Rebecca reveals an eerie communion with the dead victims of unnamed political barbarities.


Party Time ; And, The New World Order

Party Time ; And, The New World Order

Author: Harold Pinter

Publisher: Grove Press

Published: 1993

Total Pages: 84

ISBN-13: 9780802133526

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Born in London in 1930, Harold Pinter holds an undisputed place in the front ranks of contemporary playwrights. These two plays, Party Time and The New World Order, work in chilling tandem, each demonstrating the inevitable brutality that comes with a total conviction of right. Party Time is a terrifying portrait of the culpable indifference of a privileged class, of the cruelty engendered in its members by political disruption, and of their merciless extinction of dissent. At an elegant cocktail party, a stylish bourgeoisie discusses country clubs and summer homes, while below in the streets a sinister military presence protects them from the unmentionable horrors of poverty, vulgarity, squalor. In The New World Order, two interrogators harass a man whom they condemn for his questioning of received ideas, and whom we know only as threat to their closed vision of democracy.


Eigengrau

Eigengrau

Author: Penelope Skinner

Publisher: Faber & Faber

Published: 2010-11-04

Total Pages: 108

ISBN-13: 0571274676

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Eigengrau / [ay-gen-gr-ow ] - noun. intrinsic light; the colour seen by the eye in perfect darkness Rose believes in true love and leprechauns. Her flatmate Cassie is engaged in a fervent struggle against patriarchal oppression. Across London, Mark believes in the power of marketing. His flatmate Tim Muffin is engaged in a fervent struggle against his own waistline. In a city where Gumtree can feel like your closest friend, looking for the right person can lead you all the wrong places. Penelope Skinner's Eigengrau premiered at the Bush Theatre, London, in March 2010 in a Strawberry Vale production.


Baghdad Wedding

Baghdad Wedding

Author: Hassan Abdulrazzak

Publisher: Bloomsbury Publishing

Published: 2007-06-28

Total Pages: 130

ISBN-13: 1849437785

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'In Iraq, a wedding is not a wedding unless shots get fired. It's like in England where a wedding is not a wedding unless someone pukes or tries to fuck one of the bridesmaids. That's the way it goes.' From cosmopolitan London to the chaos of war-ravaged Baghdad, this is the comic tale of three friends, torn between two worlds, and a wedding that goes horribly wrong. Baghdad Wedding premiered at the Soho Theatre in June 2007 and was the winner of the George Devine, Meyer-Whitworth (2008) and Pearson (2009) awards.


A Companion to Modern British and Irish Drama, 1880 - 2005

A Companion to Modern British and Irish Drama, 1880 - 2005

Author: Mary Luckhurst

Publisher: John Wiley & Sons

Published: 2008-04-15

Total Pages: 608

ISBN-13: 0470751479

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This wide-ranging Companion to Modern British and Irish Drama offers challenging analyses of a range of plays in their political contexts. It explores the cultural, social, economic and institutional agendas that readers need to engage with in order to appreciate modern theatre in all its complexity. An authoritative guide to modern British and Irish drama. Engages with theoretical discourses challenging a canon that has privileged London as well as white English males and realism. Topics covered include: national, regional and fringe theatres; post-colonial stages and multiculturalism; feminist and queer theatres; sex and consumerism; technology and globalisation; representations of war, terrorism, and trauma.


Pinter at Sixty

Pinter at Sixty

Author: Katherine H. Burkman

Publisher:

Published: 1993

Total Pages: 250

ISBN-13:

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A major reassessment of the achievements of British playwright Harold Pinter by an international group of scholars.


Plays of Impasse

Plays of Impasse

Author: Carol Rosen

Publisher: Princeton University Press

Published: 2017-03-14

Total Pages: 357

ISBN-13: 1400886503

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A study of post–World War II plays set in “total institutions” such as hospitals, psychiatric wards, prisons, and military bases Plays of Impasse probes the structure and significance of the numerous and highly visible plays set in contemporary society’s dead ends—the hospitals, psychiatric wards, prisons, and military training camps so aptly described by Irving Goffman as “total institutions.” Carol Rosen shows how the setting in these plays tends to engulf and then to exclude the audience, turning an encompassing stage structure—a closed, controlling, absolute system—into a protagonist that overwhelms the characters. In discussions ranging from Harold Pinter’s The Hothouse to Samuel Beckett’s Endgame, she further maintains that the impasse of characters in reductive environments supplies a unifying image for post–World War II drama in general. This state of impasse pervades contemporary drama. Everyday activities and attempts to endure life in a parenthesis are vacated of traditional social or moral meaning onstage. The pain of this kind of survival, spatially fixed, is at the heart of Endgame, for example, an extreme instance of this mode of drama at the edge of existence. In plays such as Peter Nichols’s The National Health, Peter Weiss’s Marat/Sade, Friedrich Dürrenmatt’s The Physicists, David Storey’s Home, Brendan Behan’s The Quare Fellow, Jean Genet’s Deathwatch, and David Rabe’s The Basic Training of Pavlo Hummel, the splintered self, like the divided society, strives to endure against enormous, codified odds. Even in plays not depicting the rigidity of institutions, the contemporary dramatic mode is finally characterized by sparse, introspective action in a closed system—an onstage model of a world gone awry, a world at an impasse. Originally published in 1983. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.