The invasion began with meteor strikes in Kansas. When the investigating team disappears, it signals the start of an alien invasion of Earth. At first, a number of humans are enslaved and forced to build a rocket aimed at the stars. Then comes the Crimson Plague, which sweeps across the world, ravaging civilization. Among the few who escape is astrophysicist Curt Temple, whose girlfriend, Lee Mason, is among the enslaved. Curt must pit his slim knowledge against the most perfect intelligence in the cosmos to save the world--and the woman he loves!A classic science fiction novel, originally pub.
The congregants thanked God that they weren't like all those hopeless people outside the church, bound for hell. So the Westboro Baptist Church's Sunday service began, and Rebecca Barrett-Fox, a curious observer, wondered why anyone would seek spiritual sustenance through other people's damnation. It is a question that piques many a witness to Westboro's more visible activity—the "GOD HATES FAGS" picketing of funerals. In God Hates, sociologist Barrett-Fox takes us behind the scenes of Topeka's Westboro Baptist Church. The first full ethnography of this infamous presence on America's Religious Right, her book situates the church's story in the context of American religious history—and reveals as much about the uneasy state of Christian practice in our day as it does about the workings of the Westboro Church and Fred Phelps, its founder. God Hates traces WBC's theological beliefs to a brand of hyper-Calvinist thought reaching back to the Puritans—an extreme Calvinism, emphasizing predestination, that has proven as off-putting as Westboro's actions, even for other Baptists. And yet, in examining Westboro's role in conservative politics and its contentious relationship with other fundamentalist activist groups, Barrett-Fox reveals how the church's message of national doom in fact reflects beliefs at the core of much of the Religious Right's rhetoric. Westboro's aggressively offensive public activities actually serve to soften the anti-gay theology of more mainstream conservative religious activism. With an eye to the church's protest at military funerals, she also considers why the public has responded so differently to these than to Westboro's anti-LGBT picketing. With its history of Westboro Baptist Church and its founder, and its profiles of defectors, this book offers a complex, close-up view of a phenomenon on the fringes of American Christianity—and a broader, disturbing view of the mainstream theology it at once masks and reflects.
One of "our most insightful social observers"* cracks the great political mystery of our time: how conservatism, once a marker of class privilege, became the creed of millions of ordinary Americans With his acclaimed wit and acuity, Thomas Frank turns his eye on what he calls the "thirty-year backlash"—the populist revolt against a supposedly liberal establishment. The high point of that backlash is the Republican Party's success in building the most unnatural of alliances: between blue-collar Midwesterners and Wall Street business interests, workers and bosses, populists and right-wingers. In asking "what 's the matter with Kansas?"—how a place famous for its radicalism became one of the most conservative states in the union—Frank, a native Kansan and onetime Republican, seeks to answer some broader American riddles: Why do so many of us vote against our economic interests? Where's the outrage at corporate manipulators? And whatever happened to middle-American progressivism? The questions are urgent as well as provocative. Frank answers them by examining pop conservatism—the bestsellers, the radio talk shows, the vicious political combat—and showing how our long culture wars have left us with an electorate far more concerned with their leaders' "values" and down-home qualities than with their stands on hard questions of policy. A brilliant analysis—and funny to boot—What's the Matter with Kansas? presents a critical assessment of who we are, while telling a remarkable story of how a group of frat boys, lawyers, and CEOs came to convince a nation that they spoke on behalf of the People. *Los Angeles Times
Far from the coastal centers of culture and politics, Kansas stands at the very center of American stereotypes about red states. In the American imagination, it is a place LGBT people leave. No Place Like Home is about why they stay. The book tells the epic story of how a few disorganized and politically naïve Kansans, realizing they were unfairly under attack, rolled up their sleeves, went looking for fights, and ended up making friends in one of the country’s most hostile states. The LGBT civil rights movement’s history in California and in big cities such as New York and Washington, DC, has been well documented. But what is it like for LGBT activists in a place like Kansas, where they face much stiffer headwinds? How do they win hearts and minds in the shadow of the Westboro Baptist Church (“Christian” motto: “God Hates Fags”)? Traveling the state in search of answers—from city to suburb to farm—journalist C. J. Janovy encounters LGBT activists who have fought, in ways big and small, for the acceptance and respect of their neighbors, their communities, and their government. Her book tells the story of these twenty-first-century citizen activists—the issues that unite them, the actions they take, and the personal and larger consequences of their efforts, however successful they might be. With its close-up view of the lives and work behind LGBT activism in Kansas, No Place Like Home fills a prairie-sized gap in the narrative of civil rights in America. The book also looks forward, as an inspiring guide for progressives concerned about the future of any vilified minority in an increasingly polarized nation.
