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Author: Vincent Schilling
Publisher:
Published: 2010-03-01
Total Pages: 128
ISBN-13: 9781897187760
DOWNLOAD EBOOKFollow the journeys of ten talented musicians from the Native community as they make their way to the top. All of them bring their own cultural traditions to their music.
Author: Vincent Schilling
Publisher: 7th Generation
Published: 2022-01-08
Total Pages: 141
ISBN-13: 1939053854
DOWNLOAD EBOOKThe revised edition adds two new and exciting young basketball players to the roster of outstanding Native athletes already included in the book. Shoni Schimmel, a tribal member of the Confederated Tribes of the Umatilla Indian Reservation in eastern Oregon, has earned the nicknames “The Umatilla Thrilla” and “Showtime” in the world of women's basketball. To people in Indian Country, Shoni is an absolute hero. Kenny Dobbs, aka “The Dunk Inventor,” is a member of the Choctaw Nation of Oklahoma and has toured the globe with the National Basketball Association as a celebrity dunker for sold-out shows. The biographies of all thirteen athletes describe the hard work, determination and education it took to accomplish their dreams and become the champions they are.
Author: Jeff Berglund
Publisher: University of Arizona Press
Published: 2016-03-10
Total Pages: 261
ISBN-13: 0816509441
DOWNLOAD EBOOK"This book is an interdisciplinary discussion of popular music performed and created by American Indian musicians, providing an important window into history, politics, and tribal communities as it simultaneously complements literary, historiographic, anthropological, and sociological discussions of Native culture"--Provided by publisher.
Author: Vincent Schilling
Publisher:
Published: 2011-09-01
Total Pages: 128
ISBN-13: 9781897187982
DOWNLOAD EBOOKLike the other books in the First Nations Series for Young Readers, this books offers ten short and engaging biographies of First Nations/Native activists who advocate not only for the environment but for Native rights. Their stories are full of highs and lows, triumphs and setbacks. Environmental trailblazers, these men and women are role models for children everywhere.
Author: Tara Browner
Publisher: University of Illinois Press
Published: 2010-10-01
Total Pages: 186
ISBN-13: 0252090659
DOWNLOAD EBOOKThis unique anthology presents a wide variety of approaches to an ethnomusicology of Inuit and Native North American musical expression. Contributors include Native and non-Native scholars who provide erudite and illuminating perspectives on aboriginal culture, incorporating both traditional practices and contemporary musical influences. Gathering scholarship on a realm of intense interest but little previous publication, this collection promises to revitalize the study of Native music in North America, an area of ethnomusicology that stands to benefit greatly from these scholars' cooperative, community-oriented methods. Contributors are T. Christopher Aplin, Tara Browner, Paula Conlon, David E. Draper, Elaine Keillor, Lucy Lafferty, Franziska von Rosen, David Samuels, Laurel Sercombe, and Judith Vander.
Author: Katelyn Barney
Publisher: Taylor & Francis
Published: 2022-12-22
Total Pages: 163
ISBN-13: 1000813401
DOWNLOAD EBOOKThis book demonstrates the processes of intercultural musical collaboration and how these processes contribute to facilitating positive relationships between Indigenous and non-Indigenous peoples in Australia. Each of the chapters in this edited collection examines specific examples in diverse contexts, and reflects on key issues that underpin musical exchanges, including the benefits and challenges of intercultural music making. The collection demonstrates how these musical collaborations allow Indigenous and non-Indigenous people to work together, to learn from each other, and to improve and strengthen their relationships. The metaphor of the “third space” of intercultural music making is interwoven in different ways throughout this volume. While focusing on Indigenous Australian/non-Indigenous intercultural musical collaboration, the book will be of interest globally as a resource for scholars and postgraduate students exploring intercultural musical communication in countries with histories of colonisation, such as New Zealand and Canada.
