The inspirational sermons of the old Negro preachers are set down as poetry in this collection -- a classic for more than forty years, frequently dramatized, recorded, and anthologized. Mr. Johnson tells in his preface of hearing these same themes treated by famous preachers in his youth; some of the sermons are still current, and like the spirituals they have taken a significant place in black folk art. In transmuting their essence into original and moving poetry, the author has also ensured the survival of a great oral tradition. Book jacket.
A Harlem Renaissance classic: seven inspirational poems inspired by the powerful rhetorical traditions of African-American sermons and spirituals. James Weldon Johnson, the co-author of "Lift Every Voice and Sing" and author of The Autobiography of an Ex-Colored Man, was a leading figure of the Harlem Renaissance. In God's Trombones, one of his most celebrated works, the rich tradition of inspirational sermons by Black preachers are reimagined as poetry, reverberating with the musicality and splendid eloquence of the classic spirituals. This collection includes "The Creation," "The Prodigal Son," "Go Down Death (A Funeral Sermon)," "Noah Built the Ark," "The Crucifixion," "Let My People Go," and "The Judgment Day," and includes the remarkable original illustrations by artist Aaron Douglas.
An award-winning retelling of the Biblical creation story from a star of the Harlem Renaissance and an acclaimed illustrator James Weldon Johnson, author of the civil rights anthem "Lift Ev'ry Voice and Sing," wrote this beautiful Bible-learning story in 1922, at the height of the Harlem Renaissance. Set in the Deep South, The Creation alternates breathtaking scenes from Genesis with images of a country preacher under a tree retelling the story for children. The exquisite detail of James E. Ransome's sun-dappled paintings and the sophisticated rhythm of the free verse pay tribute to Black American oral traditions of country sermonizing and storytelling: As far as the eye of God could see/ Darkness covered everything/ Blacker than a hundred midnights/ Down in a cypress swamp. . . . This beautiful new edition of the classic Coretta Scott King Award winner features a fresh, modern design, a reimagined cover, and an introduction of the remarkable life of James Weldon Johnson. Beneath the dust jacket, the case features a detail of Ransome's beautiful night sky, spangled with stars. A Junior Library Guild selection!
An award-winning retelling of the Biblical creation story from a star of the Harlem Renaissance and an acclaimed illustrator James Weldon Johnson, author of the civil rights anthem "Lift Ev'ry Voice and Sing," wrote this beautiful Bible-learning story in 1922, at the height of the Harlem Renaissance. Set in the Deep South, The Creation alternates breathtaking scenes from Genesis with images of a country preacher under a tree retelling the story for children. The exquisite detail of James E. Ransome's sun-dappled paintings and the sophisticated rhythm of the free verse pay tribute to Black American oral traditions of country sermonizing and storytelling: As far as the eye of God could see/ Darkness covered everything/ Blacker than a hundred midnights/ Down in a cypress swamp. . . . This beautiful new edition of the classic Coretta Scott King Award winner features a fresh, modern design, a reimagined cover, and an introduction of the remarkable life of James Weldon Johnson.
“A canonical collection, splendidly and sensitively edited by Rudolph Byrd.” –Henry Louis Gates, Jr. One of the leading voices of the Harlem Resaissance and a crucial literary figure of his time, James Weldon Johnson was also an editor, songwriter, founding member and leader of the NAACP, and the first African American to hold a diplomatic post as consul to Venezuela and Nicaragua. This comprehensive volume of Johnson’s works includes the seminal novel Autobiography of an Ex-Colored Man, poems from God’s Trombones, essays on cultural and political topics, selections from Johnson’s autobiography, Along This Way, and two previously unpublished short plays: Do You Believe in Ghosts? and The Engineer. Featuring a chronology, bibliography, and a Foreword by acclaimed author Charles Johnson, this Modern Library edition showcases the tremendous range of James Weldon Johnson’s writings and their considerable influence on American civic and cultural life. “This collection of poetry, fiction, criticism, autobiography, political writing and two unpublished plays by James Weldon Johnson (1871-1938) spans 60 years of pure triumph over adversity. [….Johnson’s] nobility, his inspiration shine forth from these pages, setting moral and artistic standards.” —Los Angeles Times
First published in the year 1912, 'The Autobiography of an Ex-Colored Man' by James Weldon Johnson is the fictional account of a young biracial man, referred to as the "Ex-Colored Man", living in post-Reconstruction era America in the late nineteenth and early twentieth centuries.
The autobiography of the celebrated African American writer and civil rights activist Published just four years before his death in 1938, James Weldon Johnson's autobiography is a fascinating portrait of an African American who broke the racial divide at a time when the Harlem Renaissance had not yet begun to usher in the civil rights movement. Not only an educator, lawyer, and diplomat, Johnson was also one of the most revered leaders of his time, going on to serve as the first black president of the NAACP (which had previously been run only by whites), as well as write the groundbreaking novel The Autobiography of an Ex-Colored Man. Beginning with his birth in Jacksonville, Florida, and detailing his education, his role in the Harlem Renaissance, and his later years as a professor and civil rights reformer, Along This Way is an inspiring classic of African American literature. For more than seventy years, Penguin has been the leading publisher of classic literature in the English-speaking world. With more than 1,700 titles, Penguin Classics represents a global bookshelf of the best works throughout history and across genres and disciplines. Readers trust the series to provide authoritative texts enhanced by introductions and notes by distinguished scholars and contemporary authors, as well as up-to-date translations by award-winning translators.
The work of James Weldon Johnson (1871 - 1938) inspired and encouraged the artists of the Harlem Renaissance,a movement in which he himself was an important figure. Johnson was active in almost every aspect of American civil life and became one of the first African-American professors at New York University. He is best remembered for his writing, which questions, celebrates and commemorates his experience as an African-American.
First Published in 1988. Though many standard musicological reference works document the use of the trombone from its beginning in the middle of the seventeenth century, and then from Mozart to the present, few deal with the intervening years. This book reproduces the texts from two dozen treatises, dictionaries, and encyclopaedias, along with English translations, published between 1697 and 1811. It provides an overview of the use of the trombone during that time in America and seven European countries and examines its use in choral music, opera, symphonic music and military music.
Nathan Irvin Huggins showcases more than 120 selections from the political writings and arts of the Harlem Renaissance. Featuring works by such greats as Langston Hughes, Aaron Douglas, and Gwendolyn Bennett, here is an extraordinary look at the remarkable outpouring of African-American literature and art during the 1920s.
