The allusion of Camelot came long after the scriptural pictures of heaven. But human vision has always idealized what began in the story of the Garden of Eden. Camelot produces gardens in our minds, though it is far broader than a simple garden. It represents that vision of perfection or more demonstrably utopia with justice and mercy and others. Visioning everything to be precise is a possibility that the human mind freely involves itself. There is no attempt to see Camelot allegorically in this book. But we all have the vision of the knights of the round table and their desires to make the kingdom successful. Yet Lancelot also plays a kind of role that is not uncommon to the human condition.
The allusion of Camelot came long after the scriptural pictures of heaven. But human vision has always idealized what began in the story of the Garden of Eden. Camelot produces gardens in our minds, though it is far broader than a simple garden. It represents that vision of perfection or more demonstrably utopia with justice and mercy and others. Visioning everything to be precise is a possibility that the human mind freely involves itself. There is no attempt to see Camelot allegorically in this book. But we all have the vision of the knights of the round table and their desires to make the kingdom successful. Yet Lancelot also plays a kind of role that is not uncommon to the human condition.
Not all heroes are blessed with understanding or even control of their powers. And not all heroes, given powers to rival the Greek gods, are given Olympus' blessing. So it's no wonder that former legal assistant and current hero-in-training Camelot is having a bad day, only it's about to get worse! His rent is late, the gods are gunning for him, and to top it all off, the nefarious Captain Steel is creating havoc of epic proportions. What's a hero to do? The Odyssey returns with a story that shows it takes more than a cape and a cool name to be a hero.
From the stories suggested by the great cave paintings of the Paleolithic period to the thought experiments of modern scientists, From Olympus to Camelot provides a sweeping history of the development of the rich and varied European mythological tradition. David Leeming, an authority on world mythology, begins with a general introduction to mythology and mythological terms, and then turns to the stories themselves. Discussing well-known figures such as Zeus, Aphrodite, Thor, and Cuchulainn, and less familiar ones such as Perun, Mari, and the Sorcerer of Lescaux, Leeming illustrates and analyzes the enduring human endeavor to make sense of existence through deities and heroes. Following an initial exploration of the Indo-European sources of European mythology and the connections between the myths of Europe and those of India and Iran, the book proceeds to survey the major beliefs of Greek, Roman, Celtic, Germanic, Baltic, and Slavic cultures, as well as the mythologies of non-Indo-European cultures such as the Etruscans and the Finns. Among its contents are introductions to the pantheons of various mythologies, examinations of major mythological works, and retellings of the influential mythical stories. This work also examines European deities, creation myths, and heroes in the context of Christian belief, and considers the translation of traditional stories into the mythologies of modern European political, scientific, philosophical, and economic movements. European mythology is the core mythology of Western civilization. This wide-ranging volume offers a lively and informative survey, along with a provocative new way of understanding this fundamental aspect of European culture.
When archaeologists dug up the hill of Cadbury in Somerset, the reputed site of King Arthur's Camelot, thousands of visitors came to watch. They never saw anything resembling the Camelot of romance. Yet they kept coming, year after year.Why does Arthur fascinate? In this book, the secretary of the Cadbury project (himself an authority on the legend) looks for an answer. Drawing on varied researches, and on the insight embodied in William Blake's symbol of the shadowy 'Giant Albion' behind Arthur, he plunges into the psychological depths that underlie the tale of the enchanted King, his city Camelot, his mysterious departure to Avalon, his promised return.The enquiry starts from the solid facts of Cadbury. But it opens vistas on a strange world of gods and mortals and immemorial yearnings. The same universal dream that created the legendary Arthur is shown reappearing through many centuries, inspiring many thinkers: Blake himself; Virgil, Confucius, Rousseau, Gandhi; even such supposed rationalists as Robert Owen and Lenin.All the paths converge on a central problem of the human condition, which, the author suggests, must be solved if mankind is to achieve a workable humanist philosophy. It turns out that Arthur remains startlingly relevant: that the prophecy of his return has a serious meaning.
From the stories suggested by the great cave paintings of the Paleolithic period to the thought experiments of modern scientists, 'From Olympus to Camelot' provides a sweeping history of the development of the rich and varied European mythological tradition. David Leeming, an authority on world mythology, begins with a general introduction to mythology and mythological terms, and then turns to the stories themselves. Discussing well-known figures such as Zeus, Aphrodite, Thor, and Cuchulainn, and less familiar ones such as Perun, Mari, and the Sorcerer of Lescaux, Leeming illustrates and analyzes the enduring human endeavor to make sense of existence through deities and heroes.
The “world” can be subject to interpretations that cause Christians to disagree and even fight. Interpretations often end in startling disputes. For some, that world includes the inheritance of denominational interpretations. Historically conditioned conclusions are taken out of their context. Booklets have been produced for young people that largely define the world as dancing, smoking, drugs, music, theater, and music. This book will not spend time on these parochial notions. Rather, it will deal with God’s love for the world. While Christians are often warned against the world, God loved the world from a different standpoint and made the ultimate sacrifice to give this world the chance to be restored to rightness with him.
Settle into your favorite chair, prop your feet up, and prepare to journey back in time to a world of knights and ladies, grace and bravery, where the chivalric code reigned supreme.
Dazed by Death is book four in the Black Camelot series. The city is in mourning after the chaos of Black Camelot's Days of War. Teddy Walker managed to hold off a race war, but now, with the death of key New Yorkers, tensions are high and revenge is on the minds of forces he can’t control. Digby Yates and his political aspirations are also undaunted. He remains focused on his ambitions and has begun courting a powerful but flawed southern televangelist family who will provide his campaign the press support it needs to win white America. Guiding Force member and Senator Janet Bivens has reluctant ambitions for the highest office, and her team of advisers want her to go for it. Donald Alexander made a big decision, too. He announces what friends and associates have long hoped for. The decision follows Oliver Harris’s command that Donald and the Black Camelots' take their power and wealth to do good. Alexander's decision coincides with an epic massacre in the city and the continued quest by hate groups to kill the Black Camelots.
Twelve thousand years ago, the Planet Atlantis exploded and stranded the immortal King Arthur, on Earth with the prisoners. The interstellar empire was now reduced to less than a million people and forced to reintegrate with its prison colony on Earth for the survival of the species. Once the famed King of Camelot, now the atheist ruler of Atlantis, 2610 C.E. for the last 500 years. King Arthur has been trying to reshape the people of Earth, recreate Atlantis and keep the bloodlines separated from the master race. The human population shows it will always be a violent, greedy and destructive race despite all he has done. King Arthur decides their dominance is now at an end. Standing in his way are Charlie Dare, son of Virginia Dare and a Senaca war chief and Raven, an Anasazi priestess. Re-live the past lives that have led them to this final battle!
