Among the most admired and rarest works ever created are the large-scale books of natural history. The detailed drawings and the remarkable color reproductions found in these magnificent editions truly astounded the art and book worlds. Great Natural History Books and their Creators reveals the incredible stories behind these exceptional collector's books. Ray Desmond engagingly shares with the reader the dramatic behind-the-scene story of how these rare volumes were created. He conveys the hardships and sacrifices by the early artists whose works are forever preserved in these beautiful volumes. This edition contains over 115 illustrations (69 in full color plates), which were carefully reproduced from the original plate pages at The British Library and other prominent archives.
This 120-page artbook bestiary includes the anatomy, behavior, and origins of over 20 amazing fantasy creatures. Each interconnected through a series of recorded histories, myths, and first-hand encounters that stress the value of exploration and curiosity in the face of superstition.
On 3 November 2007, the Royal Zoological Society of NSW held its annual forum, with the topic being The natural history of Sydney. It has remained as the title of this book. The program contained the following introduction as the theme of the forum and it has remained as the theme for this book: “Sydney has a unique natural history, providing a home for iconic animals and plants while remaining a global city. It captured the imagination of prominent naturalists and inspired visits and collecting trips to the infant colony of New South Wales in the late 1790s and early to late 1800s. From these collections flowed great descriptive works detailing the new and unusual animals and plants of the antipodes. Gould, Owen, Huxley, Peron, Banks and many others recounted new and evocative flora and fauna. Many collecting trips for the great museums and institutions in Europe began in Sydney. Sydney still continues to engage naturalists and those grappling with the current drama of climate change and conservation. The Royal Zoological Society of New South Wales, founded in Sydney in 1879, is a product of the grand 19th century tradition of natural history, with a particular emphasis on animal life. Sydney is also home to some of Australia’s oldest and finest institutions, such as the Australian Museum, the University of Sydney and the Royal Botanic Gardens. Throughout Sydney, there are places where the natural habitat has not been supplanted by urban growth, and the interest in Sydney’s endemic flora and fauna remains strong. This forum draws on a magnificent interdisciplinary vision while continuing to employ all the modern tools in the investigation and communication of Sydney’s natural history. It reflects a resurgence in local history and pursues the natural history of our harbour-side city in a modern framework.” The day of the forum was a captivating display of the diversity of the fauna of Sydney, both native and introduced, and its varied habitats, and of the diverse ways of appreciating natural history, including the history of natural history. Also on display was the depth of scholarship lying behind each of the presentations. The subject clearly has a profound hold on many professional biologists, historians and those keen to conserve their local area, but if the day is any guide, there are vastly more people living in or visiting Sydney who have more than a passing interest in this topic. The subject matter ranged from the history of institutions engaged in natural history, through animal groups as diverse as reptiles and cicadas, to ideas on how to see Sydney as a natural setting. Other papers dealt with the use by Aboriginal peopleof the native biota in terms of fishing and being displayed in rock paintings, before the arrival of the colonists. There is little doubt that this theme could run to 10 volumes, not just this one, but the diversity of ideas, skills and organisms displayed in this one book will serve as a guide to what lies beyond these pages. A considerable effort was made by each author to present their material as both interesting and accurate. The material is built on lifetimes of sustained effort to study, record and communicate findings and ideas. It is also built on the lifetime work of our predecessors, who laboured to find and record the natural history of Sydney. We are indebted to their efforts. This book records not only the outcome of a successful day of presentations, but more importantly the lifelong scholarship of those authors in each of the specialist fields. Not only have the authors been absorbed by documenting the biodiversity, they have included studies, or intelligent speculation, on the factors which have impacted on this diversity since Cook sailed along the NSW coast in 1770. The Macquarie Dictionary, e.g. the revised third edition, defines ‘natural history’ as ‘the science or study dealing with all objects in nature’, and ‘the aggregate of knowledge connected with such knowledge’. This makes natural history of wide interest to the entire community of Sydney, both residents and visitors. However, we have specialised to the extent that we have focused principally on fauna, the RZS being a zoological society. Nevertheless, plant communities are recognised as part and parcel of the natural history of Sydney, as is a sense of the geography of the city, with its magnificent harbour, sandstone backdrop and spectacular national parks surrounding the city. Also of great importance is how others in the past have seen the natural history of what is now called Sydney. All these ideas are captured in this book. One of the strengths of being a naturalist, i.e. ‘one who is versed in or devoted to natural history, especially a zoologist or botanist’ (Macquarie Dictionary), is the opportunity to look across the individual disciplines, be it a specialist in birds, mammals or polychaetes, a taxonomist, or an ecologist or writer. Their advantage is the ability to see the richness of a place such as Sydney. Consequently, most botanists and zoologists have one or two highly specialised skills, but a keen interest in the broader picture and can thus appreciate the importance of, for example, cave art or fish diversity in the harbour, and recognise that the vertebrate fauna of Sydney has changed over the 222 years since European settlement, and no doubt the invertebrate fauna has changed although it is less easily assessed. Our aim in this book is to draw attention to the natural history of Sydney for scholars, as well as those who have the task of looking after a particular area, such as within a local government area, or a particular taxon, such as reptiles or fish, and those who have the opportunity to conserve areas, taxa or institutions through their employment or legislative responsibilities. It is also for teachers and lecturers, colleagues in other cities and towns in Australia, and those with a keen interest in managing our urban wildlife, our cultural heritage or promoting the profound value of our natural heritage within a city landscape. It also displays the importance of museum and herbarium collections in documenting the changes since 1770.
