Hans Scharoun and China

Hans Scharoun and China

Author: Liyang Ding

Publisher: Taylor & Francis

Published: 2024-11-15

Total Pages: 267

ISBN-13: 1040224695

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This book presents the first systematic overview and analysis of the deep connection between Scharoun and China, offering insights into East-West cultural exchange and enriching existing understandings of modernism. The German architect Hans Scharoun has typically been pigeonholed as a leading figure in “expressionist” architecture. As this book shows, however, this understanding oversimplifies the multifaceted nature of Scharoun’s career and overlooks his central role within the tradition of Neues Bauen. The book begins with Scharoun’s early interactions with East Asian architects in the 1930s, his active involvement in the Chinese Werkbund (1941–42), and his extensive research on Chinese architecture and urban culture in the mid-1940s and 1950s. The book then examines Scharoun’s postwar architectural designs and urban planning projects, most notably the Kollektivplan, the Volksschule Darmstadt, and the Berliner Philharmonie, which incorporated original spatial and urbanistic concepts such as “Stadtlandschaft,” “Raum der Mitte,” and “aperspectival” space, inspired to varying degrees by Chinese architectural and urban planning traditions. The book will appeal to scholars and students of modern architecture, urban planning, and architectural theory, especially those interested in modernism and East-West cultural exchange.


The Grand Documentation

The Grand Documentation

Author: Eduard Kögel

Publisher: Walter de Gruyter GmbH & Co KG

Published: 2015-07-31

Total Pages: 592

ISBN-13: 3110401347

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Ernst Boerschmann was the most influential foreign architectural researcher in China in the first half of the twentieth century. This book concerns his three-year research expedition through the Chinese Empire (1906–1909). He was the first Westerner to systematically document China’s religious architecture, returning from his travels with thousands of photographs, sketches, and architectural surveys. His six major publications leading up to 1931, described here alongside the reactions they caused, were milestones on the path to formal study of Chinese architectural history, long before Chinese academics themselves began to take interest in the subject in the 1930s.


The Magic Square

The Magic Square

Author: Alfred Schinz

Publisher: Edition Axel Menges

Published: 1996

Total Pages: 434

ISBN-13: 3930698021

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Presents the development of Chinese urbanism. Equipped with source material and maps, this book applies metrological methods. Including about 300 drawings, it gives an overall view of the urban life and culture that existed in the traditional society of late Imperial China.


Borrowed Sceneries

Borrowed Sceneries

Author: Rahel Hartmann Schweizer

Publisher: Birkhäuser

Published: 2024-04-22

Total Pages: 320

ISBN-13: 3035626480

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Der Garten als Inspiration Der Garten verkörpert verdichtete Natur, so wie sich nach japanischem Verständnis in einem Tautropfen die Welt widerspiegelt. Diese Vorstellung kann als Impuls für die Imitationen japanischer Gärten in der Schweiz im 20. Jahrhundert gesehen werden, als Anstoß für die Einbindung japanischer Elemente und als Stoffumwandler vom Alpinum zur Trockenlandschaft. Die Autorin illustriert erstmals anhand von zehn Schweizer Landschaftsarchitekturbüros wie diese sich von miniaturisierten Gärten (Bonsai) inspirieren ließen, sich Szenerien (Shakkei) liehen, dem Reiz des Unvollkommenen (Wabi-sabi) erlagen und den Geist von Zen einfingen. Sie beleuchtet Parallelen zur Anverwandlung chinesischer Einflüsse in Japan und verortet das Phänomen in der Rezeption Nippons im Westen. Hochattraktives und viel bisher unveröffentlichtes Bildmaterial Fundiert recherchiertes Material verständlich und ansprechend aufbereitet Japan-Begeisterung in der Schweizer Landschaftsarchitektur Mit einem Fotoessay von Martin Linsi


