The Alaskan wilderness is a lonely place for Mark Andersen, especially after the death of his brother. But Mark finds a friend named Ben, who happens to be an Alaskan brown bear. Ben and Mark form a special bond, but the townspeople are determined to destroy it. It is only through the strength of an enduring friendship that Ben—and Mark—have a chance of being saved.
"Do you wonder about children who lived in other times and places? Look at the pictures in this book and think about the stories they tell"--Page 4 of cover.
INSTANT NEW YORK TIMES BESTSELLER “This extraordinary book is not only a chronicle of Ron’s and Clint’s early careers and their wild adventures, but also a primer on so many topics—how an actor prepares, how to survive as a kid working in Hollywood, and how to be the best parents in the world! The Boys will surprise every reader with its humanity.” — Tom Hanks "I have read dozens of Hollywood memoirs. But The Boys stands alone. A delightful, warm and fascinating story of a good life in show business.” — Malcolm Gladwell Happy Days, The Andy Griffith Show, Gentle Ben—these shows captivated millions of TV viewers in the ’60s and ’70s. Join award-winning filmmaker Ron Howard and audience-favorite actor Clint Howard as they frankly and fondly share their unusual family story of navigating and surviving life as sibling child actors. “What was it like to grow up on TV?” Ron Howard has been asked this question throughout his adult life. in The Boys, he and his younger brother, Clint, examine their childhoods in detail for the first time. For Ron, playing Opie on The Andy Griffith Show and Richie Cunningham on Happy Days offered fame, joy, and opportunity—but also invited stress and bullying. For Clint, a fast start on such programs as Gentle Ben and Star Trek petered out in adolescence, with some tough consequences and lessons. With the perspective of time and success—Ron as a filmmaker, producer, and Hollywood A-lister, Clint as a busy character actor—the Howard brothers delve deep into an upbringing that seemed normal to them yet was anything but. Their Midwestern parents, Rance and Jean, moved to California to pursue their own showbiz dreams. But it was their young sons who found steady employment as actors. Rance put aside his ego and ambition to become Ron and Clint’s teacher, sage, and moral compass. Jean became their loving protector—sometimes over-protector—from the snares and traps of Hollywood. By turns confessional, nostalgic, heartwarming, and harrowing, THE BOYS is a dual narrative that lifts the lid on the Howard brothers’ closely held lives. It’s the journey of a tight four-person family unit that held fast in an unforgiving business and of two brothers who survived “child-actor syndrome” to become fulfilled adults.
To fifty thousand readers, Catherine Newman is the beloved author of “Bringing Up Ben & Birdy,” a weekly column on babycenter.com. Now in the delightfully candid, outlandishly funny Waiting for Birdy, Newman charts the year she anticipated the birth of her second child while also coping with the realities of raising a toddler. As she navigates life with her existentially curious and heartbreakingly sweet three-year-old, and her doozy of a pregnancy, she lends her irresistibly unique voice to the secret thoughts and fears of parents everywhere. Filled with quirky warmth and razor-sharp wit, Waiting for Birdy captures the universal wonder, terror, humor, and tenderness of raising a family. On the web: http://www.babycenter.com, http://www.parentcenter.com
Stranded for six months in the Rocky Mountains following an airplane crash, a 15-year-old boy is taken in by an old hermit who teaches him the ways of the wilderness.
The Fellows family has joined numerous others striving to make a go of homesteading in the Oregon high desert. But the venture has been disastrous from the start. Mr. Fellows, who is not a farmer, resents any advice from his wife, who grew up on a farm. Ma is not only troubled about the farming, but 7-year-old Ellie’s chronic illness has become a source of constant worry and expense. 12-year-old Chris, who cannot seem to please his father no matter what he does, eases his own misery by stealing time away from work to watch a neighbor’s scarcely broken black pony, only to get into more trouble. When it seems circumstances could not get worse for the struggling family, Fellows gets drunk and dies. Not willing to give up, Ma stubbornly—and creatively—seeks a way for the family to stay in Oregon. Frank Chase, an unintentional element in the death of Chris’s father, is added to the mix and challenged by Ma to keep his word to help the family. The resultant dramatic and sometimes humorous contest of wills comes to a satisfying culmination when, after Frank’s purchase of the wild black pony for Chris, Ma is reluctantly forced to once again use her “backbone of steel” for the good of all. Walt Morey’s careful research and vivid storytelling talent warmly bring to life the struggles and triumphs of homesteading in the Oregon high desert country in the early 1900’s.
In 1938 Berlin, Germany, a cat sees Rosenstrasse change from a peaceful neighborhood of Jews and Gentiles to an unfriendly place where, one November night, men in brown shirts destroy Jewish-owned businesses and arrest or kill Jewish people. Includes facts about Kristallnacht and a list of related books and web resources.
“This quietly profound book belongs on the shelf next to Jon Krakauer’s Into the Wild.” —The New York Times The riveting true story of Dick Conant, an American folk hero who, over the course of more than twenty years, canoed solo thousands of miles of American rivers—and then disappeared near the Outer Banks of North Carolina. This book “contains everything: adventure, mystery, travelogue, and unforgettable characters” (David Grann, best-selling author of Killers of the Flower Moon). For decades, Dick Conant paddled the rivers of America, covering the Mississippi, Yellowstone, Ohio, Hudson, as well as innumerable smaller tributaries. These solo excursions were epic feats of planning, perseverance, and physical courage. At the same time, Conant collected people wherever he went, creating a vast network of friends and acquaintances who would forever remember this brilliant and charming man even after a single meeting. Ben McGrath, a staff writer at The New Yorker, was one of those people. In 2014 he met Conant by chance just north of New York City as Conant paddled down the Hudson, headed for Florida. McGrath wrote a widely read article about their encounter, and when Conant's canoe washed up a few months later, without any sign of his body, McGrath set out to find the people whose lives Conant had touched--to capture a remarkable life lived far outside the staid confines of modern existence. Riverman is a moving portrait of a complex and fascinating man who was as troubled as he was charismatic, who struggled with mental illness and self-doubt, and was ultimately unable to fashion a stable life for himself; who traveled alone and yet thrived on connection and brought countless people together in his wake. It is also a portrait of an America we rarely see: a nation of unconventional characters, small river towns, and long-forgotten waterways.
The marriage of Georgiana Burton to Ralph, Earl of Chartleigh, begins with every promise of happiness for both, though they scarcely know each other. She is attracted by his youthful good looks and gentle, courtly demeanor, while he is dazzled by her beauty and vivacity. It soon becomes clear, however, that the very qualities that attracted them before they married are driving them apart. Ralph is intimidated by the bright star who is his new bride while Georgiana is dismayed by her bridegroom's shyness, which seems to worsen with every passing day. Finally each of them sets out to devise a bold scheme to bring about the happily ever after for which they both yearn. It is only to be hoped that they do not bring disaster crashing down upon their dreams instead.