A Clockwork Orange and RuPaul's Drag Race meet Eternal Sunshine of the Spotless Mind in this fabulous dystopian fable about fashion, family and feckless billionaires. Simone is one of the Glitterati, the elite living lives of luxury and leisure. Slave to the ever-changing tides – and brutal judgements - of fashion, he is immaculate. To be anything else is to be unfashionable, and no one wants to be unfashionable, or even worse, ugly… When Simone accidentally starts a new fashion with a nosebleed at a party, another Glitterati takes the credit. Soon their rivalry threatens to raze their opulent utopia to the ground, as no one knows how to be vicious like the beautiful ones. Enter a world of the most fantastic costumes, grand palaces in the sky, the grandest parties known to mankind and the unbreakable rules of how to eat ice cream. A fabulous dystopian fable about fashion, family and the feckless billionaire class.
Topics covered in this volume include: extreme subjectification - English tense and modals; schemas and lexical blends; valency and diathesis; functions of the preposition "kuom" in Dholou; and grammaticalization of postpositions in German.
In the spirit of Gretchen Rubin’s megaseller The Happiness Project and Eric Weiner’s The Geography of Bliss, a journalist embarks on a project to discover what it takes to love where you live The average restless American will move 11.7 times in a lifetime. For Melody Warnick, it was move #6, from Austin, Texas, to Blacksburg, Virginia, that threatened to unhinge her. In the lonely aftermath of unpacking, she wondered: Aren’t we supposed to put down roots at some point? How does the place we live become the place we want to stay? This time, she had an epiphany. Rather than hold her breath and hope this new town would be her family’s perfect fit, she would figure out how to fall in love with it—no matter what. How we come to feel at home in our towns and cities is what Warnick sets out to discover in This Is Where You Belong. She dives into the body of research around place attachment—the deep sense of connection that binds some of us to our cities and increases our physical and emotional well-being—then travels to towns across America to see it in action. Inspired by a growing movement of placemaking, she examines what its practitioners are doing to create likeable locales. She also speaks with frequent movers and loyal stayers around the country to learn what draws highly mobile Americans to a new city, and what makes us stay. The best ideas she imports to her adopted hometown of Blacksburg for a series of Love Where You Live experiments designed to make her feel more locally connected. Dining with her neighbors. Shopping Small Business Saturday. Marching in the town Christmas parade. Can these efforts make a halfhearted resident happier? Will Blacksburg be the place she finally stays? What Warnick learns will inspire you to embrace your own community—and perhaps discover that the place where you live right now . . . is home.
Discover the inspiration and motivation of the gifted few. The intellectual power of the high-tech industry is awesome - but so are the egos. To keep people working together productively requires an individual style of management, and at the top of these companies are a new breed of executives. Their attitudes to work create fluid cultures where nothing is sacred and everything is open to challenge. The Digerati Glitterati are a select group of the most admired leaders in this remarkable world. Several have founded great companies, while others have transformed existing organisations into world leaders or blazed entrepreneurial trails for others to follow. Some are just beginning to leave their dynamic individual mark. All have a story to tell and priceless advice to offer. The Digerati Glitterati are: Hermann Hauser, Acorn Andrew Rickman, Bookham Technology Malcolm Miller, Pace Micro Technology Robin Saxby, ARM Gordon Moore, Intel Ulrich Schumacher, Infineon Jorma Ollila, Nokia Sir Clive Sinclair, Sinclair Research Pasquale Pistorio, ST Microelectronics Dick Skipworth, Memec David Potter, Psion Hans Snook, Orange Now, the Digerati Glitterati reveal the inside secrets of what it takes to build great companies. In candid interviews they explain how, why and when they got started, how they conceived the idea for their businesses and sold it to others, what motivated them, what kept them going in adversity and how they overcame their biggest challenges.When they speak, smart people listen.
A thoroughly entertaining and darkly humorous roundup of history’s notorious but often forgotten female con artists and their bold, outrageous scams—by the acclaimed author of Lady Killers. From Elizabeth Holmes and Anna Delvey to Frank Abagnale and Charles Ponzi, audacious scams and charismatic scammers continue to intrigue us as a culture. As Tori Telfer reveals in Confident Women, the art of the con has a long and venerable tradition, and its female practitioners are some of the best—or worst. In the 1700s in Paris, Jeanne de Saint-Rémy scammed the royal jewelers out of a necklace made from six hundred and forty-seven diamonds by pretending she was best friends with Queen Marie Antoinette. In the mid-1800s, sisters Kate and Maggie Fox began pretending they could speak to spirits and accidentally started a religious movement that was soon crawling with female con artists. A gal calling herself Loreta Janeta Velasquez claimed to be a soldier and convinced people she worked for the Confederacy—or the Union, depending on who she was talking to. Meanwhile, Cassie Chadwick was forging paperwork and getting banks to loan her upwards of $40,000 by telling people she was Andrew Carnegie’s illegitimate daughter. In the 1900s, a 40something woman named Margaret Lydia Burton embezzled money all over the country and stole upwards of forty prized show dogs, while a few decades later, a teenager named Roxie Ann Rice scammed the entire NFL. And since the death of the Romanovs, women claiming to be Anastasia have been selling their stories to magazines. What about today? Spoiler alert: these “artists” are still conning. Confident Women asks the provocative question: Where does chutzpah intersect with a uniquely female pathology—and how were these notorious women able to so spectacularly dupe and swindle their victims?
