For all kids who have ever dreaded the moment when the lights turn off and the bedroom door closes . . . By day, George is a brave boy. He’ll climb the tallest tree, leap over fences, and stand up for his friends, without fear. But when the sun goes down, it’s only a matter of time before his parents say good night, leaving him in the dark. In the dark, George’s room fills with terrifying sights. The only thing to do is to hide under the covers with his bear. But wait! On this night, Bear is not in his bed. Where is it? It’s across the room, in the darkest, scariest corner... Perfect for fans of Lemony Snicket and Jon Klassen’s The Dark, this heartwarming tale gives extra reassurance to little ones who are bravely facing their own bedtime fears.
Most pop songs are short-lived. They appear suddenly and, if they catch on, seem to be everywhere at once before disappearing again into obscurity. Yet some songs resonate more deeply—often in ways that reflect broader historical and cultural changes. In Footsteps in the Dark, George Lipsitz illuminates these secret meanings, offering imaginative interpretations of a wide range of popular music genres from jazz to salsa to rock. Sweeping changes that only remotely register in official narratives, Lipsitz argues, can appear in vivid relief within popular music, especially when these changes occur outside mainstream white culture. Using a wealth of revealing examples, he discusses such topics as the emergence of an African American techno music subculture in Detroit as a contradictory case of digital capitalism and the prominence of banda, merengue, and salsa music in the 1990s as an expression of changing Mexican, Dominican, and Puerto Rican nationalisms. Approaching race and popular music from another direction, he analyzes the Ken Burns PBS series Jazz as a largely uncritical celebration of American nationalism that obscures the civil rights era’s challenge to racial inequality, and he takes on the infamous campaigns to censor hip-hop and the radical black voice in the early 1990s. Teeming with astute observations and brilliant insights about race and racism, deindustrialization, and urban renewal and their connections to music, Footsteps in the Dark puts forth an alternate history of post–cold war America and shows why in an era given to easy answers and clichd versions of history, pop songs matter more than ever. George Lipsitz is professor of black studies and sociology at the University of California, Santa Barbara. Among his many books are Life in the Struggle, Dangerous Crossroads, and American Studies in a Moment of Danger (Minnesota, 2001).
An uproarious, biting political satire about one ex-con’s obsession with the 41st president, from the author of A Children's Bible—a finalist for the 2020 National Book Award for Fiction and one of the New York Times Book Review’s ten best books of the year. "Some women like muscle. Brute strength, or the illusion of it. Their idea of an attractive man is a craggy meatpacker with a squirrel brain, who likes to crush vermin with his bare fist. I call these women Reaganites....Personally, I've always preferred the underdog." Rosemary is an ex-con with no viable career prospects, a boyfriend old enough to be her grandfather, and a major obsession with our nation's forty-first president, whom she fondly refers to as "G.B." Unexpectedly smitten during his inaugural address, Rosemary is soon anticipating G.B.'s public appearances with the enthusiasm she once reserved for all-you-can-eat breakfast buffets. As her ardor and determination to gain G.B.'s affection grow, Rosemary embarks on an increasingly outrageous campaign that escalates from personal letters to paid advertising, until at last she reaches the White House. What happens next is nothing like how Rosemary imagined it would be. Written with razor-sharp satiric wit and packed with wry observations of our times, our presidents, and our electorate, George Bush, Dark Prince of Love is a hilarious antidote to the hype and hypocrisy of America's most hallowed institutions.
A corpse in a country house brings Scotland Yard to an eerily quiet English village, in this tale by a master of British mystery. Cyril Savage has inherited the home of his wealthy and estranged aunt. But before Savage has the chance to discover her fortune, he is struck dead in the cellar of this once grand country house in the strange, nearly deserted village of Plumpton Bois. The police are baffled and—unable to unearth a motive, let alone a killer—call for the assistance of Scotland Yard. Inspector Littlejohn and Inspector Cromwell arrive in Plumpton Bois and find the village, the family, and the house itself full of secrets. The door to a locked room has been bashed open. Savage’s aunt is not nearly as rich as she seemed to be. And now, another body has turned up on Littlejohn’s watch . . .
