Angelica Danton is a friendly guide on the road to self-discovery, helping women tap into their own goddess power. A professional astrologer for twenty years, she has discovered a fascinating correlation between the Chinese zodiac and characteristics of ancient goddesses. The result is twelve Goddess Signs that help women understand their goddess potential. Learning the characteristics of each Goddess Sign facilitates insight into relationships, work, health, childhood, and spirituality. Recommended magical symbols, lucky numbers, colors, ritual robes, tarot cards, incense, and herbs are also included for each sign.
The authors draw from a wide range of sources, bringing together historical research which provides insights into the magical and religious practices associated with the Goddess Hekate. In doing so they provide an indispensable guide for those wishing to explore the mysteries of Hekate today.
Throughout time, people have turned to goddesses as symbols of what they seek -- from abundance to healing, from protection to passion. Building on the resurgence of interest in the Divine Feminine, Julie Loar presents the qualities and origins of an international array of these deities, along with powerful suggestions for putting their attributes to practical use. In a daily-reflection format, she gracefully aligns the goddesses with the cycles of nature and the signs of the zodiac. If you are struggling to attain a goal, call on the Nepalese goddess Chomolungma, as the sherpas climbing Mount Everest have done for generations. Or, for good luck, invoke the Roman goddess Fortuna, the inspiration behind gambling's wheel of fortune. With 366 goddesses to choose from, you will find a deity to call upon for every aspiration and need.
This story is mixed with heart piercing romance, explicit sex adult content, science-fiction, violence and comedy. Parts of this book are true events, true feelings mixed with imaginational whimsical fantasy. Incorporated with fictional powers, human self-sacrifice, human responsibilities and accountability. The historic content is true history. Assimilates fictional Earth Gods with zodiac powers, super-hero’s/heroine’s, action and adventure. A must-read literature.
Unlock the hidden meanings of the world’s ancient and modern signs and symbols with this huge A-Z reference book on symbolic objects. The Encyclopedia of Secret Signs and Symbols is the definitive A-Z guide to the ancient meanings of signs and symbols, some of which have been lost for thousands of years. From different cultures and religions across the world, within these illustrated pages are signs of magic and mystery, secret alphabets, scripts, and numerology. Find out why Masonic temples have black-and-white checkered floors, where in the natural world the golden mean can be found, why the pentagram is considered a magical symbol of power, and more.
Presents evidence to support the author's woman-centered interpretation of prehistoric civilizations, considering the prehistoric goddesses, gods and religion, and discussing the living goddesses--deities which have continued to be venerated through the modern era.
Contains more than 2,500 Western signs, arranged into 54 groups according to their graphic characteristics. In 1,600 articles their histories, uses, and meanings are thoroughly discussed. The signs range from ideograms carved in mammoth teeth by Cro-Magnon men, to hobo signs and subway graffiti.
The zodiacal signs impact art, advertising, literature, history, mythology, psychology, health, and language with their evocative imagery, symbols and scientific and religious lore. This fact-filled reference guide pulls together applications of the zodiacal signs in those fields and others. Each sign is explicated in a separate chapter which discusses its origin and importance in diverse cultures, including its history, artistic applications, traditions, literary and religious interpretations, psychological significance, and application to notable historical and contemporary figures. An organized overview with cross-references and indexing allows the zodiac to be studied from numerous points of view. Artistic representations of each of the 12 houses accompany the text. Introductory chapters on the origins of the zodiacal signs, the historical foundation of astrology, the zodiac in the first millennium A.D., and the zodiac in the arts and sciences provide a thorough overview and comparative examination of the influence of the zodiac in human history and thought. A detailed timeline synchronizes discoveries and development of zodiacal associations and thought around the world. Appendices list planetary correspondences in jewels, metals, herbs, color, flavor, form, shapes, food preferences, and senses, and the symptoms and pathologies associated with birth signs. The work also contains an extensive bibliography and index.
The world is asked to believe that, while the Planetary Angels of the Church are divine Beings, the genuine Seraphim, these very same angels under identical names and planets are the “false” Gods of the Ancients. The circle dance of the planets, prescribed by the Amazons for the Mysteries, is called “lascivious” when performed by the Pagans, but not King David’s reprehensible dance, during which he uncovered himself before his maid-servants in a public thoroughfare. It was David who introduced Jehovistic worship into Judæa, after sojourning so long among the Tyrians and Philistines, where these rites were common. Having borrowed Osiris from the Egyptians, the Church Fathers thought little of helping themselves to his brother Typhon. The seven-branched chandelier of the Israelites, as well as the “wanderers” of the Greeks, had a far more natural meaning, a purely astrological one to begin with. But, symbol for symbol, we prefer the sun to a candlestick. One can understand how the latter came to represent the sun and planets, but no one can admire the chosen symbol. There is poetry and grandeur in the sun when it is made to symbolise the Eye of Ormuzd, or of Osiris. One must forever fail to perceive that any particular glory is rendered to Christ by assigning to him the trunk of a candlestick in a Jewish synagogue. The chandelier represented the motion of the seven luminaries, describing their astral revolution. To the right and the left of that candelabrum projected six branches, each of which had its lamp, because the Sun placed as a candelabrum in the middle of other planets distributes light to them. There are two suns, a sun adored and a sun adoring. There are seven series of Cosmocratores, which are double: the higher ones are commissioned to support and guide the superior world; the lower ones, the inferior world. The Zoroastrians, Mazdeans, and Persians borrowed their conceptions from India; the Jews borrowed their theory of angels from Persia; the Christians borrowed theirs from the Jews. The Zoroastrian Aryans transformed the Devas, the bright Gods of India, into daevas or devils. It was their Karma that, in their turn, the Christians should vindicate on this point the Hindus. Then Ormuzd and Mithra became the daevas of Christ and Mikael, the dark lining and aspect of the Saviour and Angel. The day of the Karma of Christian theology will come in its turn. Hence, the latest interpretation by Churches that the seven-branched candlestick represents the seven Churches of Asia, and the seven planets which are the angels of those Churches. And yet, in the face of all this evidence, sun, moon, planets, are shown as being demoniacal before, and divine only after, the appearance of Christ. Then Jehovah then is made to be the Sun, and thence also the Christ of the Roman Church. The only point of difference between the exotericism of the Latin Church and that of the old Astrolators lies in the entirely arbitrary interpretation of emblems, symbols, allegories, and even names which have been shown to be identical in both.
