Gothic Horror 3
Gothic Horror 3

Author: Joseph Sheridan Le Fanu

Publisher: Essential Library

Published: 2001

Total Pages: 336

ISBN-13: 1401009972

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Brought together in one volume, this is an anthology of supernatural tales, as recorded by a parish priest in southern Ireland. These recollections represent the legacy of the late Francis Purcell, P. P. of Drumcoolagh. This collection of 9 short stories/ novellas include "The Last Heir of Castle Connor," "The Strange Event in the Life of Schalken the Painter," and "Billy Malowney´s Taste of Love and Glory." Horror can take many forms. A creeping sense of doom. A pit of fear. The unseen terror which lurks just out of sight. The Purcell Papers documents the most astonishing and terrifying tales of old Europe. Are you brave enough to find out for yourself? The Essential Library presents All Gothic Horror, a multi-volume series featuring the most spine-tingling tales of classic terror. For a complete list of all Essential Library editions, please visit our website www.EssentialLibrary.com.

Three Gothic Novels
Three Gothic Novels

Author: Horace Walpole

Publisher: Penguin UK

Published: 1974-06-27

Total Pages: 534

ISBN-13: 014190562X

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The Gothic novel, which flourished from about 1765 until 1825, revels in the horrible and the supernatural, in suspense and exotic settings. This volume, with its erudite introduction by Mario Praz, presents three of the most celebrated Gothic novels: The Castle of Otranto, published pseudonymously in 1765, is one of the first of the genre and the most truly Gothic of the three. Vathek (1786), an oriental tale by an eccentric millionaire, exotically combines Gothic romanticism with the vivacity of The Arabian Nights and is a narrative tour de force. The story of Frankenstein (1818) and the monster he created is as spine-chilling today as it ever was; as in all Gothic novels, horror is the keynote.

Skin Shows
Skin Shows

Author: Judith Halberstam

Publisher: Duke University Press

Published: 1995

Total Pages: 236

ISBN-13: 9780822316633

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Parasites and perverts: an introduction to gothic monstrosity -- Making monsters: Mary Shelley's Frankenstein -- Gothic surface, gothic depth: the subject of secrecy in Stevenson and Wilde -- Technologies of monstrosity: Bram Stoker's Dracula -- Reading counterclockwise: paranoid gothic or gothic paranoia? -- Bodies that splatter: queers and chain saws -- Skinflick: posthuman genderin Jonathan Demme's The silence of the lambs -- Conclusion: serial killing.

Florence and Giles
Florence and Giles

Author: John Harding

Publisher: HarperCollins UK

Published: 2011

Total Pages: 274

ISBN-13: 000731504X

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1891. In a remote and crumbling New England mansion, 12-year-old orphan Florence is neglected by her guardian uncle and banned from reading. Left to her own devices she devours books in secret and talks to herself - and narrates this, her story - in a unique language of her own invention.

The Romance of the Forest
The Romance of the Forest

Author: Ann Ward Radcliffe

Publisher: Wildside Press LLC

Published: 2008-05-01

Total Pages: 344

ISBN-13: 143447156X

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'The Romance of the Forest' evokes a world drenched in both horror and natural splendor, beset with abductions and imprisonments, and centered upon the frequently terrified but still resourceful and determined heroine Adeline.

Urban Gothic
Urban Gothic

Author: Brian Keene

Publisher: Deadite Press

Published: 2011-02

Total Pages: 0

ISBN-13: 9781936383443

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Previous ed. published in 2009 by Leisure Books.

Gothic Vision
Gothic Vision

Author: Dani Cavallaro

Publisher: Bloomsbury Publishing

Published: 2002-08-01

Total Pages: 242

ISBN-13: 1847141897

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The Gothic Vision examines a broad range of tales of horror, terror, the uncanny and the supernatural, spanning the late-eighteenth century to the present, and of related theoretical approaches to the realm of dark writing. It argues that such narratives are objects for historical analysis, due to their implication in specific ideologies, while also focusing on the recurrence over time of themes of physical and psychological disintegration, spectrality and monstrosity. This is an excellent overview of a genre that is increasingly studied in literature, film, and cultural studies courses.

The Cambridge Companion to Gothic Fiction
The Cambridge Companion to Gothic Fiction

Author: Jerrold E. Hogle

Publisher: Cambridge University Press

Published: 2002-08-29

Total Pages: 526

ISBN-13: 1107494486

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Gothic as a form of fiction-making has played a major role in Western culture since the late eighteenth century. In this volume, fourteen world-class experts on the Gothic provide thorough and revealing accounts of this haunting-to-horrifying type of fiction from the 1760s (the decade of The Castle of Otranto, the first so-called 'Gothic story') to the end of the twentieth century (an era haunted by filmed and computerized Gothic simulations). Along the way, these essays explore the connections of Gothic fictions to political and industrial revolutions, the realistic novel, the theatre, Romantic and post-Romantic poetry, nationalism and racism from Europe to America, colonized and post-colonial populations, the rise of film and other visual technologies, the struggles between 'high' and 'popular' culture, changing psychological attitudes towards human identity, gender and sexuality, and the obscure lines between life and death, sanity and madness. The volume also includes a chronology and guides to further reading.

Neo-Victorian Gothic
Neo-Victorian Gothic

Author: Marie-Luise Kohlke

Publisher: Rodopi

Published: 2012

Total Pages: 338

ISBN-13: 9401208964

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Preliminary Material -- The (Mis)Shapes of Neo-Victorian Gothic: Continuations, Adaptations, Transformations /Marie-Luise Kohlke and Christian Gutleben -- The Limits of Neo-Victorian History: Elizabeth Kostova's The Historian and The Swan Thieves /Andrew Smith -- Reclaiming Plots: Albert Wendt's 'Prospecting' and Victoria Nalani Kneubuhl's Ola Nā Iwi as Postcolonial Neo-Victorian Gothic /Cheryl D. Edelson -- Monsters against Empire: The Politics and Poetics of Neo-Victorian Metafiction in The League of Extraordinary Gentlemen /Sebastian Domsch -- A Bodily Metaphorics of Unsettlement: Leora Farber's Dis-Location / Re-Location as Neo-Victorian Gothic /Jeanne Ellis -- Neo-Victorian Gothic and Spectral Sexuality in Colm Tóibín's The Master /Patricia Pulham -- 'Jack the Ripper' as Neo-Victorian Gothic Fiction: Twentieth-Century and Contemporary Sallies into a Late Victorian Case and Myth /Max Duperray -- Chasing the Dragon: Bangtails, Toffs, Jack and Johnny in Neo-Victorian Fiction /Sarah E. Maier -- Neo-Victorian Female Gothic: Fantasies of Self-Abjection /Marie-Luise Kohlke -- Epistemological Rupture and the Gothic Sublime in Slouching Towards Bedlam /Van Leavenworth -- Dead Words and Fatal Secrets: Rediscovering the Sensational Document in Neo-Victorian Gothic /Kym Brindle -- 'Fear is Fun and Fun is Fear': A Reflexion on Humour in Neo-Victorian Gothic /Christian Gutleben -- Contributors -- Index.