BP 250

BP 250

Author: R. Reginald

Publisher: Wildside Press LLC

Published: 1996-01-01

Total Pages: 250

ISBN-13: 0809512068

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An Annotated Bibliography of the First 300 Publications of the Borgo Press, 1975-1998


Heretic's Apprentice

Heretic's Apprentice

Author: Ellis Peters

Publisher: Mysterious Press

Published: 1990-03-01

Total Pages: 186

ISBN-13: 9780892963812

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In her sixteenth chronicle of the medieval monk-detective Brother Cadfael, Ellis Peters throws a variety of puzzles at her hero. In the summer of 1143, Brother Cadfael is torn from his herbarium to investigate the deaths of two visitors.


The Heretic's Feast

The Heretic's Feast

Author: Colin Spencer

Publisher: UPNE

Published: 1996

Total Pages: 420

ISBN-13: 9780874517606

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Micronesia Country Study Guide - Strategic Information and Developments Volume 1 Strategic Information and Developments


The Heretic's Gospel - Book One

The Heretic's Gospel - Book One

Author: Gabriel Stone

Publisher: Xlibris Corporation

Published: 2013-06-11

Total Pages: 544

ISBN-13: 1483650987

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The Heretic's Gospel - Book One tells the story of a young Jewish carpenter, from his birth in a humble cave in Bethlehem, through his childhood, his reluctant betrothal, his baptism by the famous John the Baptist, and to his own preeminence as the "Great Healer of Upper Galilee." Based on literally thousands of hours of archaeological and historical research, the past will come alive again as you look at Life in First Century Israel through the eyes of the man who comes to be known to the world as Jesus Christ.


The Heretical Archive

The Heretical Archive

Author: Domietta Torlasco

Publisher: U of Minnesota Press

Published: 2013-03-05

Total Pages: 145

ISBN-13: 1452939667

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The Heretical Archive examines the relationship between memory and creation in contemporary artworks that use digital technology while appropriating film materials. Domietta Torlasco argues that these digital films and multimedia installations radically transform our memory of cinema and our understanding of the archive. Indeed, such works define a notion of archiving not as the passive preservation of audiovisual signs but as an intervention and the creative rearticulation of cinema’s perceptual and political textures. Connecting psychoanalysis, phenomenology, and feminist theory in innovative ways, Torlasco analyzes cutting-edge digital works that engage with the past of European cinema and visual culture, including video installations by Monica Bonvicini (Destroy She Said) and Pierre Huyghe (The Ellipsis), Agnès Varda’s film The Gleaners and I, Marco Poloni’s multimedia installation The Desert Room, and Chris Marker’s CD-ROM Immemory. Torlasco’s central claim is that if the archives of psychoanalysis and cinema have long privileged the lineage that runs from Oedipus to Freud, the archives of the digital age—what she calls the “heretical archive”—can help us imagine an unruly, porous, multifaceted legacy, one in which marginal figures return to speak of lost life as much as of life that demands to be lived.


Heretics and Hellraisers

Heretics and Hellraisers

Author: Margaret C. Jones

Publisher: University of Texas Press

Published: 2014-01-27

Total Pages: 240

ISBN-13: 0292780494

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The Masses was the most dynamic and influential left-wing magazine of the early twentieth century, a touchstone for understanding radical thought and social movements in the United States during that era. As a magazine that supported feminist issues, it played a crucial role in shaping public discourse about women's concerns. Women editors, fiction writers, poets, and activists like Mary Heaton Vorse, Louise Bryant, Adriana Spadoni, Elsie Clews Parsons, Inez Haynes Gillmore, and Helen Hull contributed as significantly to the magazine as better-known male figures. In this major revisionist work, Margaret C. Jones calls for reexamination of the relevance of Masses feminism to that of the 1990s. She explores women contributors' perspectives on crucial issues: patriarchy, birth control, the labor movement, woman suffrage, pacifism, and ethnicity. The book includes numerous examples of the writings and visual art of Masses women and a series of biographical/bibliographical sketches designed to aid other researchers.


