The tragic untold story of how a nation struggling for its freedom denied it to one of its own: a free Black man "A searing portrayal of the central paradox of the American Revolution—the centrality of slavery to the struggle for political liberty."—Laurel Thatcher Ulrich, Harvard University "An insightful reflection and commentary on the vexed relationships among liberty, slavery, and the British Empire in the era of the Declaration of Independence."—Richard D. Brown, The Journal of Law and History Review In 1775, Thomas Jeremiah was one of fewer than five hundred “Free Negros” in South Carolina and, with an estimated worth of £1,000 (about $200,000 in today’s dollars), possibly the richest person of African descent in British North America. A slaveowner himself, Jeremiah was falsely accused by whites—who resented his success as a Charleston harbor pilot—of sowing insurrection among slaves at the behest of the British. Chief among the accusers was Henry Laurens, Charleston’s leading patriot, a slaveowner and former slave trader, who would later become the president of the Continental Congress. On the other side was Lord William Campbell, royal governor of the colony, who passionately believed that the accusation was unjust and tried to save Jeremiah’s life but failed. Though a free man, Jeremiah was tried in a slave court and sentenced to death. In August 1775, he was hanged and his body burned. J. William Harris tells Jeremiah’s story in full for the first time, illuminating the contradiction between a nation that would be born in a struggle for freedom and yet deny it—often violently—to others.
Venice’s Commissario Brunetti takes on his “most difficult and politically sensitive case to date” in the gripping New York Times–bestselling series (Booklist). In Death and Judgment, a truck crashes and spills its dangerous cargo on a treacherous road in the Italian Dolomite mountains. Meanwhile, in Santa Lucia, a prominent international lawyer is found dead aboard an intercity train. Suspecting a connection between the two tragedies, Brunetti digs deep for an answer, stumbling upon a seedy Venetian bar that holds the key to a crime network that reaches far beyond the laguna. But it will take another violent death in Venice before Brunetti and his colleagues begin to understand what is really going on. “No one is more graceful and accomplished than Leon.” —The Washington Post “The sophisticated but still moral Brunetti, with his love of food and his loving family, proves a worthy custodian of timeless values and verities.” —The Wall Street Journal “[Brunetti’s] humane police work is disarming, and his ambles through the city are a delight.” —The New York Times Book Review “The heady atmosphere of Venice and a galaxy of fully realized characters enrich this intriguing and finally horrifying tale.” —Publishers Weekly “The first of Leon’s books to knit together all her strengths: endearing detective, jaundiced social pathology, and a paranoid eye for plotting on a grand scale.” —Kirkus Reviews
"A first collaboration by two acclaimed leadership advisors presents a definition of leadership that focuses on one's ability to make the right call in spite of high stakes and limited information, in a guide that explains how to develop judgment skills through a three-step process."--Publisher.
Reflections on Hanging is a searing indictment of capital punishment, inspired by its author’s own time in the shadow of a firing squad. During the Spanish Civil War, Arthur Koestler was held by the Franco regime as a political prisoner, and condemned to death. He was freed, but only after months of witnessing the fates of less-fortunate inmates. That experience informs every page of the book, which was first published in England in 1956, and followed in 1957 by this American edition. As Koestler ranges across the history of capital punishment in Britain (with a focus on hanging), he looks at notable cases and rulings, and portrays politicians, judges, lawyers, scholars, clergymen, doctors, police, jailers, prisoners, and others involved in the long debate over the justness and effectiveness of the death penalty. In Britain, Reflections on Hanging was part of a concerted, ultimately successful effort to abolish the death penalty. At that time, in the forty-eight United States, capital punishment was sanctioned in forty-two of them, with hanging still practiced in five. This edition includes a preface and afterword written especially for the 1957 American edition. The preface makes the book relevant to readers in the U.S.; the afterword overviews the modern-day history of abolitionist legislation in the British Parliament. Reflections on Hanging is relentless, biting, and unsparing in its details of botched and unjust executions. It is a classic work of advocacy for some of society’s most defenseless members, a critique of capital punishment that is still widely cited, and an enduring work that presaged such contemporary problems as the sensationalism of crime, the wrongful condemnation of the innocent and mentally ill, the callousness of penal systems, and the use of fear to control a citizenry.
This volume concerns judges, judgment and judgmentalism. It studies the Victorians as judges across a range of important fields, including the legal and aesthetic spheres, and within literature. It examines how various specialist forms of judgment were conceived and operated, and how the propensity to be judgmental was viewed.