In the winter of 1943, a train from Warsaw bound for the Treblinka death camp went missing. Now, in modern day Poland, the train still haunts the countryside, luring people to leave their homes and step aboard. A group of American travelers with a penchant for ghost hunting decide to look into the disappearances, only to discover a plot that could change the world, and that the Ghost Train's origins reach much further back than the holocaust . . .
A disturbing collections of poetry, Ghosts of the Holocaust reveals the lengthy shadows cast by Hitler's "Final Solution." Stewart Florsheim collected these poems by the second generation, children who grew up in a world that, while comfortable, failed to provide answers about the atrocities to which their elders were victim. The poets reflect on their families' experiences before and after the Holocaust. They write about "adjusting" to a new world, coping with their own problems, and overcoming a very different kind of generation gap. The poems shock us into an awareness that, not only the survivors, but also their children live with a history filled with horror and injustice. As disquieting as most of these poems are, they also affirm life. In his foreword, Gerald Stern writes, "It is not that we will either forget or reclaim those years because of these poems; it is not that the poems will even make the past bearable. It is that, in our greatest loss, we have a victory."
Numerous scholars explore the moral, aesthetic, and political outcomes of the Holocuast from the perspectives of various academic backgrounds, including: art, literature, political science, education and history.
THE INSTANT NEW YORK TIMES BESTSELLER! Also on the USA Today, Washington Post, Boston Globe, Globe and Mail, Publishers Weekly, and Indie bestseller lists. One of the most important stories of World War II, already optioned by Steven Spielberg for a major motion picture: a spectacular, searing history that brings to light the extraordinary accomplishments of brave Jewish women who became resistance fighters—a group of unknown heroes whose exploits have never been chronicled in full, until now. Witnesses to the brutal murder of their families and neighbors and the violent destruction of their communities, a cadre of Jewish women in Poland—some still in their teens—helped transform the Jewish youth groups into resistance cells to fight the Nazis. With courage, guile, and nerves of steel, these “ghetto girls” paid off Gestapo guards, hid revolvers in loaves of bread and jars of marmalade, and helped build systems of underground bunkers. They flirted with German soldiers, bribed them with wine, whiskey, and home cooking, used their Aryan looks to seduce them, and shot and killed them. They bombed German train lines and blew up a town’s water supply. They also nursed the sick, taught children, and hid families. Yet the exploits of these courageous resistance fighters have remained virtually unknown. As propulsive and thrilling as Hidden Figures, In the Garden of Beasts, and Band of Brothers, The Light of Days at last tells the true story of these incredible women whose courageous yet little-known feats have been eclipsed by time. Judy Batalion—the granddaughter of Polish Holocaust survivors—takes us back to 1939 and introduces us to Renia Kukielka, a weapons smuggler and messenger who risked death traveling across occupied Poland on foot and by train. Joining Renia are other women who served as couriers, armed fighters, intelligence agents, and saboteurs, all who put their lives in mortal danger to carry out their missions. Batalion follows these women through the savage destruction of the ghettos, arrest and internment in Gestapo prisons and concentration camps, and for a lucky few—like Renia, who orchestrated her own audacious escape from a brutal Nazi jail—into the late 20th century and beyond. Powerful and inspiring, featuring twenty black-and-white photographs, The Light of Days is an unforgettable true tale of war, the fight for freedom, exceptional bravery, female friendship, and survival in the face of staggering odds. NPR's Best Books of 2021 National Jewish Book Award, 2021 Canadian Jewish Literary Award, 2021
Teenager, Anthony Jacobson worked hard to hone his personality into something much of the population would love and adore. This was no easy task considering his sordid family background and the gossip mill of his native, small, Nebraskan, town. His theater was mostly a success. Teachers bragged about his character, his younger brother idolized him, and classmates wanted to be him. However, some saw through his mask, including his mother. They knew Anthony Jacobson was Not Normal. Years later, Patricia Hopkins peered from the safety of her home as two detectives stepped across yellow police tape and into the adjacent Gilbert, AZ suburban bungalow. What greeted them was macabre and disturbing; none the less, they had seen a similar gore-filled scene just months earlier. It was then they knew their quiet suburb was being terrorized by a serial killer. Discover the horror, mystery, and suspense in the debut novel of the Normal Series, as the detectives hunt for their killer, and explore the mind of a psychopath... Or are they the ones being hunted?
From a hospital bed on this, her last day on earth, thirty-nine-year-old Ava Klein makes one final ecstatic voyage. People, places, offhand memories, and imaginary things drift in and out of her consciousness and weave their way through this beautiful, poetic novel. In this celebration of life, Carole Maso captures the poignancy of mortality, the extraordinary desire to live and the inevitability of death. Ava yearns and the reader yearns with her, struggling to hold on to all that slips away.--back cover
Deportations by train were critical in the Nazis' genocidal vision of the "Final Solution of the Jewish Question." Historians have estimated that between 1941 and 1944 up to three million Jews were transported to their deaths in concentration and extermination camps. In his writings on the "Final Solution," Raul Hilberg pondered the role of trains: "How can railways be regarded as anything more than physical equipment that was used, when the time came, to transport the Jews from various cities to shooting grounds and gas chambers in Eastern Europe?" This book explores the question by analyzing the victims' experiences at each stage of forced relocation: the round-ups and departures from the ghettos, the captivity in trains, and finally, the arrival at the camps. Utilizing a variety of published memoirs and unpublished testimonies, the book argues that victims experienced the train journeys as mobile chambers, comparable in importance to the more studied, fixed locations of persecution, such as ghettos and camps.
WINNER OF THE NATIONAL JEWISH BOOK AWARD FOR BEST HOLOCAUST MEMOIR For readers of The Tattooist of Auschwitz and The Watchmakers, a powerful, profoundly moving Holocaust memoir from a rarely told perspective—the story of a son’s quest to understand his father, a heroic, complicated Jewish survivor—and to uncover the hidden past and desperate choices he made when the Nazis recruited him to police his own people in their Polish ghetto. Growing up, Tony Bernard knew that his father, Henry, had been in Nazi concentration camps during World War II. He was familiar with the tattoo bearing his Auschwitz number—B1224—and the faint scar resulting from a suicide attempt while in a camp in Blizyn. As an Australian boy growing up on Sydney’s sunny Northern Beaches where Henry was a well-respected doctor, Tony simply accepted these facts. Only as a young man, on a trip to Poland with his father, did he begin to uncover the secrets that filled Henry with regret, anguish, and guilt. Henry’s experiences in the concentration camps were harrowing, and he survived through ingenuity, grit, and countless miracles of chance. Yet there was another, deeper story—of what happened before his deportation to the camps. In 1940, Henry was recruited into the Jewish Order Service in his Polish hometown—an organization set up by the Nazis to help maintain order among Jews. Like many other young recruits, Henry believed he would help protect his community. Instead, the ghetto police, as they became known, were forced to assist the Nazis in the subjugation and mistreatment of their own people. Faced daily with impossible choices, desperate to keep his loved ones alive, Henry was both victim and unwilling participant. The Ghost Tattoo is a haunting, emotionally resonant memoir of war and its aftermath. It is also a singular account of resistance, resilience, and hope. Henry was eventually called to Germany to testify in a trial against Nazi murderers, where his evidence proved pivotal. After decades of silence, he seized the chance to bear witness—for history, for his family, and for all those who did not survive.
