Gender Conflicts in the Dramas of Tennessee Williams

Gender Conflicts in the Dramas of Tennessee Williams

Author: Kerstin Müller

Publisher: GRIN Verlag

Published: 2004-10-09

Total Pages: 43

ISBN-13: 3638313603

DOWNLOAD EBOOK

Bachelor Thesis from the year 2003 in the subject American Studies - Literature, grade: 1,7 (A-), University of Bayreuth (Faculty for Language and Literature Sciences), language: English, abstract: Tennessee Williams has often been called the American national poet of the perverse and a dirty writer because a recurrent theme in his work is sexual deviation, such as nymphomania, promiscuity, rape, impotence, homosexuality, profligacy, frigidity, cannibalism, and castration (Bauer-Briski 11). This statement clearly suggests the controversy with which Tennessee Williams’ dramas were perceived by the public and the critics. It is well known that conflicts on these issues can be found in many of his plays. This raises the question as to what extent these conflicts are related to specific gender roles and their subordinate themes. Williams once said that he has never written about anything he has not experienced first hand, thus most of the conflict issues can be considered to be autobiographical to a certain extent. As Williams’ childhood was restricted to a rather reclusive life due to diphtheria, which forced him to spend almost his entire childhood at home with his family, the experiences with his mother, father and sister shaped not only his character, but also the themes in his plays. His upbringing was characterised by Puritanism which was of vital importance in his family. His mother later became the model for his antiquated Southern Belles and overprotective mothers in the plays. His boisterous father was perceived as a frightening and alien male presence by him, his sister and his mother. He later became the model for the same type of harsh, brutal characters in his plays, such as Big Daddy and Stanley Kowalski (Falk 155 f). Yet, not only his Puritan upbringing shaped his life, but also the fact that he grew up in the South of the United States, in the Mississippi Delta, and the region’s heat, its storms, floods, the division into social classes, the colourful imagery and rhythms of the language were to shape his setting and dialogue (Tischler 2).The uniqueness of the South along with its cultural and social characteristics is embodied in many of his plays, and the social roles appointed to the people living there offers an extensive basis of analysis for not only gender roles, but also the related conflicts. In addition to this, Williams was known as being homosexual and leading a very promiscuous life, especially with men much younger than him (Bauer-Briski 11).


All Dressed Up and Nowhere to Go

All Dressed Up and Nowhere to Go

Author:

Publisher:

Published: 2008

Total Pages:

ISBN-13:

DOWNLOAD EBOOK

Though critics have analyzed Tennessee Williams' plays in light of class conflict, little attention has been paid to women through the working-class studies lens. This paper seeks to explore ways in which gender complicates class issues and underscores Williams' critique of the American dream.


Tennessee Williams’s Female Characters: Problems of Gender and Sexuality

Tennessee Williams’s Female Characters: Problems of Gender and Sexuality

Author: Bünyamin Yuvarlak

Publisher: GRIN Verlag

Published: 2021-03-23

Total Pages: 41

ISBN-13: 3346371840

DOWNLOAD EBOOK

Bachelor Thesis from the year 2017 in the subject English Language and Literature Studies - Literature, grade: 2,0, RWTH Aachen University (Institut für Anglistik, Amerikanistik und Romanistik der RWTH Aachen), language: English, abstract: The goal of the paper is to identify features relating to homosexual identity, based on a characterization of Williams’s female characters. Among other studies, Tennessee Williams’s work has commonly been researched from a gay study perspective by literary scholars and queer theorists. The motive for that was mostly Williams’s own homosexuality and the stigma that surrounded the issue around the time he published his most famous pieces. He has written plays which explicitly involve the topic of homosexuality, as the eminent Cat on a Hot Tin Roof, but most of his work does not embrace homosexuality precisely. Nevertheless, on the grounds that literary studies is fairly limitless, for literature provides many different fields for analyses, it is possible to involve literary pieces into the field of gay studies, even though it initially does not specify the matter. The arguably most interesting element in Tennessee Williams’s drama are his characters, many of whom seem to share similar characteristics as struggling individuals. Analyzing the fictional characters with regard to gay writing could help find a possible pattern, draw conclusions about the influence of Williams’s personality, and thus, support the assumption that homosexuality is integrated in his plays. Gender is also fundamental for an approach based on sexuality. Taking that into consideration, below, the focus will be on Williams’s female characters, especially on the protagonists Laura Wingfield from The Glass Menagerie and Blanche DuBois from A Streetcar Named Desire. These women are not necessarily gay themselves; in the plays, there is no clear evidence about them being sexually or romantically attracted to the same sex. Instead, sexuality is a broad concept with more meanings attached to it, which will further be discussed in the third chapter.


