Presenting a diverse and dazzling collection from all over the continent, from Morocco to Zimbabwe, Uganda to Kenya. Helon Habila focuses on younger, newer writers - contrasted with some of their older, more established peers - to give a fascinating picture of a new and more liberated Africa. These writers are characterized by their engagement with the wider world and the opportunities offered by the end of apartheid, the end of civil wars and dictatorships, and the possibilities of free movement. Their work is inspired by travel and exile. They are liberated, global and expansive. As Dambudzo Marechera wrote: 'If you're a writer for a specific nation or specific race, then f*** you." These are the stories of a new Africa, punchy, self-confident and defiant. Includes stories by: Fatou Diome; Aminatta Forna; Manuel Rui; Patrice Nganang; Leila Aboulela; Zo Wicomb; Alaa Al Aswany; Doreen Baingana; E.C. Osondu.
The Man Booker prize-winning author's selection of the best Irish short stories of the last sixty years, following Richard Ford's bestselling Granta Book of the American Short Story.
Eric Hobsbawm's works have had a nearly incalculable effect across generations of readers and students, influencing more than the practice of history but also the perception of it. Born in Alexandria, Egypt, of second-generation British parents, Hobsbawm was orphaned at age fourteen in 1931. Living with an uncle in Berlin, he experienced the full force of world economic depression, and in the charged reaction to it in Germany was forced to choose between Nazism and Communism, which was no choice at all. Hobsbawm's lifelong allegiance to Communism inspired his pioneering work in social history, particularly the trilogy for which he is most famous--The Age of Revolution, The Age of Capital, and The Age of Empire--covering what he termed "the long nineteenth century" in Europe. Selling in the millions of copies, these held sway among generations of readers, some of whom went on to have prominent careers in politics and business. In this comprehensive biography of Hobsbawm, acclaimed historian Richard Evans (author of The Third Reich Trilogy, among other works) offers both a living portrait and vital insight into one of the most influential intellectual figures of the twentieth century. Using exclusive and unrestricted access to the unpublished material, Evans places Hobsbawm's writings within their historical and political context. Hobsbawm's Marxism made him a controversial figure but also, uniquely and universally, someone who commanded respect even among those who did not share-or who even outright rejected-his political beliefs. Eric Hobsbawm: A Life in History gives us one of the 20th century's most colorful and intellectually compelling figures. It is an intellectual life of the century itself.
From Antarctica and the deserts of the US-Mexico border, to a Siberian whale-killing station and the alleyways of Taipei, these dispatches describe a world in perpetual motion (even when it is 'locked-down'). To travel, we are reminded, is to embrace the experience of being a stranger - to acknowledge that one person''s frontier is another's home. Granta 157 is guest-edited by award-winning travel writer William Atkins. It features: Jason Allen-Paisant remembers the trees of his childhood Jamaica from his home in Leeds Carlos Manuel lvarez navigates Cuba's customs system, translated by Frank Wynne Eliane Brum travels from her home in the Brazilian Amazon to Antarctica in the era of climate crisis, translated by Diane Grosklaus Whitty Francisco Cant and Javier Zamora: a former border guard travels to the US-Mexico border with a former undocumented migrant who crossed the border as a child Jennifer Croft's richly illustrated essay on postcards and graffiti, inspired by Los Angeles Bathsheba Demuth visits a whale-hunting station on the Bering Strait, Russia Sinad Gleeson visits Brazil with Clarice Lispector Kate Harris with the Tlingit people of the Taku River basin, on the border of British Columbia and Alaska Artist Roni Horn on Iceland Emmanuel Iduma returns to Lagos in his late father's footsteps, Nigeria Kapka Kassabova among the gatherers of the ancient Mesta River, Bulgaria Taran Khan with Afghan migrants in Germany and Kabul Jessica J. Lee in the alleyways of Taipei, Taiwan, in search of her mother's home Ben Mauk among the volcanoes of Duterte's Philippines Pascale Petit tracks tigers in Paris and India Photographer James Tylor on the legacy of whaling in Indigenous South Australia, introduced by Dominic Guerrera
A stunning celebration and reappraisal of the importance of “women’s work,” Made from Scratch addresses the tug that many Americans feel between our professional and private lives. In this stunning celebration and reappraisal of the importance of "women's work," acclaimed journalist Jean Zimmerman poignantly addresses the tug that many Americans of the twenty-first century feel between our professional and private lives. With sharp wit and intelligence, she offers evidence that in the current domestic vacuum, we still long for a richer home life -- a paradox visible in the Martha Stewart phenomenon, in the continuing popularity of women's service magazines such as Better Homes and Gardens, Family Circle, and Ladies' Home Journal -- whose combined circulation of over 17 million is nearly twice the combined circulation of Time, Newsweek, and U.S. News & World Report -- and the booming business of restorations, where onlookers get a hands-on view of domestic life as it flourished in past centuries. This book is about the ways home traditions passed from one generation to the next -- baking a birthday cake from scratch, cherishing family heirlooms, or discovering the satisfaction of piecing a quilt -- sustain our souls, especially in our ever more processed, synthetic world, where we buy "homemade" goods and fail to see the irony in that. Made from Scratch tells the story of the unsung heroines of the hearth, investigating the history of female domesticity and charting its cultural changes over centuries. Zimmerman traces the lives of her own family's homemakers -- from her tiny but indomitable grandmother, who managed a farm, strangled chickens with her bare hands, and sewed all the family clothing, to her mother, who rejected her country upbringing yet kept a fastidious suburban home where the gender divide stayed firmly in place, to her own experiences as a wife and mother weaned on the Women's Movement of the 1970s, with its emphatic view that housework was a dirty word and that the domestic sphere was to be fled rather than cherished. In this book Zimmerman questions the unexamined trade-off we have made in a shockingly brief time span, as we've "progressed" from home-raised chickens to frozen TV dinners to McNuggets from the food court at the mall. What is lost when we no longer engage, as individuals and as a community, in the ancient rituals of food, craft, and shelter?
