Gender Politics in "Macbeth"

Gender Politics in

Author: Katharina Herrmann

Publisher: GRIN Verlag

Published: 2010-12

Total Pages: 57

ISBN-13: 3640771257

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Seminar paper from the year 2008 in the subject English Language and Literature Studies - Literature, grade: 1, University of Heidelberg (Anglistisches Seminar), course: Shakespeare's Tragedies - Hamlet, Macbeth and King Lear, language: English, abstract: Renaissance tragedy does to a large extent deal with common political, religious and social questions of the time. In most cases, authors use tragedy as the place to question and even criticize those issues, and thus use it as a political space. In Jacobean England, society was profoundly hierarchical with the king on top of the state, and the father or husband as head of the family. " W]omen were clearly socially subordinate, and the preponderance of discourse on the gender hierarchy was misogynistic" . Macbeth is one of Shakespeare's late tragedies, written in 1606, and presented at the Globe Theatre later that year. In Shakespeare's plays sex and gender are crucial for defining human identity and political power. In the course of this essay, I will first take a closer look at gender ideology in the English Renaissance and in Renaissance tragedy and see how society justified the social subordination of women, and what kind of behaviour was considered appropriate for women. As Macbeth is a play that hugely builds on gender stereotyping, I will afterwards work out the play's definition of masculinity and femininity in the medieval social context the tragedy is set in, and subsequently analyse the characters of the three witches and king Duncan regarding their hermaphroditism and androgynity, and see whether the blurring of fixed gender roles might be interpreted as an indication that gender politics in Macbeth are unusual for the medieval Scottish context. The main part of this essay will be dedicated to the Macbeths, two strongly individualized characters. I will examine the characters of Lady Macbeth and Macbeth first, take a look at how their ambition leads to their downfall and afterwards discuss whether it i


He Says/she Says Shakespeare

He Says/she Says Shakespeare

Author: Francesco Aristide Ancona

Publisher: University Press of America

Published: 2008

Total Pages: 156

ISBN-13: 9780761839415

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Macbeth : the question of personality reversal -- Othello : the question of jealousy -- As you like it : the question of escaping conventional society -- Hamlet : the question of guilt and blame -- The taming of the shrew : the question of gender and dominance -- Much ado about nothing : the question of a (happy?) marriage


The Woman's Part

The Woman's Part

Author: Carolyn Ruth Swift Lenz

Publisher: University of Illinois Press

Published: 1980

Total Pages: 364

ISBN-13: 9780252010163

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The construction of femininity and masculinity in Shakespeare`s Macbeth

The construction of femininity and masculinity in Shakespeare`s Macbeth

Author: Vinzent Fröhlich

Publisher: GRIN Verlag

Published: 2008-06-03

Total Pages: 85

ISBN-13: 3638057062

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Examination Thesis from the year 2007 in the subject English Language and Literature Studies - Literature, grade: 2,0, University of Potsdam (Institut für Anglistik und Amerikanistik), language: English, abstract: The title of this paper is “The Construction of Femininity and Masculinity in Shakespeare`s Macbeth". As this title suggests, I analyzed how Shakespeare construes female and male identity in Macbeth. As in many Shakespearean dramas the play starts with the destruction of order leading up to a crisis and ending in the restoration of order at the end of the play (Gelfert 32). The political order that is destroyed in the course of the play is King Duncan`s natural and fair order which appreciates a unique set of masculine and feminine values. Macbeth murders King Duncan in order to usurp his throne. Macbeth`s reign turns Duncan`s order into chaos and moral order cannot return to Scotland until the tyrant ruler Macbeth is defeated by troops who fight for the restoration of Duncan`s order, through the coronation of his son Malcolm. This essay deals with the question of how Shakespeare shapes female and male characters. As a matter of fact, female and male characters are ultimately involved in the destruction and restoration of Scotland. This involves questions such as: Which historical concepts does Shakespeare use to construe his male and female characters? Does he construe “typical” gender roles? And what happens when gender boundaries are crossed, when men develop feminine traits and women male ones? With special regard to the marriage of Macbeth and Lady Macbeth, I also analyzed the interaction between the genders. In the course of my analysis, I used the term “gender”, originating from Anglo-American feminist discourse, meaning ”the social, cultural, and psychological meaning imposed upon biological sexual identity” (Showalter 1-2). Interpreting femininity and masculinity as “gender” constructions allows a more thorough analysis of the various processes involved in the “making” of men and women. Whilst the term “sex” suggests that children naturally acquire the appropriate masculine or feminine behavioural norms of their society, the term “gender” can also indicate that some people feel discrepancies between their “anatomical sex and experiential sense of gender and sexuality” (Showalter 2). After a short historical introduction about the origins of the play, I analyzed the masculine world of chivalry that the play takes place in. Understanding the world of chivalry, its values and codes is required as most of the male characters are construed as chivalrous knights serving in the corps of King Duncan. Enjoy!


