Diversity in Disney Films

Diversity in Disney Films

Author: Johnson Cheu

Publisher: McFarland

Published: 2013-01-24

Total Pages: 317

ISBN-13: 0786446013

DOWNLOAD EBOOK

Although its early films featured racial caricatures and exclusively Caucasian heroines, Disney has, in recent years, become more multicultural in its filmic fare and its image. From Aladdin and Pocahontas to the Asian American boy Russell in Up, from the first African American princess in The Princess and the Frog to "Spanish-mode" Buzz Lightyear in Toy Story 3, Disney films have come to both mirror and influence our increasingly diverse society. This essay collection gathers recent scholarship on representations of diversity in Disney and Disney/Pixar films, not only exploring race and gender, but also drawing on perspectives from newer areas of study, particularly sexuality/queer studies, critical whiteness studies, masculinity studies and disability studies. Covering a wide array of films, from Disney's early days and "Golden Age" to the Eisner era and current fare, these essays highlight the social impact and cultural significance of the entertainment giant. Instructors considering this book for use in a course may request an examination copy here.


The same old story? The portrayal of gender and ethnicity/race in Disney movies and the possible (re-) production of stereotypes over the course of the past 75 years

The same old story? The portrayal of gender and ethnicity/race in Disney movies and the possible (re-) production of stereotypes over the course of the past 75 years

Author: Eva-Maria Krapfenbauer

Publisher: GRIN Verlag

Published: 2014-12-15

Total Pages: 104

ISBN-13: 3656859078

DOWNLOAD EBOOK

Bachelor Thesis from the year 2013 in the subject Gender Studies, grade: 1,0, Vienna University of Economics and Business (Gender- und Diversitätmanagement), language: English, abstract: The following Bachelor’s thesis deals with the (re-)production of gender-related and ethnic stereotypes in animated movies part of the Disney Princess franchise. The introduction to the topic is followed by an overview of the theory, which includes the concepts of diversity, gender, and ethnicity as well as an introduction into stereotypes. The literature review will on the one hand present the Disney corporation and on the other hand give insight into the topics of television in general and children’s television in particular. It also outlines the hitherto findings pertaining to the scientific field of “Disney, gender and ethnicity”. The next chapters contain an introduction to the Critical Discourse Analysis and the methodology, which is followed by the empirical part consisting of the analysis and discussion of the movies. The thesis is completed by the conclusion, which brings together the findings as well as putting them in relation to the rest of the thesis.


Diversity in Disney Films

Diversity in Disney Films

Author: Johnson Cheu

Publisher: McFarland

Published: 2013-01-04

Total Pages: 317

ISBN-13: 1476600090

DOWNLOAD EBOOK

Although its early films featured racial caricatures and exclusively Caucasian heroines, Disney has, in recent years, become more multicultural in its filmic fare and its image. From Aladdin and Pocahontas to the Asian American boy Russell in Up, from the first African American princess in The Princess and the Frog to "Spanish-mode" Buzz Lightyear in Toy Story 3, Disney films have come to both mirror and influence our increasingly diverse society. This essay collection gathers recent scholarship on representations of diversity in Disney and Disney/Pixar films, not only exploring race and gender, but also drawing on perspectives from newer areas of study, particularly sexuality/queer studies, critical whiteness studies, masculinity studies and disability studies. Covering a wide array of films, from Disney's early days and "Golden Age" to the Eisner era and current fare, these essays highlight the social impact and cultural significance of the entertainment giant. Instructors considering this book for use in a course may request an examination copy here.


The Psychosocial Implications of Disney Movies

The Psychosocial Implications of Disney Movies

Author: Lauren Dundes

Publisher: MDPI

Published: 2019-07-11

Total Pages: 246

ISBN-13: 3038978485

DOWNLOAD EBOOK

In this volume of 15 articles, contributors from a wide range of disciplines present their analyses of Disney movies and Disney music, which are mainstays of popular culture. The power of the Disney brand has heightened the need for academics to question whether Disney’s films and music function as a tool of the Western elite that shapes the views of those less empowered. Given its global reach, how the Walt Disney Company handles the role of race, gender, and sexuality in social structural inequality merits serious reflection according to a number of the articles in the volume. On the other hand, other authors argue that Disney productions can help individuals cope with difficult situations or embrace progressive thinking. The different approaches to the assessment of Disney films as cultural artifacts also vary according to the theoretical perspectives guiding the interpretation of both overt and latent symbolic meaning in the movies. The authors of the 15 articles encourage readers to engage with the material, showcasing a variety of views about the good, the bad, and the best way forward.


