Hapke examines how writers attempted to turn an outcast into a heroine in literature otherwise known for its puritanical attitude toward the fallen woman. She focuses on how these authors (all male) expressed late-Victorian conflicts about female sexuality. Hapke reevaluates Crane's Maggie: A Girl of the Streets, discusses neglected prostitution fiction by authors Joaquin Miller, Edgar Fawcett, and Harold Frederic, and surveys progressive white slave novels.
The astonishing untold history of the million and a half women who surrendered children for adoption due to enormous family and social pressure in the decades before Roe v. Wade. “It would take a heart of stone not to be moved by the oral histories of these women and by the courage and candor with which they express themselves.” —The Washington Post “A remarkably well-researched and accomplished book.” —The New York Times Book Review “A wrenching, riveting book.” —Chicago Tribune In this deeply moving and myth-shattering work, Ann Fessler brings out into the open for the first time the hidden social history of adoption before Roe v. Wade - and its lasting legacy. An adoptee who was herself surrendered during those years and recently made contact with her mother, Ann Fessler brilliantly brings to life the voices of more than a hundred women, as well as the spirit of those times, allowing the women to tell their stories in gripping and intimate detail.
"Beatrice offers a lesson we could all benefit from: learn from your mistakes, let go, laugh, and enjoy the ride." --JENNIFER FOSBERRY, New York Times bestselling author of My Name Is Not Isabella Being perfect is overrated. Beatrice Bottomwell has NEVER (not once ) made a mistake. She never forgets her math homework, she never wears mismatched socks, and she ALWAYS wins the yearly talent show at school. In fact, the entire town calls her The Girl Who Never Makes Mistakes One day, the inevitable happens: Beatrice makes a huge mistake in front of everyone But in the end, readers (and perfectionists) will realize that life is more fun when you enjoy everything--even the mistakes. Additional praise for The Girl Who Never Made Mistakes: "This funny and heartfelt book conveys a powerful message about how putting too much pressure on yourself to be perfect can suck the joy out of everything. Beatrice's discovery that you can laugh off even a very public mistake shows the importance of resiliency and helps perfectionist kids keep things in perspective. Most importantly, Beatrice reminds the reader that it's more important to enjoy the things that you do than worry about doing them perfectly." --A Mighty Girl "The Girl Who Never Made Mistakes is a must-read for any young (or old ) perfectionist. Beatrice Bottomwell is perfectly imperfect " --Stephanie Oppenheim, Oppenheim Toy Portfolio "It's fun and instructive without feeling overly didactic and the illustrations are darling." --Parenting "This book will help little perfectionists see that making mistakes is okay, and it can be a lot of fun too " --Kids Book Blog
REVIEWS "This is one of my favourite books I've read this year... I can't praise it enough... The real stand out for this was the writing and the character voice." - The Moonlight Library "The writing in The Wrong Girl was beautiful. There were so many quotes that I wanted to write down, and keep... The world building, and the plot drew me in from the get go, and didn't falter until the last sentence." - Books For A Delicate Eternity "This was one fantastic read! A really fascinating story which I couldn't put down, so this is easily a 5 stars." - Tea Party Princess BOOK DESCRIPTIONIt's customary for Gothic romance novels to include a mysterious girl locked in the attic. Hannah Smith just wishes she wasn't that girl. As a narcoleptic and the companion to an earl's daughter with a strange affliction of her own, Hannah knows she's lucky to have a roof over her head and food in her belly when so many orphans starve on the streets. Yet freedom is something Hannah longs for. She did not, however, want her freedom to arrive in the form of kidnapping. Taken by handsome Jack Langley to a place known as Freak House, she finds herself under the same roof as a mad scientist, his niece, a mute servant and Jack, a fire starter with a mysterious past. They assure Hannah she is not a prisoner and that they want to help her. The problem is, they think she's the earl's daughter. What will they do when they discover they took the wrong girl? THE WRONG GIRL is a historical gothic paranormal romance that is now FREE for your reading pleasure. It's also included in a 3-book bundle with the other books in the trilogy. You can purchase the complete set of The 1st Freak House Trilogy at a cheaper price than buying the ebooks individually. Keywords: fantasy, urban fantasy, historical fantasy, fantasy series, speculative fiction, dark fantasy, paranormal, female protagonist, female main character, paranormal romance, historical romance, historical paranormal romance, action, adventure, ghosts, spirits, demons, magic, alternative history, parallel world, victorian romance, victorian era, victorian london, gothic, teen fiction, young adult, free, freebie, bestseller, bestselling, similar to books by Sarah J Maas, Cassandra Clare, Bella Forest's A Shade of Vampire, Maria V Snyder's Poison Study
NATIONAL BESTSELLER WINNER OF THE BOOKER PRIZE “A must-read about modern Britain and womanhood . . . An impressive, fierce novel about the lives of black British families, their struggles, pains, laughter, longings and loves . . . Her style is passionate, razor-sharp, brimming with energy and humor. There is never a single moment of dullness in this book and the pace does not allow you to turn away from its momentum.” —Booker Prize Judges Bernardine Evaristo is the winner of the 2019 Booker Prize and the first black woman to receive this highest literary honor in the English language. Girl, Woman, Other is a magnificent portrayal of the intersections of identity and a moving and hopeful story of an interconnected group of Black British women that paints a vivid portrait of the state of contemporary Britain and looks back to the legacy of Britain’s colonial history in Africa and the Caribbean. The twelve central characters of this multi-voiced novel lead vastly different lives: Amma is a newly acclaimed playwright whose work often explores her Black lesbian identity; her old friend Shirley is a teacher, jaded after decades of work in London’s funding-deprived schools; Carole, one of Shirley’s former students, is a successful investment banker; Carole’s mother Bummi works as a cleaner and worries about her daughter’s lack of rootedness despite her obvious achievements. From a nonbinary social media influencer to a 93-year-old woman living on a farm in Northern England, these unforgettable characters also intersect in shared aspects of their identities, from age to race to sexuality to class. Sparklingly witty and filled with emotion, centering voices we often see othered, and written in an innovative fast-moving form that borrows technique from poetry, Girl, Woman, Other is a polyphonic and richly textured social novel that shows a side of Britain we rarely see, one that reminds us of all that connects us to our neighbors, even in times when we are encouraged to be split apart.
