The book describes how to amplify acoustical musical instruments. Also included are the descriptions of different types of microphones and pickups, discussions of the placement of equipment, and do-it-yourself instructions for making microphones and pickups.
BOOK DESCRIPTION: Avoid the hit-and-miss approach and stop wasting money on overpriced high-end products in the blind hope of sonic improvement. Achieve the ultimate audio synergy and get more enjoyment from your audio system by making it as good sounding as possible. "Sound Improvement Secrets for Audiophiles" will teach you how things work, why some circuits, designs, and technologies sound the way they do, and how to make them sound even better through simple modifications and improvements. It is like having an audio and acoustic consultant by your side to guide you through optimizing and voicing your audio system and your listening room. While relatively technical and in-depth, this practical manual goes way beyond "a dozen quick tips" and the simplistic advice you read elsewhere. Instead, the focus is on dozens of DIY projects, case studies, and examples of commercial audio components - turntables, preamplifiers, amplifiers, loudspeakers, power supplies, and acoustic treatments. With over 400 photographs, diagrams, and illustrations, "Sound Improvement Secrets for Audiophiles" makes it easy for you to understand and comprehend complex technical concepts and issues. The author does not shy away from many controversial and hotly debated topics. Tubes vs transistors, objectivists vs subjectivists, measurements vs listening, and digital vs analog: all of these are discussed in detail. The money invested in this book would not even buy you a budget-priced pair of cables: it will prove to be one of the best financial investments you ever make. Even if you implement only a few improvements from the hundreds described within its pages - you will never look back! BOOK CONTENTS: 1. WHY YOU SHOULD READ THIS BOOK AND HOW YOU WILL BENEFIT FROM IT 2. BEFORE YOU BUY AN AUDIO SYSTEM OR COMPONENT - THINGS TO DO & MISTAKES TO AVOID 3. WHAT DO WE LISTEN FOR AND WHAT DO WE ACTUALLY HEAR? 4. CLEANING UP THE POWER SUPPLY TO REDUCE NOISE, HUM, AND INTERFERENCE 5. CABLES, FUSES, CONTACTS, AND CONNECTIONS 6. UPGRADING & FINE-TUNING THE SOURCES: OPEN REEL RECORDERS, TURNTABLES, PHONO STAGES AND CD PLAYERS 7. AUDIO AMPLIFIERS - HOW THEY WORK AND HOW TO IMPROVE THEIR SOUND 8. HEADPHONES AND HEADPHONE AMPLIFIERS 9. LOUDSPEAKER TYPES, TESTS, AND IMPROVEMENTS 10. COMPONENT MATCHING AND AUDIO SYSTEM INTEGRATION ISSUES 11. LOUDSPEAKER POSITIONING 12. OPTIMIZING THE ACOUSTIC PERFORMANCE OF YOUR LISTENING ROOM 13. ACOUSTIC TREATMENTS 14. MINIMIZING UNWANTED VIBRATIONS & OSCILLATIONS 15. TROUBLESHOOTING YOUR AUDIO SYSTEM THE AUTHOR: Igor S. Popovich is the author of "Audiophile Vacuum Tube Amplifiers" Volumes 1, 2, and 3, and five other bestselling books on audio transformers, tests & measurements, tube testers, and other audio-related topics. An Australian audio designer with over 35 years of experience and a passionate life-long audiophile, he shares his vast know-how with you in this unique and practical manual.
Getting Great Sounds: The Microphone Book imparts microphone tips and tricks of the pros to make them available to any sound engineer or home studio enthusiast. It explains aspects of all kinds of microphones, how they work, and how to use them in session recording. A well-known recording engineer with decades of industry experience, Tom Lubin presents technical information in a friendly, straightforward, and easy-to-grasp way, based on real-life experiences. This third edition includes a review of key practices at the end of chapters and a new section that provides an overview of microphone manufacturers you may not have heard of. There are now over one hundred and fifty companies making microphones for studio applications of one form or another, and most are small companies owned by people who are passionate about good sound. These companies feature high quality microphones, and many use classic designs with more affordable prices. How to choose and use microphones was once a skill passed down from senior sound engineers to their assistants as they would listen and learn by observation. Today, few large studios have assistant engineers, and an overwhelming number of studios are operated by their owners who are often self-taught and lack the benefit of the big-studio tutelage. This book is your guide to understanding the ins and outs of microphones and music studio production.
Who produces sound and music? And in what spaces, localities and contexts? As the production of sound and music in the 21st Century converges with multimedia, these questions are critically addressed in this new edited collection by Samantha Bennett and Eliot Bates. Critical Approaches to the Production of Music and Sound features 16 brand new articles by leading thinkers from the fields of music, audio engineering, anthropology and media. Innovative and timely, this collection represents scholars from around the world, revisiting established themes such as record production and the construction of genre with new perspectives, as well as exploring issues in cultural and virtual production.