The original novel as seen in Showtime’s Californication, starring David Duchovny. The critically acclaimed show, Californication, is one of Showtime’s highest rated programs. Averaging about two million viewers an episode, it is the most successfully rated freshman series in Showtime history. A Golden Globe nominee for Best Television Series (Comedy or Musical), Californication features an electric, likeable cast, led by actor David Duchovny, who won a Golden Globe for his performance playing Hank Moody. God Hates Us All is the novel written by Duchovny’s character, Hank Moody, which in the show is turned into a Hollywood film entitled A Crazy Little Thing Called Love. Timed to coincide with the premiere of the Season 3 of the hit series, this will allow fans an extra, backstage look at the concept of the show not available through episodes.
The activist and TED speaker Megan Phelps-Roper reveals her life growing up in the most hated family in America At the age of five, Megan Phelps-Roper began protesting homosexuality and other alleged vices alongside fellow members of the Westboro Baptist Church in Topeka, Kansas. Founded by her grandfather and consisting almost entirely of her extended family, the tiny group would gain worldwide notoriety for its pickets at military funerals and celebrations of death and tragedy. As Phelps-Roper grew up, she saw that church members were close companions and accomplished debaters, applying the logic of predestination and the language of the King James Bible to everyday life with aplomb—which, as the church’s Twitter spokeswoman, she learned to do with great skill. Soon, however, dialogue on Twitter caused her to begin doubting the church’s leaders and message: If humans were sinful and fallible, how could the church itself be so confident about its beliefs? As she digitally jousted with critics, she started to wonder if sometimes they had a point—and then she began exchanging messages with a man who would help change her life. A gripping memoir of escaping extremism and falling in love, Unfollow relates Phelps-Roper’s moral awakening, her departure from the church, and how she exchanged the absolutes she grew up with for new forms of warmth and community. Rich with suspense and thoughtful reflection, Phelps-Roper’s life story exposes the dangers of black-and-white thinking and the need for true humility in a time of angry polarization.
In this book, the author maintains that religious discourses have curiously figured as some of the most potent and pervasive forms of queer expression and activism throughout the twentieth century. He focuses on how queers have assumed religious rhetoric strategically to respond to the violence done against them.
This is the first of three volumes that chart the history of the science fiction magazine from the earliest days to the present. This first volume looks at the exuberant years of the pulp magazines. It traces the growth and development of the science fiction magazines from when Hugo Gernsback launched the very first, Amazing Stories, in 1926 through to the birth of the atomic age and the death of the pulps in the early 1950s. These were the days of the youth of science fiction, when it was brash, raw and exciting: the days of the first great space operas by Edward Elmer Smith and Edmond Hamilton, through the cosmic thought variants by Murray Leinster, Jack Williamson and others to the early 1940s when John W. Campbell at Astounding did his best to nurture the infant genre into adulthood. Under him such major names as Robert A. Heinlein, Isaac Asimov, A. E. van Vogt and Theodore Sturgeon emerged who, along with other such new talents as Ray Bradbury and Arthur C. Clarke, helped create modern science fiction. For over forty years magazines were at the heart of science fiction and this book considers how the magazines, and their publishers, editors and authors influenced the growth and perception of this fascinating genre.
An interpretative study of the image of Kansas, focusing primarily on the twentieth-century, and looking at how the national reputation of the state has wavered from being renowned for cultural aggressiveness and societal confidence to being perceived as drab and backward.
A young adult, fictional reimagining of Truman Capote's In Cold Blood and the brutal murders that inspired it. Gripping and fast-paced, this meticulously researched historical fiction will reinvigorate a new generation to Capote. November is usually quiet in Holcomb, Kansas, but in 1959, the town is shattered by the quadruple murder of the Clutter family. Suspicion falls on Nancy Clutter’s boyfriend, Bobby Rupp, the last one to see them alive. New Yorker Carly Fleming, new to the small Midwestern town, is an outsider. She tutored Nancy, and (in private, at least) they were close. Carly and Bobby were the only ones who saw that Nancy was always performing, and that she was cracking under the pressure of being Holcomb’s golden girl. This secret connected Carly and Bobby. Now that Bobby is an outsider, too, they’re bound closer than ever. Determined to clear Bobby’s name, Carly dives into the murder investigation and ends up in trouble with the local authorities. But that’s nothing compared to the wrath she faces from Holcomb once the real perpetrators are caught. When her father is appointed to defend the killers of the Clutter family, the entire town labels the Flemings as traitors. Now Carly must fight for what she knows is right.