Manhood and Masculine Identity in William Shakespeare's The Tragedy of Macbeth

Manhood and Masculine Identity in William Shakespeare's The Tragedy of Macbeth

Author: Maria L. Howell

Publisher: University Press of America

Published: 2008

Total Pages: 57

ISBN-13: 0761840745

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"Maria Howell's Manhood and Masculine Identity in William Shakespeare's "The Tragedy of Macbeth" is an important and compelling scholarly work which seeks to examine the sixteenth century's greatest concern, echoed by Hamlet himself, "What is a man?" In an attempt to analyze the concept of manhood in Macbeth, Howell explores the contradictions and ambiguities that underlie heroic notions of masculinity dramatized throughout the play. From Lady Macbeth's capacity to control and destroy Macbeth's masculine identity, to Macbeth himself, who corrupts his military prowess to become a ruthless and murderous tyrant, Howell demonstrates that heroic notions of masculinity not only reinforce masculine power and authority, paradoxically, these ideals are also the source of man's disempowerment and destruction. Howell argues that in an attempt to attain a higher principle, the means (violence and destruction) and the ends (justice and peace) become fused and indistinguishable, so that those values that inform man's actions for good no longer provide moral clarity. Howell's poignant and timely analysis of manhood and masculine identity in Shakespeare's Macbeth will no doubt resonate with readers today."--BOOK JACKET.


Gender Trouble Couplets

Gender Trouble Couplets

Author: A. W. Strouse

Publisher: punctum books

Published: 2019

Total Pages: 105

ISBN-13: 1950192512

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Judith Butler's GENDER TROUBLE: Feminism and the Subversion of Identity radically claimed that the sexed body is a fallacy, discursively constructed by the performance of gender. A.W. Strouse has undertaken to rewrite Butler's classic tome into an octosyllabic poem. Inspired by the rhyming encyclopedias of the Middle Ages, Strouse transforms each of Butler's sentences into punchy medieval couplets. This performative repetition of Chapter 1 of Butler's now classic treatise on gender, identity, and sexuality, "Subjects of Sex/Gender/Desire," deconstructs Butler's deconstruction. Relishing in the campiness of rhyme and meter-in the bodily pleasures of form-Strouse's GENDER TROUBLE COUPLETS, Volume 1 is an imitation for which there is no original. Butler's GENDER TROUBLE, perhaps, was poetry all along. "In the tradition of the Revolutionary Cookbook ("Eggs Benedict Arnold"), teaching Structuralism through Hipster vs. Amish beards ("Is that beard ironic?"), and literary hostess gifts ("Lady Macbeth's Soap"), comes this brilliant rhymed couplet version of Judith Butler's Gender Trouble. Rarely has a poet applied his gifts to a more deserving subject. Strouse is the the Jeff Koons of queer theory, the Kim Kardashian of différance, the Lisa Frank of same-sex. In the grand tradition of rhymed pedagogical commentary - think Chaucer teaching Litel Louis how to use the Astrolabe - this funny and useful book will be an instant bestseller, a perfect gift for the nerd and hipster in your life, and the best Valentine cadeau for your secret queer crush whom you want but cannot quite name." Anna M. Klosowska, author of QUEER LOVE IN THE MIDDLE AGES (Palgrave, 2005) A.W. STROUSE teaches medieval literature at The New School, and has published a wide variety of creative works, including MY GAY MIDDLE AGES (punctum, 2015) and with Patty Barth, TRANSFER QUEEN (punctum, 2018).


Staged Transgression in Shakespeare's England

Staged Transgression in Shakespeare's England

Author: R. Loughnane

Publisher: Springer

Published: 2016-01-03

Total Pages: 485

ISBN-13: 1137349352

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Staged Transgression in Shakespeare's England is a groundbreaking collection of seventeen essays, drawing together leading and emerging scholars to discuss and challenge critical assumptions about the transgressive nature of the early modern English stage. These essays shed new light on issues of gender, race, sexuality, law and politics. Staged Transgression was followed by a companion collection, Staged Normality in Shakespeare's England (2019), also available from Palgrave: https://link.springer.com/book/10.1007/978-3-030-00892-5


Fantasies of Female Evil

Fantasies of Female Evil

Author: Cristina León Alfar

Publisher: University of Delaware Press

Published: 2003

Total Pages: 266

ISBN-13: 9780874137811

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Focuses on Romeo and Juliet, King Lear, Macbeth, Antony and Cleopatra, and The winter's tale. UkBU.