Beyond the skill involved in playing an instrument, getting musicians to play together well is an art form in itself. The secrets of how a guitarist, bassist, vocalist, drummer, keyboard player, and more can come together to create a unified sound usually reveal themselves only after years of stage and studio experience. This book explores every aspect of playing with other musicians, including the equipment, hardware, and software used in today's increasingly complex technological world, and the principles of sound every musician needs to know to work at the level of a professional band. So if you're ready to take your band beyond countless rehearsals and fast-forward to a professional sound, How to Make Your Band Sound Great is the guide you need to get you there. Complete with a 60-minute instructional DVD, How to Make Your Band Sound Great supplies instant access to producer and engineer Bobby Owsinski's years of real-life professional experience with bands of all types as a player, recording engineer, and record producer. The book-and-DVD package provides all you need to know to get your band on the way to sounding great using the techniques of veteran professional performing acts in the studio and on the stage.
"A lucid and passionate case for a more mindful way of listening to and engaging with musical, natural, and manmade sounds." —New York Times In this tour of the world’s most unexpected sounds, Trevor Cox—the “David Attenborough of the acoustic realm” (Observer)—discovers the world’s longest echo in a hidden oil cavern in Scotland, unlocks the secret of singing sand dunes in California, and alerts us to the aural gems that exist everywhere in between. Using the world’s most amazing acoustic phenomena to reveal how sound works in everyday life, The Sound Book inspires us to become better listeners in a world dominated by the visual and to open our ears to the glorious cacophony all around us.
This is the second volume of the widely acclaimed Art of the Cut book published in 2017. This follow-up text expands on its predecessor with wisdom from more than 360 interviews with the world’s best editors (including nearly every Oscar winner from the last 30 years). Because editing is a highly subjective art form, and one that is critical to the success of motion picture storytelling, it requires side-by-side comparisons of the many techniques and solutions used by a wide range of editors from around the world. That is why this book compares and contrasts methodologies from a wide array of diverse voices and organizes that information so that it is easily digested and understood. There is no one way to approach editorial problems, so this book allows readers to see multiple solutions from multiple editors. The interviews contained within are carefully curated into topics that are most important to film editors and those who aspire to become film editors. The questions asked, and the organization of the book, are not merely an academic or theoretical view of the art of editing but rather the practical advice and methodologies of actual working film and TV editors, bringing benefits to both students and professional readers. The book is supplemented by a collection of downloadable online exclusive chapters, which cover additional topics ranging from Choosing the Project to VFX. In addition to the supplementary chapters, access to the full-color, full-resolution images printed in the book—and other exclusive images—is included.
A practitioner's guide to the basic principles of creating sound effects using easily accessed free software. Designing Sound teaches students and professional sound designers to understand and create sound effects starting from nothing. Its thesis is that any sound can be generated from first principles, guided by analysis and synthesis. The text takes a practitioner's perspective, exploring the basic principles of making ordinary, everyday sounds using an easily accessed free software. Readers use the Pure Data (Pd) language to construct sound objects, which are more flexible and useful than recordings. Sound is considered as a process, rather than as data—an approach sometimes known as “procedural audio.” Procedural sound is a living sound effect that can run as computer code and be changed in real time according to unpredictable events. Applications include video games, film, animation, and media in which sound is part of an interactive process. The book takes a practical, systematic approach to the subject, teaching by example and providing background information that offers a firm theoretical context for its pragmatic stance. [Many of the examples follow a pattern, beginning with a discussion of the nature and physics of a sound, proceeding through the development of models and the implementation of examples, to the final step of producing a Pure Data program for the desired sound. Different synthesis methods are discussed, analyzed, and refined throughout.] After mastering the techniques presented in Designing Sound, students will be able to build their own sound objects for use in interactive applications and other projects
Discover how to achieve release-quality mixes even in the smallest studios by applying power-user techniques from the world's most successful producers. Mixing Secrets for the Small Studio is the best-selling primer for small-studio enthusiasts who want chart-ready sonics in a hurry. Drawing on the back-room strategies of more than 160 famous names, this entertaining and down-to-earth guide leads you step-by-step through the entire mixing process. On the way, you'll unravel the mysteries of every type of mix processing, from simple EQ and compression through to advanced spectral dynamics and "fairy dust" effects. User-friendly explanations introduce technical concepts on a strictly need-to-know basis, while chapter summaries and assignments are perfect for school and college use. ▪ Learn the subtle editing, arrangement, and monitoring tactics which give industry insiders their competitive edge, and master the psychological tricks which protect you from all the biggest rookie mistakes. ▪ Find out where you don't need to spend money, as well as how to make a limited budget really count. ▪ Pick up tricks and tips from leading-edge engineers working on today's multi-platinum hits, including Derek "MixedByAli" Ali, Michael Brauer, Dylan "3D" Dresdow, Tom Elmhirst, Serban Ghenea, Jacquire King, the Lord-Alge brothers, Tony Maserati, Manny Marroquin, Noah "50" Shebib, Mark "Spike" Stent, DJ Swivel, Phil Tan, Andy Wallace, Young Guru, and many, many more... Now extensively expanded and updated, including new sections on mix-buss processing, mastering, and the latest advances in plug-in technology.