Connecticut Families of the Revolution
Connecticut Families of the Revolution

Author: Mark Allen Baker

Publisher: Arcadia Publishing

Published: 2014-11-04

Total Pages: 224

ISBN-13: 1625851960

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Some of the most prominent families of the American Revolution proudly hailed from Connecticut. Committed to the pursuit of freedom, men like Major General David Wooster led troops into battle, while Samuel Huntington and others risked it all by signing the Declaration of Independence. Women might have stayed at home, but they played a vital part by producing goods for soldiers while also taking care of their property and children. In the wake of war, Sarah Pierce started the Litchfield Female Academy and taught proteges like Harriet Beecher Stowe. Family members often enlisted alongside one another. Elijah and David Humphreys were two such brothers who proudly served in the war together. From the Burrs to the Wolcotts, author Mark Allen Baker reveals what life was like for Connecticut families during the Revolutionary War.

Benjamin Franklin
Benjamin Franklin

Author: Christopher J. Murrey

Publisher: Nova Publishers

Published: 2002

Total Pages: 254

ISBN-13: 9781590333846

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Benjamin Franklin is generally considered one of America's most versatile and talented statesmen, scientists, and philosophers. His achievements include publisher of Poor Richard's Almanac and many articles on political, economic, religious, philosophical and scientific subjects. He was the inventor of bifocals, the Franklin stove, lightening rod, he was one of the signers of the 'Declaration of Independence', and the founder of, what is now the University of Pennsylvania. This book presents a detailed and riveting review of Franklin's life based on excerpts from the renowned 1899 book on Franklin by Sydney George Fisher. This overview is augmented by a substantial selective bibliography, which features access through title, subject and author indexes.

Emily Dickinson’s Reception in the 1890s
Emily Dickinson’s Reception in the 1890s

Author: Willis J. Buckingham

Publisher: University of Pittsburgh Pre

Published: 2010-11-23

Total Pages: 656

ISBN-13: 0822976595

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This work reprints, annotates, and indexes virtually all mention of Emily Dickinson in the first decade of her publication, tripling the known references to the poet during the nineties. Much of this material, drawn from scrapbooks of clippings, rare journals, and crumbling newspapers, was on the verge of extinction. Modern audiences will be struck by the impact of Dickinson's poetry on her first readers. We learn much about the taste of the period and the relationship between publishers, reviewers, and the reading public. It demonstrates that Dickinson enjoyed a wider popular reception than had been realized: readers were astonished by her creative brilliance.

The Origins of Composition Studies in the American College, 1875–1925
The Origins of Composition Studies in the American College, 1875–1925

Author: John C. Brereton

Publisher: University of Pittsburgh Press

Published: 1996-01-15

Total Pages: 609

ISBN-13: 0822990563

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This volume describes the formative years of English composition courses in college through a study of the most prominent documents of the time: magazine articles, scholarly reports, early textbooks, teachers' testimonies-and some of the actual student papers that provoked discussion. Includes writings by leading scholars of the era such as Adams Sherman Hill, Gertrude Buck, William Edward Mead, Lane Cooper, William Lyon Phelps, and Fred Newton Scott.

Louis H. Sullivan and a 19th-Century Poetics of Naturalized Architecture
Louis H. Sullivan and a 19th-Century Poetics of Naturalized Architecture

Author: LaurenS. Weingarden

Publisher: Routledge

Published: 2017-07-05

Total Pages: 457

ISBN-13: 1351559729

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For most of the twentieth century, modernist viewers dismissed the architectural ornament of Louis H. Sullivan (1856-1924) and the majority of his theoretical writings as emotional outbursts of an outmoded romanticism. In this study, Lauren Weingarden reveals Sullivan's eloquent articulation of nineteenth-century romantic practices - literary, linguistic, aesthetic, spiritual, and nationalistic - and thus rescues Sullivan and his legacy from the narrow role imposed on him as a pioneer of twentieth-century modernism. Using three interpretive models, discourse theory, poststructural semiotic analysis, and a pragmatic concept of sign-functions, she restores the integrity of Sullivan's artistic choices and his historical position as a culminating figure within nineteenth-century romanticism. By giving equal weight to Louis Sullivan's writings and designs, Weingarden shows how he translated both Ruskin's tenets of Gothic naturalism and Whitman's poetry of the American landscape into elemental structural forms and organic ornamentation. Viewed as a site where various romantic discourses converged, Sullivan's oeuvre demands a cross-disciplinary exploration of each discursive practice, and its "rules of accumulation, exclusion, reactivation." The overarching theme of this study is the interrogation and restitution of those Foucauldian rules that enabled Sullivan to articulate architecture as a pictorial mode of landscape art, which he considered co-equal with the spiritual and didactic functions of landscape poetry.