"First published in 1980, the classic poetry of Sharon Olds' Satan Says was introduced to college courses twenty years ago, and still maintains a wide usage today. Few first books have the power or vigor of design of Satan Says. Marilyn Hacker described it as 'a daring and elegant first book. This is a poetry which affirms and redeems the art'"--Publisher's description.
Christ and Satan is the title of the last of four poems in the eleventh-century Junius XI manuscript of Anglo-Saxon poetry. This critical edition contains text, glossary, textual and explanatory notes, and an essay surveying former criticisms and setting forth the author’s ideas on the poem’s principle of unity. Of particular value to students and scholars of Old English, Christ and Satan makes an important contribution to the understanding of this fine and interesting poem.
This work has been selected by scholars as being culturally important and is part of the knowledge base of civilization as we know it. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. To ensure a quality reading experience, this work has been proofread and republished using a format that seamlessly blends the original graphical elements with text in an easy-to-read typeface. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
Recently appointed as the new U. S. Poet Laureate, Ted Kooser has been writing and publishing poetry for more than forty years. In the pages of The Poetry Home Repair Manual, Kooser brings those decades of experience to bear. Here are tools and insights, the instructions (and warnings against instructions) that poets—aspiring or practicing—can use to hone their craft, perhaps into art. Using examples from his own rich literary oeuvre and from the work of a number of successful contemporary poets, the author schools us in the critical relationship between poet and reader, which is fundamental to what Kooser believes is poetry’s ultimate purpose: to reach other people and touch their hearts. Much more than a guidebook to writing and revising poems, this manual has all the comforts and merits of a long and enlightening conversation with a wise and patient old friend—a friend who is willing to share everything he’s learned about the art he’s spent a lifetime learning to execute so well.
In this unique and highly entertaining autobiography, Alf Taylor chronicles his life growing up in the infamous New Norcia Mission, north of Perth in the fifties and sixties. At once darkly humorous and achingly tragic, God, The Devil and Me tells of the life and desperation of the young children forced into the care of the Spanish Nuns and Brothers who ran the Mission. Their lives made up of varying degrees of cruelty and punishments, these children were the 'little black devils' that God and religion forgot. Written with an acerbic and brutal wit, Alf intersperses dark childhood memories with a Monty Pythonesque retelling of the Bible, in which Peter is an alcoholic and Judas is a good guy.As a child, underfed, poorly clothed and missing his family, Alf sought refuge in the library in the company of Shakespeare and Michelangelo. He writes with joy about the camaraderie of the boys, their love of sport and their own company, but also notes that many descended into despair upon leaving. Most died early. Alf Taylor is one of the 'lucky ones'.'At once horrific and hilarious, this ''little black devil'' has created a work unique not just in Aboriginal writing, but in Australian literature altogether.' - Dennis Haskell, Australian poet, critic and academic
"Readers of Paradise Lost have long been struck by two prominent aspects of the poem: its compelling depiction of Satan and its deep engagement with its literary tradition. Satan's Poetry brings these two issues together to respond to the resurgent interest in Milton's Satan by examining the origins of conflict and ambiguity in Paradise Lost"--