Finalist for the 2020 Edgar Award for Best Novel From the internationally bestselling author who Stephen King calls “an absolute master,” a fiendishly clever thriller about a dangerous young woman with the ability to know when someone is lying—and the criminal psychologist who must outwit her to survive. A girl is discovered hiding in a secret room in the aftermath of a terrible crime. Half-starved and filthy, she won’t tell anyone her name, or her age, or where she came from. Maybe she is twelve, maybe fifteen. She doesn’t appear in any missing persons file, and her DNA can’t be matched to an identity. Six years later, still unidentified, she is living in a secure children’s home with a new name, Evie Cormac. When she initiates a court case demanding the right to be released as an adult, forensic psychologist Cyrus Haven must determine if Evie is ready to go free. But she is unlike anyone he’s ever met—fascinating and dangerous in equal measure. Evie knows when someone is lying, and no one around her is telling the truth. Meanwhile, Cyrus is called in to investigate the shocking murder of a high school figure-skating champion, Jodie Sheehan, who died on a lonely footpath close to her home. Pretty and popular, Jodie is portrayed by everyone as the ultimate girl-next-door, but as Cyrus peels back the layers, a secret life emerges—one that Evie Cormac, the girl with no past, knows something about. A man haunted by his own tragic history, Cyrus is caught between the two cases—one girl who needs saving and another who needs justice. What price will he pay for the truth? Emotionally explosive, swiftly paced, and “haunting…Robotham expertly raises the tension as the action hurtles toward the devastating climax” (Publishers Weekly, starred review).
The bestselling author of Twenty Years Later delivers a chilling thriller where nothing is at it seems and each reveal is more shocking than the last…right up to the jaw-dropping final twist. “A gripping thriller that will blow readers away." –Mary Kubica, New York Times bestselling author on Don’t Believe It “A superb storyteller.” —Robert Dugoni, New York Times bestselling author Two abducted girls—one who returns, one who doesn’t. The night they go missing, high school seniors Nicole Cutty and Megan McDonald are at a beach party in their small town of Emerson Bay, North Carolina. Police launch a massive search, but hope is almost lost—until Megan escapes from a bunker deep in the woods. . . . A year later, the bestselling account of her ordeal has made Megan a celebrity. It’s a triumphant story, except for one inconvenient detail: Nicole is still missing. Nicole’s older sister, Livia, a fellow in forensic pathology, expects that one day soon Nicole’s body will be found and her sister’s fate determined. Instead, the first clue comes from another body—that of a young man connected to Nicole’s past. Livia reaches out to Megan to learn more about that fateful night. Other girls have disappeared, and she’s increasingly sure the cases are connected. Megan knows more than she revealed in her book. Flashes of memory are pointing to something more monstrous than she described. And the deeper she and Livia dig, the more they realize that sometimes true terror lies in finding exactly what you’ve been looking for . . . “A fast-moving page-turner. . . . Donlea skillfully maximizes suspense by juggling narrators and time all the way to the shocking final twists.” —Publishers Weekly “Well worth the read.” —Booklist “Donlea’s sophomore effort is solid. He keeps the reader guessing and second-guessing until the end, thanks to an expertly crafted abundance of potential suspects.” —Library Journal
"When new boy in school, Alec, sweeps Zephyr off her feet, their passionate romance takes a dangerous and possessive turn when Alec begins manipulating Zephyr"--
A page-turning, spine-chilling young adult murder mystery about surviving the ghosts around us. Alexis thought she led a typically dysfunctional high school existence. Dysfunctional like her parents' marriage. Or her doll-crazy twelve-year-old sister, Kasey. Or even like her own anti-social, anti-cheerleader attitude. When a family fight results in some tearful sisterly bonding, Alexis realizes that her life is creeping from dysfunction into danger. Kasey is acting stranger than ever: her blue eyes go green, sometimes she uses old-fashioned language, and she even loses track of chunks of time, claiming to know nothing about her strange behavior. Their old house is changing, too. Doors open and close by themselves. Water boils on the unlit stove, and an unplugged air conditioner turns the house cold enough to see their breath in. Alexis wants to think that it's all in her head, but soon, what she liked to think of as silly parlor tricks are becoming life-threatening: to her, her family, and to her budding relationship with the class president. Alexis knows she's the only person who can stop Kasey—but what if that green-eyed girl isn't even Kasey anymore?
Nothing good came from listening to my heart. It was careless and irrational and became way too invested when I read a romance novel. So I put her under lock and key. I only had a few rules, and I always stuck with them. 1. Never get attached. 2. Always run before the feels become contagious. 3. No matter what, under no circumstances, never fall in love. He was a playboy who ran by the same set of rules. What we had together was fun, it was hot, and it was temporary.Until he screwed everything up. We were never meant to be each other's happily ever after, but the harder I tried to push him away, the further I fell.