Tennessee Williams's World of Southern Descendants. On the Depiction of Women in his Plays

Tennessee Williams's World of Southern Descendants. On the Depiction of Women in his Plays

Author: Marta Zapała-Kraj

Publisher: GRIN Verlag

Published: 2019-06-04

Total Pages: 51

ISBN-13: 3668952930

DOWNLOAD EBOOK

Research Paper (postgraduate) from the year 2018 in the subject American Studies - Literature, grade: 5.0, Jan Kochanowski University of Humanities and Sciences in Kielce, language: English, abstract: These work is concerned with the depiction of women in Tennessee Williams ́s plays. Victims or manipulative creatures? Shy and innocent or seductive and well aware of their potential? What is the picture of Tennessee Williams’s women? The author has chosen two plays – The Glass Menagerie and Cat on a Hot Tin Roof to help with analysis of this question. Indeed, a pure rhetorical analysis of his work that does not take into consideration the biographical aspects of Williams's characters and therefore cannot demonstrate the fullness of those characters, it also can it expect to accurately determine the message that the playwright sends us through those characters . What is also typical for Williams’s heroines is that they are not able to deal with their past, the problems of their history is growing stronger and is rooted in their everyday life. Consequently, those women of various age are stuck with the life in a state of current crisis. The hopelessness and the mediocrity of the characters in Williams’ The Glass Menagerie is caused by a serious breach between the characters’ feelings and their ability to verbalize the emotions. The women that parade in a pages of this thesis – Laura, Amanda, Maggie and even Big Mamma and Mae are lacking in almost physical, tangible way something very important – freedom of emotions. Modern woman – an icon which presents self-made woman, are well aware of her targets, beautiful, treating her body as a medium to promote herself. Not so much changed in comparison with Tennessee Williams females. Tennessee Williams women are so strikingly up-to-date with a modern woman. They are left prostrate in their womanhood, unsatisfied needs and desires. They keep on going despite their failures; they have their goals to achieve and ways to do so.


Tennessee Williams's Female Characters: Problems of Gender and Sexuality

Tennessee Williams's Female Characters: Problems of Gender and Sexuality

Author: Bünyamin Yuvarlak

Publisher:

Published: 2021-02-18

Total Pages: 40

ISBN-13: 9783346371850

DOWNLOAD EBOOK

Bachelor Thesis from the year 2017 in the subject English Language and Literature Studies - Literature, grade: 2,0, RWTH Aachen University (Institut für Anglistik, Amerikanistik und Romanistik der RWTH Aachen), language: English, abstract: The goal of the paper is to identify features relating to homosexual identity, based on a characterization of Williams's female characters. Among other studies, Tennessee Williams's work has commonly been researched from a gay study perspective by literary scholars and queer theorists. The motive for that was mostly Williams's own homosexuality and the stigma that surrounded the issue around the time he published his most famous pieces. He has written plays which explicitly involve the topic of homosexuality, as the eminent Cat on a Hot Tin Roof, but most of his work does not embrace homosexuality precisely. Nevertheless, on the grounds that literary studies is fairly limitless, for literature provides many different fields for analyses, it is possible to involve literary pieces into the field of gay studies, even though it initially does not specify the matter. The arguably most interesting element in Tennessee Williams's drama are his characters, many of whom seem to share similar characteristics as struggling individuals. Analyzing the fictional characters with regard to gay writing could help find a possible pattern, draw conclusions about the influence of Williams's personality, and thus, support the assumption that homosexuality is integrated in his plays. Gender is also fundamental for an approach based on sexuality. Taking that into consideration, below, the focus will be on Williams's female characters, especially on the protagonists Laura Wingfield from The Glass Menagerie and Blanche DuBois from A Streetcar Named Desire. These women are not necessarily gay themselves; in the plays, there is no clear evidence about them being sexually or romantically attracted to the same sex. Instead, sexuality is a broad concept


Tennessee Williams's A Streetcar Named Desire

Tennessee Williams's A Streetcar Named Desire

Author: Harold Bloom

Publisher: Infobase Publishing

Published: 2014-05-14

Total Pages: 189

ISBN-13: 143812628X

DOWNLOAD EBOOK

Presents a collection of ten critical essays on Williams's play "A Streetcar Named Desire" arranged in chronological order of publication.