As one of the most monumental and recognisable landmarks from Zanzibar’s years as a British Protectorate, the distinctive domed building of the Zanzibar Museum (also known as the Beit al-Amani or Peace Memorial Museum) is widely known and familiar to Zanzibaris and visitors alike. Yet the complicated and compelling history behind its construction and collection has been overlooked by historians until now. Drawing on a rich and wide range of hitherto unexplored archival, photographic, architectural and material evidence, this book is the first serious investigation of this remarkable institution. Although the museum was not opened until 1925, this book traces the longer history of colonial display which culminated in the establishment of the Zanzibar Museum. It reveals the complexity of colonial knowledge production in the changing political context of the twentieth century British Empire and explores the broad spectrum of people from diverse communities who shaped its existence as staff, informants, collectors and teachers. Through vivid narratives involving people, objects and exhibits, this book exposes the fractures, contradictions and tensions in creating and maintaining a colonial museum, and casts light on the conflicted character of the ’colonial mission’ in eastern Africa.
Archipelagic Modernism examines the anglophone literatures of the archipelago from 1890 to 1970 for what they tell us about changing identities, geographies, and ecologies.
Violence and the Body: Race, Gender, and the State explores the relationship between subalternity, the discourse and technology of the body, and the rise and proliferation of racial, colonial, sexual, domestic, and state violence, examining the materiality of violence on the "otherized" body. Grounded in U.S./Mexico border and Latin American cultural studies, the essays in this collection intersect discussions of subalternity, violence, and discourses of the body in a transethnic, feminist, and global cultural studies context. They provide a global mapping of contemporary modes and acts of physical and representational violence and demonstrate how discourses of otherization are reinforced and interanimated through violence on what Elizabeth Grosz has called the "intensities" and "flows" of the body.
An investigation of the reasons why Victorian pioneers of social science were habitually approaching the study of other societies with largely positivistic and evolutionary methodologies.
Sensual Reading is a collection of essays that attempts to rearticulate the relationship between reading and the different senses as a way of moving beyond increasingly homogenized discourses of the "body" and the "subject." Contributions engage with the individual senses, with the themes of sensory richness and sensory deprivation, and with the notion of "telesensuality."
Sciences of Modernism charts the numerous collaborations and competitions occurring between early modernist literature and early twentieth-century science.
Bronislaw Malinowski (1884–1942) was one of the most colorful and charismatic social scientists of the twentieth century. His contributions as a founding father of social anthropology and his complex personality earned him international notoriety and near-mythical status. This landmark book presents a vivid portrait of Malinowski’s early life, from his birth in Cracow to his departure in 1920 from the Trobriand Islands of the South Pacific. At the age of 36, he had already created the innovative fieldwork methods and techniques that would secure his intellectual legacy. Drawing on an exceptionally rich array of primary documents, including Malinowski’s letters and unpublished diaries and manuscripts, Michael Young provides significant new information about the anthropologist’s personality, private life, and career. The author describes Malinowski’s restless life of travel, connections with intellectuals and artists, Nietzschean belief in his own destiny, and legendary fieldwork. The singular man who emerges from these pages fascinates on every level—as a volatile friend and lover, a provocative colleague, a passionate diarist, and a brilliant thinker who pioneered radical change in the field of anthropology.