Hardboiled Horror

Hardboiled Horror

Author: Heather Graham

Publisher: JournalStone

Published: 2018-06-21

Total Pages: 481

ISBN-13: 1947654012

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There’s something out there in the dark. There’s always something watching. There’s always something reaching for you. Always. And sometimes there’s someone you can call. Someone you can hire. Someone who knows these dark streets and back alleys. Someone who knows how things work in this part of town. Private eyes who are often as dark as the things they hunt. Investigators who know how to look in the shadows for the things that go bump. Good guys but not always nice guys. Hardboiled Horror collects fifteen original tales of noir mystery shot through with elements of horror and the supernatural. Occult detectives, paranormal investigators, seedy P.I.s, amateur sleuths and ghost hunters tackle the cases no one else can handle. The killer lineup includes Heather Graham, Kevin J. Anderson, Rachel Caine, Scott Sigler, Seanan McGuire Alethea Kontis, Jonathan Maberry, Chris Ryall, Dana Fredsti, Jim Beard, Jacopo della Quercia, John Gilstrap, Jon McGoran, Josh Malerman, Max Allan Collins & Matthew V. Clemens, Lois H. Gresh and Nancy Holder. Edited by New York Times bestseller and five-time Bram Stoker Award winner Jonathan Maberry.


The Heretic's Apprentice

The Heretic's Apprentice

Author: Ellis Peters

Publisher: Open Road Media

Published: 2014-08-05

Total Pages: 290

ISBN-13: 1497671507

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Charges of heresy and murder are complicated by the contents of a mysterious treasure chest In the summer of 1143, William of Lythwood arrives at the Benedictine Abbey of St. Peter and St. Paul, but it is not a joyous occasion—he’s come back from his pilgrimage in a coffin. William’s body is accompanied by his young attendant Elave, whose mission is to secure a burial place for his master on the abbey grounds, despite William’s having once been reprimanded for heretical views. An already difficult task is complicated when Elave drunkenly expresses his own heretical opinions, and capital charges are filed. When a violent death follows, Sheriff Hugh Beringar taps his friend Brother Cadfael for help. The mystery that unfolds grows deeper thanks to a mysterious and marvelous treasure chest in Elave’s care.


The Age of Heretics

The Age of Heretics

Author: Art Kleiner

Publisher: John Wiley & Sons

Published: 2008-10-03

Total Pages: 505

ISBN-13: 0470443413

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In this second edition of his bestselling book, author Art Kleiner explores the nature of effective leadership in times of change and defines its importance to the corporation of the future. He describes a heretic as a visionary who creates change in large-scale companies, balancing the contrary truths they can’t deny against their loyalty to their organizations. The Age of Heretics reveals how managers can get stuck in counterproductive ways of doing things and shows why it takes a heretical point of view to get past the deadlock and move forward.


Hardboiled Hollywood

Hardboiled Hollywood

Author: Jan-Christoph Prüfer

Publisher: diplom.de

Published: 2007-04-11

Total Pages: 100

ISBN-13: 3956362233

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Inhaltsangabe:Abstract: I have chosen the two films that will be subjected to examination in this work because they have a lot in common at first glance. Their scripts are based on crime novels of the so called hardboiled school, a stream in American popular literature that developed after the First World War. They were both filmed in the 1940s and produced by the Warner Brothers studio. No scholarly or critical discussion of the Hollywood genre of film noir is complete without them, and they both feature Humphrey Bogart as the main actor in the role of the private eye. What I hope to show this thesis is not only that these films, despite the similarities outlined above, are far from being basically the same movies, but additionally to give convincing reasons why this is the case. One of these reasons will be the evaluation of the fact that the literary private eyes that the heroes of John Huston s The Maltese Falcon (1941) and Howard Hawks The Big Sleep (1946) are based on already differ in their character concept, and that these differences correspondingly found their way to the screen in the adaptations. A further decisive point for measuring the differences between the films is that I will assume that these movies were financial successes because they reflected the times that they were made in and thus gave movie audiences what they wanted to see. That movies are products of their time is a fact as blatant as it is true, yet one that has repeatedly been called into question in the past. The Hollywood genre system, the directors, the financial interests of the movie-making industry have all been pointed out as shaping a movie and its content rather than some mysterious connection between a film and the popular mind, the convictions, dreams and anxieties of the masses commonly referred to as a people s culture. But although I do not doubt the significance of the factors mentioned above, I agree with Albert Quart and Leonard Auster who pointed out that filmmakers are human beings and parts of their societies, and that, consequently, they are touched by the same tensions and fantasies and their profits are usually dependent on their ability to guess popular feelings . Will Wright similarly argued that the popular success of a movie can be considered as evidence that it struck a nerve with contemporary audiences, as stars and promotion campaigns promising action-filled escapist fantasies alone have frequently turned out to be insufficient [...]