Imperial Wine

Imperial Wine

Author: Jennifer Regan-Lefebvre

Publisher: Univ of California Press

Published: 2024-04-23

Total Pages: 341

ISBN-13: 0520402162

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A fascinating and approachable deep dive into the colonial roots of the global wine industry. Imperial Wine is a bold, rigorous history of Britain’s surprising role in creating the wine industries of Australia, South Africa, and New Zealand. Here, historian Jennifer Regan-Lefebvre bridges the genres of global commodity history and imperial history, presenting provocative new research in an accessible narrative. This is the first book to argue that today’s global wine industry exists as a result of settler colonialism and that imperialism was central, not incidental, to viticulture in the British colonies. Wineries were established almost immediately after the colonization of South Africa, Australia, and New Zealand as part of a civilizing mission: tidy vines, heavy with fruit, were symbolic of Britain’s subordination of foreign lands. Economically and culturally, nineteenth-century settler winemakers saw the British market as paramount. However, British drinkers were apathetic towards what they pejoratively called "colonial wine." The tables only began to turn after the First World War, when colonial wines were marketed as cheap and patriotic and started to find their niche among middle- and working-class British drinkers. This trend, combined with social and cultural shifts after the Second World War, laid the foundation for the New World revolution in the 1980s, making Britain into a confirmed country of wine-drinkers and a massive market for New World wines. These New World producers may have only received critical acclaim in the late twentieth century, but Imperial Wine shows that they had spent centuries wooing, and indeed manufacturing, a British market for inexpensive colonial wines. This book is sure to satisfy any curious reader who savors the complex stories behind this commodity chain.


Goddesses in Ancient India

Goddesses in Ancient India

Author: P. K. Agrawala

Publisher: Abhinav Publications

Published: 1983

Total Pages: 192

ISBN-13: 8170171849

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Dr. Agrawala S Present Work Largely Represents His Ph.D. Thesis (Approved By The Banaras Hindu University) In A Revised Up-To-Date Form. He Has Brought Out A Most Comprehensive And Thorough Analysis Of The Material On The Worship Of Goddesses In The Proto-Historic And Vedic Periods Of India. A Vast Amount Of Archaeological Evidence Is Carefully Sifted And Analysed By Him In A Truer Cultic Perspective As Throwing New Light On The Role Of Mother-Goddesses In The Protohistoric Cultures Ranging From Small Agricultural Communities Of Baluchistan Foothills To The Highly Developed Harappans. Dr. Agrawala Has Also Identified And Discussed In A Systematic Manner Varied Motifs And Concepts Of Fertility Cultus In The Rgveda And Later Vedic Texts Which Were Subsequently Formulated Into Definite Images, Personifications And Attributes. He Has Marshalled In A Fully Objective Treatment All Those References In The Vedic Literature That Go Now To Reveal Numerous Fresh Aspects Of This Hitherto Unexplored Subject. One Is Able Indeed To See Through The Present Work How The Rgvedic Goddesses,Mostly Abstractions, Later On Assumed Mythical Definitions In The Pantheon And How The Folk Culture Of India Exercised Its Far-Reaching Influences On Higher Priestly Religion Not Only By Contributing Its Own Share Of Goddesses But Also Through Their More Concrete Identification With The Already Existing Ones In Myths And Cult Rituals.


When a Goddess Dies

When a Goddess Dies

Author: Orianne Aymard

Publisher: Oxford University Press

Published: 2014-05-01

Total Pages: 369

ISBN-13: 0199368635

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Ma Anandamayi is generally regarded as the most important Hindu woman saint of the twentieth century. Venerated alternately as a guru and as an incarnation of God on earth, Ma had hundreds of thousands of devotees. Through the creation of a religious movement and a vast network of ashrams-unprecedented for a woman-Ma presented herself as an authority figure in a society where female gurus were not often recognized. Because of her widespread influence, Ma is one of the rare Hindu saints whose cult has outlived her. Today, her tomb is a place of veneration for those who knew her as well as new generations of her followers. By performing extensive fieldwork among Ma's current devotees, Orianne Aymard examines what happens to a cult after the death of its leader. Does it decline, stagnate, or grow? Or is it rather transformed into something else entirely? Aymard's work sheds new light not only on Hindu sainthood-and particularly female Hindu sainthood-but on the nature of charismatic religious leadership and devotion.


