Cultural Management and Policy in Latin America

Cultural Management and Policy in Latin America

Author: Raphaela Henze

Publisher: Routledge

Published: 2021-05-19

Total Pages: 225

ISBN-13: 100038702X

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Cultural Management and Policy in Latin America provides in-depth insights into the education and training of cultural managers from interdisciplinary and comparative perspectives. The book focuses on the effects of neoliberalism on cultural policies across the region, and questions how cultural managers in Latin America deal not only with contemporary political challenges but also with the omnipresent legacy of colonialism. In doing so, it unpacks the methods, formats, and narratives employed. Reflecting on emerging and contemporary research topics, the book analyses the key literature and scholarly contexts to identify impacts in the region and beyond. The volume provides scholars, students and reflective practitioners with a comprehensive resource on international cultural management that helps to overcome Western-centric methods and theories.


Cultural Expression and Grassroots Development

Cultural Expression and Grassroots Development

Author: Charles D. Kleymeyer

Publisher: Lynne Rienner Publishers

Published: 1994

Total Pages: 318

ISBN-13: 9781555874612

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Argues that a people's own cultural heritage is the foundation on which equitable and sustainable development can best be built. The authors provide illustrations from 215 cases in 30 countries, ranging from adult literacy centres to reforestation and conservation efforts.


The Contest of Meaning

The Contest of Meaning

Author: Richard Bolton

Publisher: MIT Press

Published: 1992-02-25

Total Pages: 438

ISBN-13: 9780262521697

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Photography's great success gives the impression that the major questions that have haunted the medium are now resolved. On the contrary, the most important questions about photography are just beginning to be asked. These fourteen essays, with over 200 illustrations, critically examine prevailing beliefs about the medium and suggest new ways to explain the history of photography. They are organized around the questions: What are the social consequences of aesthetic practice? How does photography construct sexual difference? How is photography used to promote class and national interests? What are the politics of photographic truth? The Contest of Meaning summarizes the challenges to traditional photographic history that have developed in the last decade out of a consciously political critique of photographic production. Contributions by a wide range of important Americans critics reexamine the complex—and often contradictory—roles of photography within society. Douglas Crimp, Christopher Phillips, Benjamin Buchloh, and Abigail Solomon Godeau examine the gradually developed exclusivity of art photography and describe the politics of canon formation throughout modernism. Catherine Lord, Deborah Bright, Sally Stein, and Jan Zita Grover examine the ways in which the female is configured as a subject, and explain how sexual difference is constructed across various registers of photographic representation. Carol Squiers, Esther Parada, and Richard Bolton clarify the ways in which photography serves as a form of mass communication, demonstrating in particular how photographic production is affected by the interests of the powerful patrons of communications. The three concluding essays, by Rosalind Krauss, Martha Rosler, and Allan Sekula, critically examine the concept of photographic truth by exploring the intentions informing various uses of "objective" images within society.


Art and Revolution in Latin America, 1910-1990

Art and Revolution in Latin America, 1910-1990

Author: David Craven

Publisher: Yale University Press

Published: 2006-01-01

Total Pages: 246

ISBN-13: 9780300120462

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In this uniquely wide-ranging book, David Craven investigates the extraordinary impact of three Latin American revolutions on the visual arts and on cultural policy. The three great upheavals - in Mexico (1910-40), in Cuba (1959-89), and in Nicaragua (1979-90) - were defining moments in twentieth-century life in the Americas. Craven discusses the structural logic of each movement's artistic project - by whom, how, and for whom artworks were produced -- and assesses their legacies. In each case, he demonstrates how the consequences of the revolution reverberated in the arts and cultures far beyond national borders. The book not only examines specific artworks originating from each revolution's attempt to deal with the challenge of 'socializing the arts,' but also the engagement of the working classes in Mexico, Cuba, and Nicaragua with a tradition of the fine arts made newly accessible through social transformation. Craven considers how each revolution dealt with the pressing problem of creating a 'dialogical art' -- one that reconfigures the existing artistic resource rather than one that just reproduces a populist art to keep things as they were. In addition, the author charts the impact on the revolutionary processes of theories of art and education, articulated by such thinkers as John Dewey and Paulo Freire. The book provides a fascinating new view of the Latin American revolutionaries -- from artists to political leaders -- who defined art as a fundamental force for the transformation of society and who bequeathed new ways of thinking about the relations among art, ideology, and class, within a revolutionary process.


