Most of the Gospel Harmonies use parallel columns to give side-by-side comparisons of the various events in Jesus' life and ministry. But how much easier could His storyline be followed if it were presented in one seamless narrative, streamlined in chronological order? Features: • The four Gospels woven into a single, running narrative • All Scriptures taken from the Holman Christian Standard Bible • Sidebars call attention to major themes and difficult passages in the Gospels • Hundreds of study notes— a regular feature of every page—illuminate the text • Useful for both lesson and sermon preparation as well as stand-alone reading • Systematic reading plan for family worship and devotional use
Comprehensive and richly illustrated, Close Harmony traces the development of the music known as southern gospel from its antebellum origins to its twentieth-century emergence as a vibrant musical industry driven by the world of radio, television, recordings, and concert promotions. Marked by smooth, tight harmonies and a lyrical focus on the message of Christian salvation, southern gospel--particularly the white gospel quartet tradition--had its roots in nineteenth-century shape-note singing. The spread of white gospel music is intricately connected to the people who based their livelihoods on it, and Close Harmony is filled with the stories of artists and groups such as Frank Stamps, the Chuck Wagon Gang, the Blackwood Brothers, the Rangers, the Swanee River Boys, the Statesmen, and the Oak Ridge Boys. The book also explores changing relations between black and white artists and shows how, following the civil rights movement, white gospel was influenced by black gospel, bluegrass, rock, metal, and, later, rap. With Christian music sales topping the $600 million mark at the close of the twentieth century, Close Harmony explores the history of an important and influential segment of the thriving gospel industry.
PARALLEL GOSPELS IN HARMONY - with STUDY GUIDE lets you read and study the four Gospels in parallel columns with corresponding passages side-by-side, using the modern language World English Bible. It's also copyright-free, so that anyone can reproduce it. A disciple in the garden of Gethsemane cuts off the ear of the high priestâs servant according to all four Gospels. But only John tells us the servantâs name, and that it was Peter who wielded the sword. And only Luke tells us that Jesus healed the wound. This book allows you to see all of this at a glance.
CSB Harmony of the Gospels is a synchronized reading of the Gospels based on the work of John A. Broadus and A.T. Robertson with each Gospel writer's account of events side-by-side. In addition to the harmonious layout, articles and commentary notes are included to provide deeper understanding of the four Gospels and the harmonized account of the life and teachings of Jesus. CSB Harmony of the Gospels features the highly readable, highly reliable text of the Christian Standard Bible® (CSB). The CSB captures the Bible’s original meaning without sacrificing clarity, making it easier to engage with Scripture’s life-transforming message and to share it with others.
This is the extended and annotated edition including * an extensive biographical annotation about the author and his life Book I. The treatise opens with a short statement on the subject of the authority of the Evangelists, their number, their order, and the different plans of their narratives. Augustine then prepares for the discussion of the questions relating to their harmony, by joining issue in this book with those who raise a difficulty in the circumstance that Christ has left no writing of His own, or who falsely allege that certain books were composed by Him on the arts of magic. He also meets the objections of those who, in opposition to the evangelical teaching, assert that the disciples of Christ at once ascribe more to their Master than He really was, when they affirmed that He was God, and inculcated what they had not been instructed in by Him, when they interdicted the worship of the gods. Against these antagonists he vindicates the teaching of the Apostles, by appealing to the utterances of the Prophets, and by showing that the God of Israel was to be the sole object of worship, who also, although He was the only Deity to whom acceptance was denied in former times by the Romans, and that for the very reason that He prohibited them from worshipping other gods along with Himself, has now in the end made the Empire of Rome subject to His Name, and among all nations has broken their idols in pieces through the preaching of the Gospel, as He had promised by His prophets that the event should be. Book II. In this book Augustine undertakes an orderly examination of the Gospel according to Matthew, on to the narrative of the Supper, and institutes a comparison between it and the other Gospels by Mark, Luke, and John, with the view of demonstrating a complete harmony between the four Evangelists throughout all these sections. Book III. This book contains a demonstration of the harmony of the Evangelists from the accounts of the Supper on to the end of the Gospel, the narratives given by the several writers being collated, and the whole arranged in one orderly connection. Book IV. This book embraces a discussion of those passages which are peculiar to Mark, Luke, or John.
Why are there differences in the stories of the Gospels? Licona turns to Greek classicist Plutarch for an answer, assessing differences that appeared when Plutarch told the same story more than once in his Lives. He suggests the differences in the Gospels often resulted from their authors employing the same compositional devices used by Plutarch.
This resource encourages a deeper understanding of the life, death, and resurrection of Jesus Christ by harmonizing the accounts of Matthew, Mark, Luke, and John so as to assemble as many details as possible into a chronologically meaningful sequence.