Newly expanded and in full color, this groundbreaking book argues that early American natural historians had a distinctly poetic sensibility, producing work that had a visionary intensity. Covering naturalists from John James Audubon to PT Barnum, it considers not only natural history writing, but also illustrations, photographs, and actual collections of flora and fauna. Photography and all associated expenses made possible by a generous grant from Furthermore: a program of the J. M. Kaplan Fund
A provocative new life restoring Agassiz--America's most famous natural scientist of the 19th century, inventor of the Ice Age, stubborn anti-Darwinist--to his glorious, troubling place in science and culture.
From Carlos Fonseca comes a dazzling, kaleidoscopic epic of art, politics, and hidden realities Just before the dawn of the new millennium, a curator at a New Jersey museum of natural history receives an unusual invitation from a celebrated fashion designer. She shares the curator’s fascination with the secrets of the animal kingdom—with camouflage and subterfuge—and she proposes that they collaborate on an exhibition, the nature of which remains largely obscure, even as they enter into a strange relationship marked by evasion and elision. Seven years later, after the designer’s death, the curator recovers the archive of their never-completed project. During a long night of insomnia, he finds within the archive a series of clues about the true history of the designer’s family, a mind-bending puzzle that winds from Haifa, Israel, to bohemian 1970s New York to the Latin American jungles. As he follows this trail, the curator discovers a cast of characters whose own fixations interrogate the unstable frontiers between art, science, politics, and religion. An aging photographer, living nearly alone in an abandoned mining town where subterranean fires rage without end, creates miniature replicas of ruined cities. A former model turned conceptual artist becomes the star defendant in a trial over the very soul and purpose of art. A young indigenous boy receives a vision of the end of the world. Reality is a curtain, the curator realizes, and to draw it back is to reveal the theater of the obsessed. Natural History is a portrait of a world trapped between faith and irony, tragedy and farce. An urgent and impressively ambitious novel in the tradition of Italo Calvino and Ricardo Piglia, it confirms Carlos Fonseca as one of the most daring writers of his generation.
The story of natural history as seen through the lives, observations, and discoveries of the world’s greatest naturalists. We owe a debt of gratitude to the naturalists who described, experimented, collected, and gave us the means to understand the natural world. They came from all over the globe, from classical times to the end of the nineteenth century, when natural history changed from a mainly amateur pursuit to today's specialized scientific profession. Braving dangers—including storms, pirates, and disease—in pursuit of cataloging the natural world, pioneers such as Alexander von Humboldt and Charles Darwin changed the course of science with their groundbreaking theories. This book includes many naturalists who are well known, such as the earliest great natural historian, Aristotle; Carl Linnaeus, the man who brought order to nature; the ornithologist and painter John James Audubon; and Georges Cuvier, who established the concept of extinction. Others are now given their rightful place: Antony van Leeuwenhoek, who made his own microscopes and discovered bacteria; and Mary Anning, "the princess of paleontology," who had an amazing, self-taught talent for finding fossils. Many of these people were great artists as well as scientists, and The Great Naturalists is illustrated with a selection of beautiful and precise paintings and drawings of birds, animals, fossils, fish, shells, and rocks from the unparalleled collections of the Natural History Museum, London.
Diane Ackerman's lusciously written grand tour of the realm of the senses includes conversations with an iceberg in Antarctica and a professional nose in New York, along with dissertations on kisses and tattoos, sadistic cuisine and the music played by the planet Earth. “Delightful . . . gives the reader the richest possible feeling of the worlds the senses take in.” —The New York Times
From Aztec accounts of hibernating hummingbirds to contemporary television spectaculars, human encounters with nature have long sparked wonder, curiosity and delight. Written by leading scholars, this richly illustrated volume offers a lively introduction to the history of natural history, from the sixteenth century to the present day. Covering an extraordinary range of topics, from curiosity cabinets and travelling menageries to modern seed banks and radio-tracked wildlife, this volume draws together the work of historians of science, of environment and of art, museum curators and literary scholars. The essays are framed by an introduction charting recent trends in the field and an epilogue outlining the prospects for the future. Accessible to newcomers and established specialists alike, Worlds of Natural History provides a much-needed perspective on current discussions of biodiversity and an enticing overview of an increasingly vital aspect of human history.
