The German Baroque
Author: George Schulz Behrend
Publisher:
Published: 1972
Total Pages: 166
ISBN-13:
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Author: George Schulz Behrend
Publisher:
Published: 1972
Total Pages: 166
ISBN-13:
DOWNLOAD EBOOKAuthor: Curt Von Faber Du Faur
Publisher: Literary Licensing, LLC
Published: 2011-10
Total Pages: 540
ISBN-13: 9781258173555
DOWNLOAD EBOOKAuthor: George Schulz-Behrend
Publisher: University of Texas Press
Published: 1972
Total Pages: 192
ISBN-13:
DOWNLOAD EBOOKAuthor: Yale University. Library. Yale Collection of German Literature
Publisher:
Published: 1958
Total Pages:
ISBN-13:
DOWNLOAD EBOOKAuthor: Frederick Herbert Wagman
Publisher:
Published: 1942
Total Pages: 236
ISBN-13:
DOWNLOAD EBOOKAuthor: David E. Wellbery
Publisher: Harvard University Press
Published: 2004
Total Pages: 1038
ISBN-13: 9780674015036
DOWNLOAD EBOOK'A New History of German Literature' offers some 200 essays on events in German literary history.
Author: Kurt von Faber du Faur
Publisher:
Published: 1958
Total Pages:
ISBN-13:
DOWNLOAD EBOOKAuthor: Blake Lee Spahr
Publisher: Peter Lang Gmbh, Internationaler Verlag Der Wissenschaften
Published: 1981
Total Pages: 302
ISBN-13:
DOWNLOAD EBOOKThe 18 investigations collected in this volume, 4 of which are published for the first time, represent a cross section of the research in German baroque literature by the American scholar, Blake Lee Spahr. Individual issues of «German Baroque Literature» are discussed from a broad perspective, while specific problems are dealt with via a neopositivistic approach which highlights the limitations as well as the possibilities of American research in German literature.
Author: Peter J. Burgard
Publisher: Wilhelm Fink Verlag
Published: 2019
Total Pages: 385
ISBN-13: 9783846764008
DOWNLOAD EBOOK"What is the Baroque? Where did it come from and where did it go? Why do we have to ask these questions? Because art historians seem largely satisfied with their answers and most scholars of German literature are not satisfied, yet have stopped asking.This book discerns in the Baroque an aesthetic phenomenon that crosses both media and national boundaries in its celebration of excess and its disintegration of system, unity, and identity. The compositional principles and theoretical implications of the Baroque, as it first arose in Italian art, find expression in German poetics, drama, poetry, and narrative ? expression accessible only through resolute close reading. Readings of Bernini, Borromini, Velázquez, Rubens, Fracanzano, and de Hooch precipitate readings of Opitz, Gryphius, Fleming, Zesen, Hoffmannswaldau, and Grimmelshausen, demonstrating that seventeenth-century German literature both is Baroque and confirms what the Baroque is."--Page 4 of cover.
Author: Gerhart Hoffmeister
Publisher: New York : Ungar Publishing Company
Published: 1983
Total Pages: 392
ISBN-13:
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