Are you bored with playing it safe in the opening? Had enough of developing your pieces sensibly, aiming to control the centre and getting your king castled? Do you yearn to tear the opposition apart in the style of the great 19th century masters? Then Grandmaster Gambits 1 e4 is the book for you! The highly successful writing duo of Richard Palliser and Simon (GingerGM) Williams have teamed up again to create a repertoire based on jettisoning a pawn (and often a whole lot more) very early on. Whatever opening your opponent favours against 1 e4, the authors have a dynamic gambiteering counter which will throw them onto their own resources. The Sicilian Defence? Attack it with the Wing Gambit. 1...e5? Tear Black apart with the Max Lange Attack. The French? Suffocate Black with the Advance Variation including Magnus Carlsen’s souped-up version of the Milner-Barry Gambit. The Caro-Kann? Play the Hillbilly Attack with 2 Bc4! Your opponent might laugh but they won’t be laughing when you crash through on f7. Forget about playing “properly” in the opening. Open 1 e4, play the Grandmaster Gambits and rip your unprepared opponents apart!
White Goes for the Jugular The Danish Gambit, 1.e4 e5 2.d4 exd4 3.c3, is one of the most aggressive chess openings ever devised. Dynamite was invented by a Swede, Alfred Nobel. The book you are reading now, however, was not written by Nordic players. Instead, Grandmaster Karsten Müller and FIDE Master Martin Voigt bring a touch of German method to the analysis of the explosive group of classical open games where White goes for out- and-out attack based on an early e4, d4 and Bc4, often with c2-c3 to follow. Müller and Voigt do not confine themselves to the Danish Gambit alone but they examine a whole family of related opening variations that share some common characteristics. Most importantly, White is ready to offer some material (a pawn or two, sometimes a piece or more). White goes for the jugular and if Black is not careful he will not even reach the middle game, let alone an endgame...A guiding principle for the authors of this book is that White will play attacking chess, fighting for the initiative at every move. If Black does not meet the challenge in an equally determined way, he will surely lose. This is the epub edition of the popular book published in 2003.
This book fills a gaping chasm in chess literature. For years, those who wish to take on the black side of the Ruy Lopez have had to muddle their way through against the variety of alternative openings at White's disposal, because there have been no good books to assist them. This is a detailed guide, written from Black's viewpoint, to facing such openings as the King's Gambit, Vienna, Scotch, Four Knights, Italian Game, Bishop's opening, and the variety of oddball gambits White can try.
Every chess player needs a high-quality answer to 1.e4, and there is nothing more reliable than 1...e5. Black stakes a claim in the centre and prepares to deploy his pieces on good squares. The challenge nowadays is to build a robust repertoire without being overwhelmed by the volume of material and continual advances in opening theory. In Playing 1.e4 e5 - A Classical Repertoire, Nikolaos Ntirlis offers the best of both worlds: a complete repertoire against 1.e4, built on sound positional principles, which does not require excessive memorization. Against the Spanish the author recommends the Breyer System, one of the most stable, computer-proof options at Black's disposal. The Scotch, Italian, Four Knights and various other sidelines and gambits are handled with the same clarity and efficiency.
The Alterman Gambit Guide: White Gambits is both an opening book and an instructive manual. Sharpen your tactics and learn to play dynamic attacking chess while studying the most entertaining gambits. Lines covered include: Evans Gambit Panov Attack Morra Gambit Philidor Danish Gambit Urusov Gambit Morphy Attack Cochrane Gambit Max Lange Attack Fried Liver Attack Milner-Barry Gambit Boris Alterman is a strong grandmaster and founder of the Shevah-Mofet Chess Academy in Israel. Alterman is a product of the Botvinnik-Kasparov chess school. He helped to develop the Deep Junior program which famously drew a match with Kasparov and defeated both Radjabov and Deep Fritz.
Grandmaster David Smerdon gives the Scandinavian a welcome twist by using it as an all-out attacking weapon. The repertoire he presents is one he has successfully employed at grandmaster level over many years, and the backbone is provided by the razor-sharp Portuguese and Icelandic gambits.