Author: Percival Kirby
Publisher: NYU Press
Published: 2013-08-01
Total Pages: 501
ISBN-13: 1868148289
DOWNLOAD EBOOKA detailed collection of information about the playing and making of the instruments of indigenous peoples' in South Africa. Percival Kirby was a musician and ethnomusicologist and for many years head of the music department at the University of the Witwatersrand, Johannesburg. Between 1923 and 1933 he undertook more than nine expeditions as well as many shorter excursions around South Africa. He was hosted by local chiefs and taught to play the instruments he encountered. He managed to purchase many of them, and this collection, now known as the Kirby Collection, is housed at the South African College of Music, University of Cape Town. First published as Musical Instruments of the Native Races of South Africa in 1934, the book was the culmination of research trips undertaken by Percival Kirby. It became the standard reference on indigenous South African musical instruments. The bulk of the material is concerned with detailed information on the making and playing of each instrument, and is accompanied by a large number of musical examples. This third edition contains an introduction by Mike Nixon, Head of the Ethnomusicology and African Music at the South African College of Music, and new reproductions of the valuable historic photographs, but leaves Kirby's original text unchanged.
Author: Joshua Tucker
Publisher: University of Chicago Press
Published: 2019-02-22
Total Pages: 291
ISBN-13: 022660733X
DOWNLOAD EBOOKWhen thinking of indigenous music, many people may imagine acoustic instruments and pastoral settings far removed from the whirl of modern life. But, in contemporary Peru, indigenous chimaycha music has become a wildly popular genre that is even heard in the nightclubs of Lima. In Making Music Indigenous, Joshua Tucker traces the history of this music and its key performers over fifty years to show that there is no single way to “sound indigenous.” The musicians Tucker follows make indigenous culture and identity visible in contemporary society by establishing a cultural and political presence for Peru’s indigenous peoples through activism, artisanship, and performance. This musical representation of indigeneity not only helps shape contemporary culture, it also provides a lens through which to reflect on the country’s past. Tucker argues that by following the musicians that have championed chimaycha music in its many forms, we can trace shifting meanings of indigeneity—and indeed, uncover the ways it is constructed, transformed, and ultimately recreated through music.
Author: Michael Azerrad
Publisher: Little, Brown
Published: 2012-12-01
Total Pages: 464
ISBN-13: 0316247189
DOWNLOAD EBOOKThe definitive chronicle of underground music in the 1980s tells the stories of Black Flag, Sonic Youth, The Replacements, and other seminal bands whose DIY revolution changed American music forever. Our Band Could Be Your Life is the never-before-told story of the musical revolution that happened right under the nose of the Reagan Eighties -- when a small but sprawling network of bands, labels, fanzines, radio stations, and other subversives re-energized American rock with punk's do-it-yourself credo and created music that was deeply personal, often brilliant, always challenging, and immensely influential. This sweeping chronicle of music, politics, drugs, fear, loathing, and faith is an indie rock classic in its own right. The bands profiled include: Sonic Youth Black Flag The Replacements Minutemen Husker Du Minor Threat Mission of Burma Butthole Surfers Big Black Fugazi Mudhoney Beat Happening Dinosaur Jr.
Author: John W. Troutman
Publisher: University of Oklahoma Press
Published: 2013-06-14
Total Pages: 343
ISBN-13: 0806150025
DOWNLOAD EBOOKFrom the late nineteenth century through the 1920s, the U.S. government sought to control practices of music on reservations and in Indian boarding schools. At the same time, Native singers, dancers, and musicians created new opportunities through musical performance to resist and manipulate those same policy initiatives. Why did the practice of music generate fear among government officials and opportunity for Native peoples? In this innovative study, John W. Troutman explores the politics of music at the turn of the twentieth century in three spheres: reservations, off-reservation boarding schools, and public venues such as concert halls and Chautauqua circuits. On their reservations, the Lakotas manipulated concepts of U.S. citizenship and patriotism to reinvigorate and adapt social dances, even while the federal government stepped up efforts to suppress them. At Carlisle Indian School, teachers and bandmasters taught music in hopes of imposing their “civilization” agenda, but students made their own meaning of their music. Finally, many former students, armed with saxophones, violins, or operatic vocal training, formed their own “all-Indian” and tribal bands and quartets and traversed the country, engaging the market economy and federal Indian policy initiatives on their own terms. While recent scholarship has offered new insights into the experiences of “show Indians” and evolving powwow traditions, Indian Blues is the first book to explore the polyphony of Native musical practices and their relationship to federal Indian policy in this important period of American Indian history.