The prize-winning, New York Times bestselling short story collection from the internationally bestselling author of Lincoln in the Bardo 'The best book you'll read this year' New York Times 'Dazzlingly surreal stories about a failing America' Sunday Times WINNER OF THE 2014 FOLIO PRIZE AND SHORTLISTED FOR THE NATIONAL BOOK AWARD 2013 George Saunders's most wryly hilarious and disturbing collection yet, Tenth of December illuminates human experience and explores figures lost in a labyrinth of troubling preoccupations. A family member recollects a backyard pole dressed for all occasions; Jeff faces horrifying ultimatums and the prospect of Darkenfloxx(TM) in some unusual drug trials; and Al Roosten hides his own internal monologue behind a winning smile that he hopes will make him popular. With dark visions of the future riffing against ghosts of the past and the ever-settling present, this collection sings with astonishing charm and intensity.
It is a quiet, uneventful Saturday in Doncaster. Nick Aten, and his best friend Steve Price – troubled seventeen year olds – spend it as usual hanging around the sleepy town, eating fast food and planning their revenge on Tug Slatter, a local bully and their arch-enemy. But by Sunday, Tug Slatter becomes the last of their worries because somehow overnight civilization is in ruins. Adults have become murderously insane – literally. They're infected with an uncontrollable urge to kill the young. Including their own children. As Nick and Steve try to escape the deadly town covered with the mutilated bodies of kids, a group of blood-thirsty adults ambushes them. Just a day before they were caring parents and concerned teachers, today they are savages destroying the future generation. Will Nick and Steve manage to escape? Is their hope that outside the Doncaster borders the world is 'normal' just a childish dream? Blood Crazy, first published in 1995, is a gripping, apocalyptic horror from Simon Clark.
A biography which draws on five years' research, hundreds of interviews and a friendship with Harrison and his set. Harrison's involvement with drugs, his marriage to Pattie Boyd and his home life with his wife and son are described. Most of the photographs have not been published before.
From the daughter of the iconoclastic comedic performer, Kelly Carlin’s memoir A Carlin Home Companion: Growing Up with George “is written in the DNA of a Carlin, honest, biting, savage, funny, sad, dark, and profound...Hold on; like George Carlin, this book gives you a hell of a ride” (New York Times bestselling author and multi-award-winning comedian Lewis Black). Truly the voice of a generation, George Carlin gave the world some of the most hysterical and iconic comedy routines of the last fifty years. From the “Seven Dirty Words” and “A Place for My Stuff”, to “Religion is Bullshit” and “The American Dream”, he perfected the art of making audiences double over with laughter while simultaneously making people wake up to the realities (and insanities) of life in the twentieth century. Few people glimpsed the inner life of this beloved comedian, but his only child, Kelly, was there to see it all. Born at the very beginning of his decades-long career in comedy, she slid around the “old Dodge Dart,” as he and wife Brenda drove around the country to “hell gigs.” She witnessed his transformation in the ’70s, as he fought back against—and talked back to—the establishment; she even talked him down from a really bad acid trip a time or two (“Kelly, the sun has exploded and we have eight, no-seven and a half minutes to live!”). Kelly not only watched her father constantly reinvent himself and his comedy, but also had a front row seat to the roller coaster turmoil of her family’s inner life—alcoholism, cocaine addiction, life-threatening health scares, and a crushing debt to the IRS. But having been the only “adult” in her family prepared her little for the task of her own adulthood. All the while, Kelly sought to define her own voice as she separated from the shadow of her father’s genius. With rich humor and deep insight, Kelly Carlin pulls back the curtain on what it was like to grow up as the daughter of one of the most recognizable comedians of our time, and become a woman in her own right. This vivid, hilarious, heartbreaking story is at once singular and universal—it is a contemplation of what it takes to move beyond the legacy of childhood, and forge a life of your own.
Set in the fictional town of Castle Rock, Maine A "wondrously frightening" (Publishers Weekly) tale of terror and #1 national bestseller about a writer's pseudonym that comes alive and destroys everyone on the path that leads to the man who created him. Thad Beaumont is a writer, and for a dozen years he has secretly published violent bestsellers under the name of George Stark. But Thad is a healthier and happier man now, the father of infant twins, and starting to write as himself again. He no longer needs George Stark and so, with nationwide publicity, the pseudonym is retired. But George Stark won't go willingly. And now Thad would like to say he is innocent. He'd like to say he has nothing to do with the twisted imagination that produced his bestselling novels. He'd like to say he has nothing to do with the series of monstrous murders that keep coming closer to his home. But how can Thad deny the ultimate embodiment of evil that goes by the name he gave it--and signs its crimes with Thad's bloody fingerprints? The Dark Half is "a chiller" (The New York Times Book Review), so real and fascinating that you'll find yourself squirming in Stephen King's heart-stopping, blood-curdling grip--and loving every minute of it.
