One of the finest novels by iconic British author Charles Dickens, this Victorian tale follows the good-natured orphan Pip as he makes his way through life. As a boy, Pip crosses paths with a convict named Magwitch, a man who will heavily influence Pip’s adulthood. Meanwhile, the earnest young man falls for the beautiful Estella, the adoptive daughter of the affluent and eccentric Miss Havisham. Widely considered to be Dickens's last great book, the story is steeped in romance and features the writer's familiar themes of crime, punishment, and societal struggle.
An American girl embarks on a competitive scavenger hunt in England—and along the way, she meets up with a bookish British boy who can’t help her with the clues . . . but might make the trip take some unexpected turns. Britt Hanson has always preferred scoring goals on the soccer field to analyzing dusty old books. But when an injury ends her dream to play in college, she jumps at the chance to compete in a scavenger hunt in England that takes her to the locations of classic novels—the prize money would change her life! Once in the UK, she meets bookish and very British Luke Jackson. He can’t actually help her with any of the clues (against the rules), but something about Luke compels her to invite him to join her. She wouldn’t mind getting to know him—and listening to his accent. To win, Britt must outsmart three competitors who aren’t afraid to play dirty while solving clues and traveling around the English countryside. Along the way, Britt learns that sometimes you have to follow the map and other times, you need to throw caution to the wind and see where the cobblestoned road leads you.
This is the first and still-definitive account of the origins, impact, culture, and future of the baby-boom generation, the most influential in American history.
Presents an overview of the novel, featuring a biographical sketch of the English author, a list of characters, a summary of the plot, and critical and analytical views of the work.
Great Expectations has had a long, active and sometimes surprising life since its first serialized appearance in All the Year Round between 1 December 1860 and 3 August 1861. In this new publishing and reception history, Mary Hammond demonstrates that while Dickens’s thirteenth novel can tell us a great deal about the dynamic mid-Victorian moment into which it was born, its afterlife beyond the nineteenth-century Anglophone world reveals the full extent of its versatility. Re-assessing generations of Dickens scholarship and using newly discovered archival material, Hammond covers the formative history of Great Expectations' early years, analyses the extent and significance of its global reach, and explores the ways in which it has functioned as literature and stage, TV, film and radio drama from its first appearance to the latest film version of 2012. Appendices include contemporary reviews and comprehensive bibliographies of adaptations and translations. The book is a rich resource for scholars and students of Dickens; of comparative literature; and of publishing, readership, and media history.
During the late nineteenth and early twentieth centuries, the divorce rate in the United States rose by a staggering 2,000 percent. To understand this dramatic rise, Elaine Tyler May studied over one thousand detailed divorce cases. She found that contrary to common assumptions, divorce was not simply a by-product of women's increasing economic and sexual independence, or a rebellion against marriage. Rather, thwarted hopes for fulfillment in the public sphere drove both men and women to wed at a greater rate and to bring higher expectations to their marriages.
Rather than relaxed and comfortable, Australians are disenchanted with politics and politicians. In Quarterly Essay 46 Laura Tingle shows that the reason for this goes to something deep in Australian culture: our great expectations of government. Since the deregulation era of the 1980s, Tingle finds, governments can do less, but we wish they could do more. From Hawke to Gillard, each prime minister has grappled with this dilemma. Keating sought to change expectations, Howard to feed a culture of entitlement, Rudd to reconceive the federation. Through all of this, and back to our origins, runs an almost childlike sense of the government as saviour and provider that has remained constant even as the world has changed. Now we are an angry nation, and the Age of Entitlement is coming to an end. What will a different politics look like? And, Tingle asks, even if a leader surfs the wave of anger all the way to power, what answer can be given to our great expectations? “It is wrong to see the anger of the last few years as a ‘one-off,’ which might go away at the next election. The things we are angry about betray the changes that have been taking place over recent decades. Politicians no longer control interest rates, the exchange rate, or wages, prices or industries that were once protected or even owned by government. Voters are confused about what politicians can do for them in such a world.” —Laura Tingle, Great Expectations
Grammardog Teacher's Guide contains 16 quizzes for this classic novel. All sentences are from the novel. Figurative language is abundant ("a haystack of buttered toast," "the closet whispered, the fireplace sighed," "a post office of a mouth," "so very blank and high was the dead wall of her face"). Allusions are drawn from mythology (Hercules, myrmidons, Telemachus, Cupid, Argus), religion (Noah's ark, Cain, Lord's Prayer) and literature (Hamlet, Coriolanus, Richard III, Anthony's oration in Julius Caesar, Timon of Athens).
