Bloomfield Academy was founded in 1852 by the Chickasaw Nation in conjunction with missionaries. It remained open for nearly a century, offering Chickasaw girls one of the finest educations in the West. After being forcibly relocated toøIndian Territory, the Chickasaws viewed education as instrumental to their survival in a rapidly changing world. Bloomfield became their way to prepare emerging generations of Chickasaw girls for new challenges and opportunities. Amanda J. Cobb became interested in Bloomfield Academy because of her grandmother, Ida Mae Pratt Cobb, an alumna from the 1920s. Drawing on letters, reports, interviews with students, and school programs, Cobb recounts the academy?s success story. In stark contrast to the federally run off-reservation boarding schools in operation at the time, Bloomfield represents a rare instance of tribal control in education. For the Chickasaw Nation, Bloomfield?a tool of assimilation?became an important method of self-preservation.
As a young girl spends time at her grandmother's apartment, she is treated to traditional Jewish tales, including "Bavsi's Feast," "The Golden Shoes," "The Garden of Talking Flowers," and "A Phantom at the Wedding."
?Once in a blue moon (which means a fairly long cycle in my case) one who deals professionally with new books comes upon something that seems to him truly noteworthy and memorable-a reading experience which he will cherish for the rest of his life. And when this book is original and, indeed, unique-when it achieves something that has never been done before-one's impulse is to rent a billboard, to hire a hall, in some way to underline and emphasize the excitement and enthusiasm of his discovery, so that other readers may share his pleasure. "This has been my experience with The Ten Grandmothers, by Alice Marriott. It was the custom of certain tribes of Indians of the Great Plains to keep a 'winter count,' or calendar, of important events. Each year an officially designated scribe or historian of the tribe inscribed on a specially selected and prepared buffalo hide (which was a sacred tribal possession) a colored pictograph commemorating the most noteworthy event of the year-the happening or circumstance for which the year would be remembered in the oral literature and traditions of the tribe. "Miss Marriott's book is based upon such a tribal history of the Kiowas, an important and tenacious nation of the southern Great Plains, for more than a hundred years. She has taken representative incidents from this story and built each into a unified narrative of personal experience, concrete and dramatic. The thirty-three narratives fall into four groups reflecting the major phases of Kiowa history in the last century; they are called, since Kiowa .economy was based on the buffalo, The Time When There Were Plenty of Buffalo; The Time When Buffalo Were Going; The Time When Buffalo Were Gone; and Modern Times. Since the same characters appear recurringly, the book has the effect of a loosely constructed novel. "Miss Marriott is an ethnologist. Her book is based on eight years of work with the Kiowas?work that certainly consisted of much more than superficial interviews with aged Indians. There is evidence everywhere, not only of accurate scientific knowledge of the material to be presented, but of profound human insight and understanding. "Miss Marriott is also a creative artist of extraordinary powers. Her book has abundant humor, drama and melodrama, beauty and sordidness, pathos and tragedy: all presented sharply, objectively, with economy, restraint, and dignity. The narrative of the long journey of Wooden Lance, to see for himself and for his tribe whether the leader of the Ghost Dance movement (that inspired the last desperate, irrational struggle of the plains Indians against the whites) had 'true power is unforgettable in its simplicity and reality. The story of the Kiowa girl Leah's return from her years at a boarding school in the East to her family on the reservation is as true and socially significant as it is poignant and dramatic. "The great achievement of Miss Marriott's book is that it makes accessible to the reader of today the essence of a culture, a way of life and thought, now almost vanished from the earth. "We have an uneasy feeling that some special meaning and value for Americans of today and tomorrow must lie in the older cultures of our continent which our own has so largely displaced. American writers from Longfellow on have tried with varying degrees of success to capture that meaning for us. "Miss Marriott's book shows that our feeling was justified. No discerning reader will fail to find in the men and women who are so vivid in its pages-Sitting Bear and Eagle Plume, old Quanah and Spear Woman, and the Kiowa boys riding in their jeep to enlist for the present World War-in their vision and knowledge of life and their essential experience, abundant meaning for today."
Describes how Navajo grandmothers wear their colorful traditional skirts as they go about the activities of daily life while sharing their knowledge, wisdom, and love with their granddaughters.
A young Native American woman creates a hauntingly beautiful tribute to an age-old way of life in this fascinating portrait of the women of the Blackfoot Indians. A captivating tapestry of personal and tribal history, legends and myths, and the wisdom passed down through generations of women, this extraordinary book is also a priceless record of the traditional skills and ways of an ancient culture that is vanishing all too fast. Including many rare photographs, The Ways of My Grandmothers is an authentic contribution to our knowledge and understanding of Native American lore -- and a classic that will speak to women everywhere.
With 200 thought-provoking and lighthearted writing prompts and exercises organized into chapters based on her life, My Grandmother’s Life guides your grandmother to begin her life’s memoir and create a fully realized record of her adventures, stories, and wisdom for you and your family to cherish for future generations.
A visit to Grandmother’s house has never been so frightening. . . . Charlie and Georgie Oughtt have been sent to visit their Grandmother Pearl, and this troubles Charlie for three reasons. The first is that he’s an exceptionally nervous twelve-year-old boy, and he worries about everything. The second is that the other children in his neighborhood who pay visits to their grandmothers never seem to return. And the third is that Charlie and Georgie don’t have any grandmothers. Upon their arrival, all of Charlie’s concerns are confirmed, as “Grandmother Pearl” quickly reveals herself to be something much more gruesome than even Charlie’s most outlandish fears could have predicted. He and Georgie are thrust into a creepy underworld created from stolen nightmares, where monsters disguised as grandmothers serve an ancient, evil queen by holding children captive as they slowly sap each one of their memories and dreams. But something is different about Charlie. His worrisome nature, so often a burden, proves an asset in this frightening world. Will he be able to harness this newfound power to defeat the queen and save his sister?
#1 New York Times bestselling author Philippa Gregory weaves an unforgettable tale of a young woman’s sorcery and desire in Henry VIII’s England, where magic, lust, and power are forever intertwined. Growing up as an abandoned outcast on the moors, young Alys’ only company is her cruel foster mother, Morach, the local wise woman who is whispered to practice the dark arts. Alys joins a nunnery to escape the poverty and loneliness she has felt all her life, but all too soon her sanctuary is destroyed. King Henry VIII’s followers burn the holy place to the ground, and Alys only just manages to escape with her life, haunted by the screams of her sisters as they burned to death. She finds work in a castle not far from where she grew up as an old lord’s scribe, where she falls obsessively in love with his son Hugo. But Hugo is already married to a proud woman named Catherine. Driven to desperation by her desire, she summons the most dangerous powers Morach taught her, but quickly the passionate triangle of Alys, Hugo, and Catherine begins to explode, launching them into uncharted sexual waters. The magic Alys has conjured now has a life of its own—a life that is horrifyingly and disastrously out of control. Is she a witch? Since heresy means the stake, and witchcraft the rope, Alys is in mortal danger, treading a perilous path between her faith and her own power.