Grand Theater Urbanism

Grand Theater Urbanism

Author: Charlie Qiuli Xue

Publisher: Springer

Published: 2019-07-04

Total Pages: 307

ISBN-13: 9811378681

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This volume explores the phenomenon and trend of cultural buildings by investigating 10 typical cities in China from the first, second, and third tiers, and from the Chinese diaspora. Each grand theater design was the result of a high-profile international competition and created by global architects in collaboration with Chinese design institutes. The national and international significance of these iconic projects lies in the fact that they not only reflect the dynamics of global design ideas, but also represent a particular historical moment in China’s modernization process. The development, histories, and purposes of constructing cultural buildings are carefully outlined and colorfully presented. Given China’s tremendous population, the development trajectory of its urban construction will provide insights for other regions that hope to embark on the high-speed track in the 21st century. “In 'Grand Theater Urbanism', Professor Charlie Xue and his team document China’s current shift towards a culture of consumption and leisure, symbolized by the construction of multi-use Grand Theaters in major cities. 'Grand Theater Urbanism' reveals the unexpected variety and complexity of this contemporary cultural drive in a series of exemplary chapters with highly detailed, local, case studies.” --Professor David Grahame Shane, Columbia University, New York "Jane Jacobs likened city life to a performance. This book goes a stage further and analyses the actual performance spaces within cities in China. In doing so it makes a valuable connection between urban design and the cultural life in cities. This is an important and often forgotten dimension of urbanism and I heartily commend this book to readers.'" --Professor Matthew Carmona, The Bartlett, University College London


Colonialism and Modern Architecture in Germany

Colonialism and Modern Architecture in Germany

Author: Itohan Osayimwese

Publisher: University of Pittsburgh Press

Published: 2017-07-19

Total Pages: 350

ISBN-13: 0822982919

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Over the course of the nineteenth century, drastic social and political changes, technological innovations, and exposure to non-Western cultures affected Germany's built environment in profound ways. The economic challenges of Germany's colonial project forced architects designing for the colonies to abandon a centuries-long, highly ornamental architectural style in favor of structural technologies and building materials that catered to the local contexts of its remote colonies, such as prefabricated systems. As German architects gathered information about the regions under their influence in Africa, Asia, and the Pacific—during expeditions, at international exhibitions, and from colonial entrepreneurs and officials—they published their findings in books and articles and organized lectures and exhibits that stimulated progressive architectural thinking and shaped the emerging modern language of architecture within Germany itself. Offering in-depth interpretations across the fields of architectural history and postcolonial studies, Itohan Osayimwese considers the effects of colonialism, travel, and globalization on the development of modern architecture in Germany from the 1850s until the 1930s. Since architectural developments in nineteenth-century Germany are typically understood as crucial to the evolution of architecture worldwide in the twentieth century, this book globalizes the history of modern architecture at its founding moment.


Hans Scharoun

Hans Scharoun

Author: Peter Blundell Jones

Publisher:

Published: 1995

Total Pages: 252

ISBN-13:

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Hans Scharoun (1893-1972) first achieved international recognition in 1927 with his controversial house for the Stuttgart Weissenhofsiedlung. His experiments with free planning and dynamic interior space continued in his native Germany through the difficult wartime years, from which he emerged with renewed energy and a consolidated architectural philosophy. As an important exponent of Organic Architecture, Scahroun developed a radical new kind of architectural space, and his disdain for imposed form and emphasis on open-minded discovery have proved increasingly influential among a younger generation of architects. Peter Blundell Jones's exhaustive study provides a comprehensive overview of Scharoun's life and work and explores his theoretical stance in relation to contemporaries such as Hugo Haring, Mies van der Rohe and Le Corbusier. Generously illustrated throughout with plans and drawings, and specially commissioned photographs by Dennis Gilbert, this book presents a timely re-evaluation of Scharoun's unique contribution to architectural theory and design.


Architecture and Ritual

Architecture and Ritual

Author: Peter Blundell Jones

Publisher: Bloomsbury Publishing

Published: 2016-08-25

Total Pages: 390

ISBN-13: 1472577493

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Architecture and Ritual explores how the varied rituals of everyday life are framed and defined in space by the buildings which we inhabit. It penetrates beyond traditional assumptions about architectural style, aesthetics and utility to deal with something more implicit: how buildings shape and reflect our experience in ways of which we remain unconscious. Whether designed to house a grand ceremony or provide shelter for a daily meal, all buildings coordinate and consolidate social relations by giving orientation and focus to the spatial practices of those who use them. Peter Blundell Jones investigates these connections between the social and the spatial, providing critical insights into the capacity for architecture to structure human ritual, from the grand and formal to the mundane. This is achieved through deep readings of individual pieces of architecture, each with a detailed description of its particular social setting and use. The case studies are drawn from throughout architectural history and from around the globe, each enabling a distinct theoretical theme to emerge, and showing how social conventions vary with time and place, as well as what they have in common. Case studies range from the Nuremberg Rally to the Centre Pompidou, and from the Palace of Westminster to Dogon dwellings in Africa and a Modernist hospital. In considering how all architecture has to mesh with the habits, beliefs, rituals and expectations of the society that created it, the book presents deep implications for our understanding of architectural history and theory. It also highlights the importance for architects of understanding how buildings frame social space before they prescribe new architectural designs of their own. The book ends with a recent example of user participation, showing how contemporary user interest and commitment to a building can be as strong as ever.