This collection of essays focuses on issues of gender and sexuality in Irish history, biography, language, literature and drama. While the contributors employ a variety of methodological and critical perspectives, they share the conviction that the gendering of Ireland - not only of the nation, but of actual Irish men and women - is a construction of culture and ideology and not simply one of nature.
This book traces the turbulent history of queer visibility in the Irish media to explore the processes by which a regionally based media system shaped queer identities within a highly conservative and religious population. The book details the emergence of an LGBTQ rights movement in Ireland and charts how this burgeoning movement utilised the media for the liberatory potential of advancing LGBTQ rights. However, mainstream media institutions also exploited queer identities for economic purposes, which, coupled with the eruption of the AIDS pandemic in the 1980s, disrupted the mainstreaming goals of queer visibility. Drawing on industrial, societal and production culture determinants, the author identifies the shifting contours of queer visibility in the Irish media, uncovering the longstanding relationship between LGBTQ organising and the Irish media. This book is suitable for students and scholars in gender studies, media studies, cultural studies and LGBTQ studies.
This study analyzes the role of gender in Irish cultural change from the 1890s to the present, exploring literature, the relationships between gender and national identities, and the recognized major political and cultural movements of the twentieth century. It includes discussion of film, television and, popular music, as well as diverse literary texts by authors such as Joyce, Yeats, Wilde, and Boland.
The history of sexuality in Ireland remains relatively understudied when compared with the more well-worn paths of political and military history, but that is not to say that it has never been considered. Now, in the fourth instalment of the 'Irish perspectives' collaboration between Pen and Sword and History Ireland, a range of experts explore Irish history from the perspective of the broad concept of sexuality, in both theory and practice.From the legalities that defined gender roles in the middle ages and early modern periods, to women's role in political life and civil society, Gender and Sexuality in Ireland provides a comprehensive overview of the nation's understanding and relationship with sexuality and patriarchy. Population change, prostitution, incarceration, infanticide, abortion and homophobia are all considered alongside attempts to impose - and ignore - Catholic morality in independent Ireland.Struggles for women's rights and reproductive rights, the culture wars of the 1980s, and Irish people simply trying to have good sex lives, the essays gathered here cast light on aspects of Ireland's past that are often overlooked in more mainstream narratives of Irish history.
This collection of articles poses the question: What can gender history add to the traditional narrative of Irish history? How can it help us to understand the ways in which power operated in and flowed through Irish society? It is premised on the assumption that men and women are actors in the creation of their society, influenced by the ideology of the period, but also challenging and resisting the assumptions and beliefs of their era. The articles included in this collection are far-ranging and thematically diverse, united by the common theme of gender. While women play a dominant role in its pages, it makes visible the power and presence of men. Sometimes implicit, sometimes explicit, the history written on these pages is a history of the ways in which women and men constructed, negotiated and made visible the roles, ideas and representations that governed their particular society. In so doing, it provides an alternative reading to the traditional narrative of Irish history. This book focuses mainly on the modern period and includes two articles from outside of Ireland which provides a comparative focus. It also includes a theoretical introductory section on the nature of gender history from three leading Irish historians.
Just how "Irish" is traditional Irish music? Trad Nation combines ethnography, oral history, and archival research to challenge the longstanding practice of using ethnic nationalism as a framework for understanding vernacular music traditions. Tes Slominski argues that ethnic nationalism hinders this music's development today in an increasingly multiethnic Ireland and in the transnational Irish traditional music scene. She discusses early 21st century women whose musical lives were shaped by Ireland's struggles to become a nation; follows the career of Julia Clifford, a fiddler who lived much of her life in England, and explores the experiences of women, LGBTQ+ musicians, and musicians of color in the early 21st century.
Shame strikes at the heart of human individuals rupturing relationships, extinguishing joy and, at times, provoking conflict and violence. This book explores the idea that shame has historically been, and continues to be, used by an oftentimes patriarchal Christian Church as a mechanism to control and regulate female sexuality and to displace men’s ambivalence about sex. Using a study of Ireland’s Magdalen laundries as a historical example, contemporary feminist theological and theoretical scholarship are utilised to examine why the Church as an institution has routinely colluded with the shaming of individuals, and moreover why women are consistently and overtly shamed on account of, and indeed take the blame for, sex. In addition, the text asks whether the avoidance of shame is in fact functional in men’s efforts to adhere to patriarchal gender norms and religious ideals, and whether women end up paying the price for the maintenance of this system. This book is a fresh take on the issue of shame and gender in the context of religious belief and practice. As such it will be of significant interest to academics in the fields of Religious Studies, but also History, Psychology and Gender Studies.
Ferriter covers such subjects as abortion, pregnancy, celibacy, contraception, censorship, infanticide, homosexuality, prostitution, marriage, popular culture, social life and the various hidden Irelands associated with sexual abuse - all in the context of a conservative official morality backed by the Catholic Church and by legislation. The book energetically and originally engages with subjects omitted from the mainstream historical narrative. The breadth of this book and the richness of the source material uncovered make it definitive in its field and a most remarkable work of social history.
A stimulating overview of the intellectual arguments and critical debates involved in the study of British and Irish cinemas British and Irish film studies have expanded in scope and depth in recent years, prompting a growing number of critical debates on how these cinemas are analysed, contextualized, and understood. A Companion to British and Irish Cinema addresses arguments surrounding film historiography, methods of textual analysis, critical judgments, and the social and economic contexts that are central to the study of these cinemas. Twenty-nine essays from many of the most prominent writers in the field examine how British and Irish cinema have been discussed, the concepts and methods used to interpret and understand British and Irish films, and the defining issues and debates at the heart of British and Irish cinema studies. Offering a broad scope of commentary, the Companion explores historical, cultural and aesthetic questions that encompass over a century of British and Irish film studies—from the early years of the silent era to the present-day. Divided into five sections, the Companion discusses the social and cultural forces shaping British and Irish cinema during different periods, the contexts in which films are produced, distributed and exhibited, the genres and styles that have been adopted by British and Irish films, issues of representation and identity, and debates on concepts of national cinema at a time when ideas of what constitutes both ‘British’ and ‘Irish’ cinema are under question. A Companion to British and Irish Cinema is a valuable and timely resource for undergraduate and postgraduate students of film, media, and cultural studies, and for those seeking contemporary commentary on the cinemas of Britain and Ireland.