-This comprehensive volume of images honors Douglas Kirkland, the talented photographer who has been such an integral leading force in contemporary culture and photography -Will appeal to Kirkland fans craving a comprehensive collection of all his iconic photographs, from Princess Diana and Prince Charles' wedding day kiss to Marilyn Monroe swathed in silk bed linen Douglas Kirkland has amassed an impressive body of work throughout his 50-year photography career, his images running the gamut from stars and filmmakers, to classics and collectables, to love and nudes. Here, the photographer presents a collection of his images accompanied by a story of his career's development told from his perspective. Kirkland worked for such publications as Look Magazine and Life Magazine, but his career took off with his legendary 1961 Marilyn Monroe shoot for Look's 25th anniversary issue, the photographs from which are still recreated by stars today. Featuring an insightful foreword by acclaimed director Baz Luhrmann and his award-winning wife, Catherine Martin, this volume reveals both Kirkland and his prolific work.
The New York Times bestselling author of American Psycho and Less Than Zero delivers a gripping and brilliant dissection of our celebrity obsessed culture. • “Arguably the novel of the 1990’s…Should establish Ellis as the most ambitious and fearless writer of his generation…a must read.” —The Seattle Times Set in 90s Manhattan, Victor Ward, a model with perfect abs and all the right friends, is seen and photographed everywhere, even in places he hasn't been and with people he doesn't know. He's living with one beautiful model and having an affair with another on the eve of opening the trendiest nightclub in New York City history. And now it's time to move to the next stage. But the future he gets is not the one he had in mind. With the same deft satire and savage wit he has brought to his other fiction, Bret Ellis gets beyond the facade and introduces us, unsparingly, to what we always feared was behind it. Glamorama shows us a shadowy looking-glass reality, the juncture where fame and fashion and terror and mayhem meet and then begin to resemble the familiar surface of our lives. Look for Bret Easton Ellis’s new novel, The Shards!
“Dictionary, n: A malevolent literary device for cramping the growth of a language and making it hard and inelastic. This dictionary, however, is a most useful work.” Bierce’s groundbreaking Devil’s Dictionary had a complex publication history. Started in the mid-1800s as an irregular column in Californian newspapers under various titles, he gradually refined the new-at-the-time idea of an irreverent set of glossary-like definitions. The final name, as we see it titled in this work, did not appear until an 1881 column published in the periodical The San Francisco Illustrated Wasp. There were no publications of the complete glossary in the 1800s. Not until 1906 did a portion of Bierce’s collection get published by Doubleday, under the name The Cynic’s Word Book—the publisher not wanting to use the word “Devil” in the title, to the great disappointment of the author. The 1906 word book only went from A to L, however, and the remainder was never released under the compromised title. In 1911 the Devil’s Dictionary as we know it was published in complete form as part of Bierce’s collected works (volume 7 of 12), including the remainder of the definitions from M to Z. It has been republished a number of times, including more recent efforts where older definitions from his columns that never made it into the original book were included. Due to the complex nature of copyright, some of those found definitions have unclear public domain status and were not included. This edition of the book includes, however, a set of definitions attributed to his one-and-only “Demon’s Dictionary” column, including Bierce’s classic definition of A: “the first letter in every properly constructed alphabet.” Bierce enjoyed “quoting” his pseudonyms in his work. Most of the poetry, dramatic scenes and stories in this book attributed to others were self-authored and do not exist outside of this work. This includes the prolific Father Gassalasca Jape, whom he thanks in the preface—“jape” of course having the definition: “a practical joke.” This book is a product of its time and must be approached as such. Many of the definitions hold up well today, but some might be considered less palatable by modern readers. Regardless, the book’s humorous style is a valuable snapshot of American culture from past centuries. This book is part of the Standard Ebooks project, which produces free public domain ebooks.
Allie's back with a brand-new set of rules!Allie plans on having the best weekend ever when she finds out Erica's sister Missy is in the regional Twirltacular baton competition-until Allie's mom announces that she has to go to Brittany Hauser's birthday party instead. But Allie doesn't even like Brittany Hauser, nor does she want to go to a party with Brittany and all her snobby friends.But when Allie finds out Brittany's party includes taking a stretch limo to Glitterati, the store of the girls' dreams, and spending the night at a deluxe hotel suite, she decides maybe Brittany's not so bad after all.
