Vernacular architecture, by its very nature, is built from local materials that are readily to hand and is thus defined by the geology and ecology of the region and by local climatic conditions. Constructed by the community using traditional tools, these structures are highly practical, energy-efficient, and blend with the landscape. They carry many of the attributes that we are now seeking in 'green architecture' as we struggle to adapt our built environment to the demands and concerns of the climate-change era. 'Handmade Houses and Other Buildings' looks at everyday structures all over the world, from whatever wood, grass, earth or stone that was to hand, in ways that offered practical solutions to the challenges of climate or terrain. Based on immemorial principles, but highly relevant to our newly found environmental concerns, these buildings show the simple and satisfying ways in which humans have worked out how to live - and live well, in harmony with their surroundings.
The Woodstock Generation established a new kind of lifestyle and began to build their houses, studios, and simple structures as refuges from conformist architecture. This book shows examples of some of these homes in full-color detail, and is meant to be an inspiration to amateur as well as professional self-home builders.
For Arthur Andersson and Chris Wise, the fundamental elements that give buildings meaning are found in nature.Imbuing day-to-day activities with poetry and awe, their designs address both pragmatic needs and the psychological yearning for refuge and contemplation, centering and escape, joy and comfort. Their work is best experienced through the senses. Tactility, expressed through an eloquence of craft, the use of textured materials, and the logical design of structural systems, gives their buildings a rightness within the landscape. In their hands, daylight becomes a building material. Small wall apertures, three-sided dormers, clerestories, and other details grab, bend, and thread sunlight from one end of their houses to the other. Full of light and atmosphere, the houses are the physical embodiment of the great Charles Moore's influential tenet that architecture is about enhancing a sense of place. Natural Houses presents seven of the Austin, Texas-based firm's exquisitely crafted projects. Precise and cool, with forms often derived from the American vernacular of barns and cottages, these are painstakingly crafted houses made from regionally appropriate and aesthetically timeless materials. Natural Houses presents a range of sites and residences—from a small cabin in the woods to a multibuilding camp. Sited on a cliff, the House Above Lake Austin uses terraces to descend its steeply hilly site. The building's simple materials celebrate thesite and climate not by drawing attention to themselves, but by blending in. The stone foundation is similarly tied to the natural stone of the mountain. Smooth plaster walls above the stone foundation appear to have been chiseled from the rock itself. In a deceptively simple boathouse the walls fold down to become impromptu diving platforms. Exceptional photography captures the light and atmosphere of each project setting and illustrates how the firm rigorously expresses the design concept through detailing and construction. An introduction by Rick Sundberg of Olson Sundberg Kundig Allen Architects and essays by Jen Renzi and Frederick Steiner chart the firm's evolution and influences.
A wonderfully informative reference on vernacular styles, from adobe pueblos and Pennsylvania barns to Mongolian yurts and Indonesian stilt houses. This small but comprehensive book documents the rich cultural past of vernacular building styles, from Irish sod houses to sub-Saharan wattle-and-daub huts and redwoods treehouses. It offers inspiration for home woodworking enthusiasts as well as architects, conservationists, and anyone interested in energy-efficient building and sustainability. The variety and ingenuity of the world's vernacular building traditions are richly illustrated, and the materials and techniques are explored. With examples from every continent, the book documents the diverse methods people have used to create shelter from locally available natural materials, and shows the impressively handmade finished products through diagrams, cross-sections, and photographs. Unlike modern buildings that rely on industrially produced materials and specialized tools and techniques, the everyday architecture featured here represents a rapidly disappearing genre of handcrafted and beautifully composed structures that are irretrievably "of their place." These structures are the work of unsung and often anonymous builders that combine artistic beauty, practical form, and necessity.
"Hubka argues that even "vernacular architecture" scholars tend to embrace a model for understanding home forms that relies on iconic architects and theories about how ideas proceed downward from aesthetic ideals to home construction, even though this model fails to adequately characterize the vast majority actual homes that people live in, particularly in recent times after the widespread growth of suburban America. This controversial book proposes new ways to categorize houses"--
'Artists' handmade houses' examines the homes and studios crafted by a diverse group of artists from New York to California, including such greats as George Nakashima, Henry Varnum Poor, Sam Maloof, Wharton Esherick, Henry Mercer, Frederic Church, Paolo Santi and Russel Wright, among others.
Looking at dwellings around the world, this lift-the-flap book explores what homes can look like, what they’re made of, and who lives there. It includes Bedouin tents, Dutch barges, African mud houses, Moroccan houses with tiled courtyards, glass houses, and more. There is a Thai river house and a brick apartment building to cut out and assemble.
This is the true and very funny story of how journalist, Geraldine Bedell and her husband Charlie Leadbeater, with no savings and no knowledge of architecture nearly make themselves bankrupt in an attempt to build their dream home.
It is widely understood that good, affordable eco-housing needs to be at the heart of any attempt to mitigate or adapt to climate change. This is the first book to comprehensively explore eco-housing from a geographical, social and political perspective. It starts from the premise that we already know how to build good eco-houses and we already have the technology to retrofit existing housing. Despite this, relatively few eco-houses are being built. Featuring over thirty case studies of eco-housing in Britain, Spain, Thailand, Argentina and the United States, Eco-Homes examines the ways in which radical changes to our houses – such as making them more temporary, using natural materials, or relying on manual heating and ventilation systems – require changes in how we live. As such, it argues, it is not lack of technology or political will that is holding us back from responding to climate change, but deep-rooted cultural and social understandings of our way of life and what we expect our houses to do for us.