Grandmaster Simon Williams was taught the English Opening at the age of six and 1 c4 was his weapon of choice until long after he became an International Master. For this new work, he teamed up with acclaimed theoretician International Master Richard Palliser to explore his old favourite. 1 c4 remains an excellent choice for the club and tournament player. This book focuses on the set-up popularised by the sixth world champion, Mikhail Botvinnik, the so-called Botvinnik formation with 2 Nc3, 3 g3, 4 Bg2, 5 e4 and 6 Nge2. This system is compact but still aggressive and rewards an understanding of plans and strategies rather than rote memorisation of moves. In Opening Repertoire: The Iron English leading chess authors Simon Williams and Richard Palliser guide the reader through the complexities of this dynamic variation and carves out a repertoire for White. They examine all aspects of this highly complex opening and provide the reader with well-researched, fresh, and innovative analysis. Each annotated game has valuable lessons on how to play the opening and contains instructive commentary on typical middlegame plans. * A dynamic and easy-to-play repertoire for White * Complete coverage featuring several new ideas * Take your opponents out of their comfort zone!
An insightful new book that is perfect for newcomers to chess inspired by Netflix's Queen's Gambit. Written by one of the best chess communicators in the business, chess master and chess journalist Andy Soltis divulges practical advice and explains technical terms that chess books often overlook. From learning how to train your mind with chess information to choosing the best chess opening, dip in and out of this invaluable guide to improve your chess in a minutes. Chess questions answered in this book include: Is there a best way to study chess? How do I know if I have a natural talent? How important is chess memory and how can I train mine? How long should I think before choosing a move? Is there a proper way to think? Can I think like a chess computer? How do I develop chess intuition? Don't try to swallow too much information in one sitting. Dip in and out of these great chess questions to better understand the game and let the improvement happen incrementally.
One of the important issues players face - both relatively inexperienced ones at the beginning of their career as well as seasoned ones as they realize their chess craves change - is choosing an opening repertoire. As a player and a coach, I have seen many approaches to this question, both remarkable and mistaken. Some players believe that the opening is something to ignore, that everything is decided in the middlegame. Others think that studying opening traps is what wins games.Some tend to follow their favorite world-class player''s recommendations, while others like to sidestep well-known opening theory early on, preferring unpopular side-lines.To me, opening choice is about all those decisions. I think that many openings are good; there are some dubious ones, but they can also yield formidable results overall or in specific situations if chosen and handled carefully. I firmly believe that your opening repertoire should mostly be based on your playing style and other personal traits, such as memory and work ethic. It is important to evaluate yourself as well as your strengths and weaknesses properly in order to be able to build the right repertoire that would not only suit you well, but also improve your overall chess.The little detail, though, is in the word "mostly". Namely, I firmly believe that there are a few classical, rock-solid openings with an impeccable reputation, such as 1.e4 e5 as a response to 1.e4 or the Queen''s Gambit and Nimzo as an answer to 1.d4 that players of all styles and standards should try, no matter what their style is. This will enable players to learn, appreciate and practice some of the key chess values, such as the importance of space, lack of weaknesses, bad pieces, and comfortable development and so on - you name it. I, myself, started out as a keen Sicilian player. Just like all youngsters, I cheerfully enjoyed complications, tactical massacres and everything else that the Sicilian is all about. However, as I was developing as a player, my style was changing also. Eventually, I realized I was much more successful with positional play, so it was time to change the outfit - and 1.e4 e5 suited me well. I have used this move as a response to 1.e4 nearly exclusively in recent years, both versus weaker and stronger opposition, with fantastic results. If only other openings would grant me such results as well! I have not only studied these variations myself but have also shown them to numerous private students. To be frank, we have almost always concentrated on White''s most dangerous possibilities, such as the Ruy Lopez, Italian and Scotch. Occasionally, we have also analysed the side-lines - either as a part of preparation for specific opponents or to make sure my students become more universal players and gain more all-round knowledge. Eventually, I realized that the knowledge I gained from 1.e4 e5 can and should be shared with more players, and this is how my book came to life. Of course, the readers will differ, so there is a no "one-size-fits-all" solution. But, I have carefully and diligently tried to achieve the same goal I used when working with my students: to keep my recommendations both theoretically sound as well as practical and accessible. I expect not only titled players but club players and the less experienced readers to equally benefit from this book. So, sometimes you will find razor-sharp novelties, but in many cases, we will rely on positional understanding, typical structures and standard ideas. I believe the opening is not all about memorization, so I have taken a different approach from many authors by keeping the balance between recommending objectively good variations as well as making sure an adequate amount of work will suffice to get you started. You won''t need to spend years studying the material, fearing there is still much more to learn. 1.e4 e5! is not just an opening. It is repertoire that represents our game as a whole. It is something players of all styles will enjoy due to the countless possibilities 1...e5 provides. Hopefully, learning 1...e5 will also make you a better player. And, finally, I hope the book you are now holding in your hands will not only give you joy but illustrate a passion for chess with the variations presented in this work.