Good Girls & Wicked Witches

Good Girls & Wicked Witches

Author: Amy M. Davis

Publisher: Indiana University Press

Published: 2007-02-20

Total Pages: 281

ISBN-13: 0861969014

DOWNLOAD EBOOK

An in-depth view of the way popular female stereotypes were reflected in—and were shaped by—the portrayal of women in Disney’s animated features. In Good Girls and Wicked Witches, Amy M. Davis re-examines the notion that Disney heroines are rewarded for passivity. Davis proceeds from the assumption that, in their representations of femininity, Disney films both reflected and helped shape the attitudes of the wider society, both at the time of their first release and subsequently. Analyzing the construction of (mainly human) female characters in the animated films of the Walt Disney Studio between 1937 and 2001, she attempts to establish the extent to which these characterizations were shaped by wider popular stereotypes. Davis argues that it is within the most constructed of all moving images of the female form—the heroine of the animated film—that the most telling aspects of Woman as the subject of Hollywood iconography and cultural ideas of American womanhood are to be found. “A fascinating compilation of essays in which [Davis] examined the way Disney has treated female characters throughout its history.” —PopMatters


The representation of gender roles in Disney movies

The representation of gender roles in Disney movies

Author:

Publisher: GRIN Verlag

Published: 2018-01-06

Total Pages: 27

ISBN-13: 3668604037

DOWNLOAD EBOOK

Seminar paper from the year 2017 in the subject Communications - Movies and Television, grade: 1,3, University of Duisburg-Essen (Department of Anglophone Studies), course: Applied Linguistics, language: English, abstract: Media is a big part of people’s everyday lives. It influences both how we see ourselves and how the world sees us. Media can be divided in many different types, for example: television, shows, movies, the radio, newspapers, advertisements and the internet. One of the most famous producers of children’s media is the Walt Disney Company. Since 1937 many movies, shows and other products were designed and published in order to entertain children. Thus, results a huge influence on children’s perception of the world and how they see themselves in the world. In all of them are images of women and men, which are represented in different ways and with different traits. One popular production of Disney is the Disney princess line which was created 2001 and includes more than 25,000 different products. Currently, the line includes ten movies; four of them will be analysed in this term paper: "Snow White and the Seven Dwarfs" (1937), "Pocahontas" (1995), "Tangled" (2010) and "Frozen" (2013). These movies have an influence on children and their images of gender roles. But, how are gender roles represented in these movies and is there a remarkable change over time? This term paper will give an overview about the most influential movies of the Disney Princess line and how the image of female characters is presented. It is difficult to analyse all aspects of gender roles but the most obvious ones are regarded and how many differences exist in these four movies.


'There Must be More Than this Provincial Life'

'There Must be More Than this Provincial Life'

Author: Kelsey Grace McDougall

Publisher:

Published: 2018

Total Pages: 76

ISBN-13:

DOWNLOAD EBOOK

"In this thesis, I analyze three eras of princesses in Disney animated films in terms of how gender and femininity are portrayed in each era, and investigate whether each era parallels the goals/issues addressed by the first, second, third, and/or fourth-wave feminism movements. I also investigate how increasing numbers of women in filmmaking roles have changed the ways female characters are portrayed in Disney films. I analyze Snow White and the Seven Dwarfs (1937), Cinderella (1950), and Sleeping Beauty (1959) for the first era; The Little Mermaid (1989), Beauty and the Beast (1991), and Aladdin (1992) for the second era; and Brave (2012), Frozen (2013), and Moana (2016) for the third era of Disney 'princess' movies. I analyze the ways in which gender, specifically femininity, is performed and portrayed in each of the princesses as those themes pertain to overdetermined femininity. I apply gender concepts and themes and examine how each theme is presented or not presented in each film. I also analyze how these themes change in each era of the Disney movies by looking at these carefully selected, representative films and investigate whether there is an increase of accepted diversity, in terms of gender, present in these three eras of films"--Provided by author.