Gender and Dance in Modern Iran
Gender and Dance in Modern Iran

Author: Ida Meftahi

Publisher: Routledge

Published: 2017-07-14

Total Pages: 276

ISBN-13: 1317620615

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Gender and Dance in Modern Iran: Biopolitics on Stage investigates the ways dancing bodies have been providing evidence for competing representations of modernity, urbanism, and religiosity across the twentieth century. Focusing on the transformation of the staged dancing body, its space of performance, and spectatorial cultural ideology, this book traces the dancing body in multiple milieus of performance, including the Pahlavi era’s national artistic scene and the popular café and cabaret stages, as well as the commercial cinematic screen and the post-revolutionary Islamized theatrical stage. It links the socio-political discourses on performance with the staged public dancer, in order to interrogate the formation of dominant categories of "modern," "high," and "artistic," and the subsequent "othering" of cultural realms that were discursively peripheralized from the "national" stage. Through the study of archival and ethnographic research as well as a diverse literature pertaining to music, theater, cinema, and popular culture, it combines a close reading of primary sources such as official documents, press materials, and program notes with visual analysis of filmic materials and imageries, as well as interviews with practitioners. It offers an original and informed exploration into the ways performing bodies and their public have been associated with binary notions of vice and virtue, morality and immorality, commitment and degeneration, chastity and eroticism, and veiled-ness and nakedness. Engaging with a range of methodological and historiographical methods, including postcolonial, performance, and feminist studies, this book is a valuable resource for students and scholars of Middle East history and Iranian studies, as well as gender studies and dance and performance studies.

Gender and Dance in Modern Iran
Gender and Dance in Modern Iran

Author: Ida Meftahi

Publisher: Routledge

Published: 2017-07-14

Total Pages: 201

ISBN-13: 1317620623

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Gender and Dance in Modern Iran: Biopolitics on Stage investigates the ways dancing bodies have been providing evidence for competing representations of modernity, urbanism, and religiosity across the twentieth century. Focusing on the transformation of the staged dancing body, its space of performance, and spectatorial cultural ideology, this book traces the dancing body in multiple milieus of performance, including the Pahlavi era’s national artistic scene and the popular café and cabaret stages, as well as the commercial cinematic screen and the post-revolutionary Islamized theatrical stage. It links the socio-political discourses on performance with the staged public dancer, in order to interrogate the formation of dominant categories of "modern," "high," and "artistic," and the subsequent "othering" of cultural realms that were discursively peripheralized from the "national" stage. Through the study of archival and ethnographic research as well as a diverse literature pertaining to music, theater, cinema, and popular culture, it combines a close reading of primary sources such as official documents, press materials, and program notes with visual analysis of filmic materials and imageries, as well as interviews with practitioners. It offers an original and informed exploration into the ways performing bodies and their public have been associated with binary notions of vice and virtue, morality and immorality, commitment and degeneration, chastity and eroticism, and veiled-ness and nakedness. Engaging with a range of methodological and historiographical methods, including postcolonial, performance, and feminist studies, this book is a valuable resource for students and scholars of Middle East history and Iranian studies, as well as gender studies and dance and performance studies.

Homogenization, Gender and Everyday Life in Pre- and Trans-modern Iran
Homogenization, Gender and Everyday Life in Pre- and Trans-modern Iran

Author: Leila Papoli-Yazdi

Publisher: Waxmann Verlag

Published: 2021

Total Pages: 182

ISBN-13: 3830993501

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Homogenization, Gender and Everyday Life in Pre- and Trans-modern Iran: An Archaeological Reading is actually an effort to investigate the interaction of power structure and gender in the context of everyday life in Iran in the 19th and early 20th centuries. The book pursues two main goals: situating gender in Iranian archaeology and calling for more consideration to daily life in archaeological gender researches. Drawing on a wide range of material culture, textual evidence, statistics and oral accounts, all chapters render the destruction of the everyday life of ordinary people. Events like parties and ceremonies, marriage and kinship, sexual practices, dress codes and even eating and drinking were gently regulated by the surveillance state. Accordingly, the term homogenization in the book's title refers to the policies of the Pahlavi government, the first Iranian modern centralized state. In this way, the book seeks to understand the process of gender and sexual transformation of Iranian society, the process which resulted in the production of deviants and negative gender and sexual lives. Being the first archaeological research on gender by native archaeologists, the authors state the fact that this book investigates the politics of gender while many other aspects of gender remain still uninvestigated. Leila Papoli-Yazdi, Researcher, Department of Historical Studies at the University of Gothenburg, Sweden

Gender in Contemporary Iran
Gender in Contemporary Iran

Author: Roksana Bahramitash

Publisher: Routledge

Published: 2011-03-29

Total Pages: 249

ISBN-13: 1136824251

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This book examines gender and the dynamics of social change in contemporary Iran, documenting the changes in women’s lives and showing how women have now become agents of social change rather than victims. Bringing together the detailed primary research of a number of eminent scholars working in Iran, this collection provides unique perspectives on the past decade in Iranian society. Chapters document and examine how different Iranian groups and classes are negotiating, resisting, and pressing for political and social change, to explore the complexity of a society that often is portrayed in monolithic stereotypes in the international media. Thematically arranged sections explore discourses around gender and the impact of these discourses on women; the gendered impact of educational, employment, communications, and cultural changes; changing gender attitudes among the post-revolutionary generation of youth; and the ways economic changes have been affecting women. Providing an important basis for understanding social and political developments in a country that has been a focus of international attention for much of the last decade, this collection will be an important reference for scholars of Iranian studies, gender studies, political science and sociology.