Reciting the Goddess

Reciting the Goddess

Author: Jessica Vantine Birkenholtz

Publisher: Oxford University Press

Published: 2018-03-01

Total Pages: 345

ISBN-13: 0190844558

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Reciting the Goddess presents the first critical study of the Svasthanivratakatha (SVK), a sixteenth-century Hindu narrative textual tradition. The extensive SVK manuscript tradition offers a rare opportunity to observe the making of a specific, distinct Hindu religious tradition. Jessica Vantine Birkenholtz argues that the SVK serves as a lens through which we can observe the creation of modern 'Hinduism' in the Himalayas, as the text both mirrored and informed key moments in the self-conscious creation of Nepal as the 'world's only Hindu kingdom' in the late medieval and early modern period. Birkenholtz mines the literary historiography that is contained within the SVK text itself, chronicling the text's literary and narrative development as well as the development of the Svasthani goddess tradition. She outlines the process whereby the SVK gradually transformed into a Purana text, and became a critical source for Nepali Hindu belief and identity. She also examines the elusive character of the goddess Svasthani whose identity is tied to the pan-Hindu goddess tradition, and the representation of women in the SVK and the ways in which the text influenced local and regional debates on the ideal of Hindu womanhood. Reciting the Goddess presents Nepal's celebrated SVK as a micro-level illustration of the powerful ways in which people, place, and literature intersect to produce new ideas and concepts of identity and place, even in a historically non-literate culture.


Devī-Māhātmya

Devī-Māhātmya

Author: Thomas B. Coburn

Publisher: Motilal Banarsidass Publ.

Published: 1988

Total Pages: 388

ISBN-13: 9788120805576

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The Devi-Mahatmya is well-known to both devotees and scholars of the Indian Great Goddess. It is the first comprehensive account of the Goddess in Sanskrit, and it has maintained its centrality in the Goddess (Sakta) tradition to the present day. Like so much in that tradition, however, the text has until now resisted careful study from an historical perspective. It is this study that the present volume accomplishes.The central task here is to explore how an anonymous Sanskrit text articulates a view of ultimate reality as feminine when there is virtually no precedent in the Sanskrit tradition for such a view. To accomplish this task, an appropriate method of scriptural analysis is developed. This involves an examination of Hindu understanding of the Puranas in general, and of the Devi-Mahatmya in particular, along with consideration of several recent scholarly discussions, in India and elsewhere. Subsequently, a comprehensive inquiry into the Goddess's epithets in this text is undertaken, followed by examination of the earlier history of the myths that the Devi-Mahatmya associates with her. The study culminates in translations of the text's hymns, which are annotated so as to indicate the synthesis that is here being accomplished. The resulting illumination of Sanskritized form of Goddess worship is what Daniel H.H. Ingalls calls in his Foreword a notable scholarly achievement.


One God, Two Goddesses, Three Studies of South Indian Cosmology

One God, Two Goddesses, Three Studies of South Indian Cosmology

Author: Don Handelman

Publisher: BRILL

Published: 2013-09-25

Total Pages: 236

ISBN-13: 900425739X

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One, God, Two Goddesses presents three studies, one of Tamil myths of the god Murugan and two of goddess rituals: Gangamma in Tirupati and Paiditalli in Vizianagaram, both in Andhra Pradesh. All three essays search for lineaments of the cosmos that these deities inhabit and shape. These cosmoi are characterised by the dynamism of their incessant interior movement. Should they become still, they would die. Deities activate and regenerate such a cosmos. The dynamism of Murugan’s cosmos eliminates the chaotic. Through ritual, Gangamma regenerates her cosmos through feminising it. Through ritual, Paiditalli annually re-grows the historic little kingdom of Vizianagaram, regenerating its kingship. All three studies point to the need to rethink cosmology in South India.