Age of discrepancies

Age of discrepancies

Author: Olivier Debroise

Publisher: UNAM

Published: 2006

Total Pages: 482

ISBN-13: 9789703238293

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"The first exhibition to offer a critical assessment of the artistic experimentation that took place in Mexico during the last three decades of the twentieth century. The exhibition carefully analyzes the origins and emergence of techniques, strategies, andmodes of operation at a particularly significant moment of Mexican history, beginning with the 1968 Student Movement, until the Zapatista upraising in the State of Chiapas. Theshow includes work by a wide range of artists, including Francis Alys, Vicente Rojo, Jimmie Durham, Helen Escobedo, Julio Galán, Felipe Ehrenberg, José Bedia,Guillermo Gómez-Peña, Francisco Toledo, Carlos Amorales, Melanie Smith, and Alejandro Jodorowsky, among many others. The edition is illustrated with 612 full-colorplates of the art produced during these last three decades of the twentieth century reflect the social, political and technical developments in Mexico and ranged from painting andphotography to poster design, installation, performance, experimental theatre, super-8 cinema, video, music, poetry and popular culture like the films and ephemeral actionsof 'Panic' by Alejandro Jodorowsky, Pedro Friedeberg's pop art, the conceptual art, infrarrealists and urban independent photography, artists books, the development ofcontemporary political photography, the participation of Mexican artists in Fluxus in the seventies and the contribution of Ulises Carrión to the international artist book movement and popular rock music, the pictorial battles of the eighties and the emergence of a variant of neo-conceptual art in 1990. The exhibition is curated by Olivier Debroise, Pilar García de Germenos, Cuauhtémoc Medina, Álvaro Vázquez Mantecón"--Provided by vendor.


forum for inter-american research Vol 1

forum for inter-american research Vol 1

Author: Wilfried Raussert

Publisher: BoD – Books on Demand

Published: 2023-07-20

Total Pages: 496

ISBN-13: 3946507778

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Volume 1 of 6 of the complete premium print version of journal forum for inter-american research (fiar), which is the official electronic journal of the International Association of Inter-American Studies (IAS). fiar was established by the American Studies Program at Bielefeld University in 2008. We foster a dialogic and interdisciplinary approach to the study of the Americas. fiar is a peer-reviewed online journal. Articles in this journal undergo a double-blind review process and are published in English, French, Portuguese and Spanish.


Ultra-Intensity Patriarchy

Ultra-Intensity Patriarchy

Author: Menara Guizardi

Publisher: Springer Nature

Published: 2021-10-19

Total Pages: 265

ISBN-13: 3030857506

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This book analyzes the experiences of women living and working across the busiest and most transited frontier in South America, the Paraná Tri-Border Area (TBA), between Argentina, Brazil, and Paraguay. From a feminist approach, it shows how, in these territories, the gender violence is intensified, configuring an expression of ultra-intensity patriarchy. Based on ethnographic fieldwork conducted for two years along with Paraguayan women living and working between Ciudad del Este (Paraguay), and Foz de Iguazú (Brazil), the authors analyze, on the one hand, the intricate connection between gender violence and ethnicity on these borders; and, on the other hand, the persistence of a female care that appears to offer a fundamental tool of resistance, of vital female drive. The work is divided into three parts. The first is intended to read like a trip to this complex and fascinating corner of South America through a visual and ethnohistoric journey of the region, as well as a theoretical debate that defines gender violence and its particular condensation on border territories. The second part explores the women’s stories in-depth and follow the narrative thread of their biographies, rebuilding their experiences from their families of origin to their productive insertion on the TBA. Finally, the third part takes an in-depth look at the complex links between the social reproduction obligations that fall on women, and the gender violence on the TBA, stressing how they develop strategies to change their life conditions by establishing transborder circuits of care. Ultra-Intensity Patriarchy: Care and Gender Violence on the Paraná Tri-Border Area will be a valuable tool for researchers from different disciplines, such as anthropology, sociology, population studies and gender studies, interested in the growing field of studies of feminism, borders, and migration from an intersectional perspective.


Literature and Politics in the Central American Revolutions

Literature and Politics in the Central American Revolutions

Author: John Beverley

Publisher: University of Texas Press

Published: 2014-02-19

Total Pages: 271

ISBN-13: 0292762283

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“This book began in what seemed like a counterfactual intuition . . . that what had been happening in Nicaraguan poetry was essential to the victory of the Nicaraguan Revolution,” write John Beverley and Marc Zimmerman. “In our own postmodern North American culture, we are long past thinking of literature as mattering much at all in the ‘real’ world, so how could this be?” This study sets out to answer that question by showing how literature has been an agent of the revolutionary process in Nicaragua, El Salvador, and Guatemala. The book begins by discussing theory about the relationship between literature, ideology, and politics, and charts the development of a regional system of political poetry beginning in the late nineteenth century and culminating in late twentieth-century writers. In this context, Ernesto Cardenal of Nicaragua, Roque Dalton of El Salvador, and Otto René Castillo of Guatemala are among the poets who receive detailed attention.


Memory and Modernity

Memory and Modernity

Author: William Rowe

Publisher:

Published: 1991

Total Pages: 272

ISBN-13:

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Samba and carnival, radio soaps and telenovelas, oral poetry, popular drama, Amerindian art. This illustrated overview of Latin America's popular culture considers the broad spectrum of cultural forms in the various countries of the subcontinent. Exploring the ways in which daily life and ritual have resisted and been influenced by Western mass culture, Memory and Modernity traces the main anthropological, sociological and political debates about the nature of popular culture. Rowe and Schelling use their analysis of the development of a culture industry in Latin America to engage with wider debates about modernity, drawing out the contrast between Latin America's cultural wealth and its widespread material poverty. In challenging the assumptions of much Western cultural criticism, this book will be essential reading for students of Latin American society, while offering the general reader a concise and accessible overview of an exciting and varied popular culture.