Choreophobia
Choreophobia

Author: Anthony Shay

Publisher: Mazda Publishers

Published: 1999

Total Pages: 256

ISBN-13:

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In spite of the negative reactions solo improvised dance can evoke, nonetheless it is also loved and performed throughout the Iranian world, emphasizing the ambiguity that accompanies its performances in various social contexts."--Jacket.

The Dance of the Rose and the Nightingale
The Dance of the Rose and the Nightingale

Author: Nesta Ramazani

Publisher: Syracuse University Press

Published: 2002-02-01

Total Pages: 338

ISBN-13: 9780815607274

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This is an extraordinary autobiography of a young girl growing up in Iran. The daughter of an English Christian mother and an Iranian Zoroastrian father, Nesta Ramazani sketches her personal life story against the backdrop of a society marked by the fusion of Iranian, Islamic, and Western cultures, and by the efforts of an authoritarian state to force modernization on a traditional society. Within this multicultural tapestry of personal, cultural, and national life, the author portrays how she came to love Persian and Western music, poetry, and dance. But translating this love into practice seemed an insurmountable task until an American woman pioneered the establishment of the first indigenous Iranian ballet company. As a member of this troupe, the author violated convention, performing first in her native land and then traveling abroad to exhibit this beautiful synthesis of Persian/Western forms to foreign audiences. The significance of this work transcends an autobiography penned by an Iranian woman—still a taboo in traditional Iranian society—it is a unique microcosm of today’s universal quest for a dialogue among civilizations. Ramazani’s story will appeal not only to students of Iran, the Middle East, and women’s studies, but also to general readers.

Dance Cultures Around the World
Dance Cultures Around the World

Author: Lynn Frederiksen

Publisher: Human Kinetics

Published: 2023-07-14

Total Pages: 378

ISBN-13: 1492572322

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"Textbook for undergrad general education and dance courses on the topic of dance around the world. It serves as a gateway into studying world cultures through dance"--

Revolutionary Bodies
Revolutionary Bodies

Author: K. S. Batmanghelichi

Publisher: Bloomsbury Publishing

Published: 2020-12-10

Total Pages: 257

ISBN-13: 1350050040

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Gender and sexuality in modern Iran is frequently examined through the prism of nationalist symbols and religious discourse from the late nineteenth and early twentieth centuries. In this book, Kristin Soraya Batmanghelichi takes a different approach, by interrogating how normative ideas of women's bodies in state, religious, and public health discourses have resulted in the female body being deemed as immodest and taboo. Through a diverse blend of sources -a popular cultural women's journal, a red-light district, cases studies of temporary marriages, iconic public statues, and an HIV-AIDS advocacy organization in Tehran - this work argues that conceptions of gender and sexuality have been mediated in public discourse and experienced and modified by women themselves over the past thirty years of the Islamic Republic. Expanding upon existing philosophical theory, technological research and scholarship on gender and sexuality in Iran, this book focuses much needed attention on under-studied, marginalized communities, such as widows living with HIV. This work interrogates how bodily technologies are constructed discursively and socially in Iran and the values and perspectives which are incorporated in them.

Popular Iranian Cinema before the Revolution
Popular Iranian Cinema before the Revolution

Author: Pedram Partovi

Publisher: Taylor & Francis

Published: 2017-07-14

Total Pages: 234

ISBN-13: 1315385619

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Critics and academics have generally dismissed the commercial productions of the late Pahlavi era, best known for their songs and melodramatic plots, as shallow, derivative ‘entertainment’. Instead, they have concentrated on the more recent internationally acclaimed art films, claiming that these constitute Iranian ‘national' cinema, despite few Iranians having seen them. Film discourse, and even fan talk, have long attempted to marginalize the mainstream releases of the 1960s and 1970s with the moniker filmfarsi, ironically asserting that such popular favorites were culturally inauthentic. This book challenges the idea that filmfarsi is detached from the past and present of Iranians. Far from being escapist Hollywood fare merely translated into Persian, it claims that the better films of this supposed genre must be taken as both a subject of, and source for, modern Iranian history. It argues that they have an appeal that relies on their ability to rearticulate traditional courtly and religious ideas and forms to problematize in unexpectedly complex and sophisticated ways the modernist agenda that secular nationalist elites wished to impose on their viewers. Taken seriously, these films raise questions about standard treatments of Iran's modern history. By writing popular films into Iranian history, this book advocates both a fresh approach to the study of Iranian cinema, as well as a rethinking of the modernity/tradition binary that has organized the historiography of the recent past. It will appeal to those interested in Iranian cinema, Iranian history and culture, and, more broadly, readers dissatisfied with a dichotomous approach to modernity.

Asian Women Artists
Asian Women Artists

Author: Mary Ellen Snodgrass

Publisher: McFarland

Published: 2022-10-18

Total Pages: 258

ISBN-13: 1476689253

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This book is a guide to identifying female creators and artistic movements from all parts of Asia, offering a broad spectrum of media and presentation representing a wide variety of milieus, regions, peoples and genres. Arranged chronologically by artist birth date, entries date as far back as Leizu's Chinese sericulture in 2700 BCE and continue all the way to the March 2021 mural exhibition by Malaysian painter Caryn Koh. Entries feature biographical information, cultural context and a survey of notable works. Covering creators known for prophecy, dance, epic and oratory, the compendium includes obscure artists and more familiar names, like biblical war poet Deborah, Judaean dancer Salome, Byzantine Empress Theodora and Myanmar freedom fighter Aung San Suu Kyi. In an effort to relieve unfamiliarity with parts of the world poorly represented in art history, this book focuses on Asian women often passed over in global art surveys.