The book has over 250 colour illustrations, documentary photographs and essays by leading critics illuminate every aspect of Gauguin’s art, from the legendary canvases to his sculptures, ceramics and innovative graphic works. There are discussions of the Polynesian society, culture and religion that helped shape the art; an in-depth narrative of the artist’s life, with its many epiphanies, frustrations and discoveries; and a chronicle of the changing fortunes of his reputation in the century since his death.
"The evolution of this fascinating encounter between European and Polynesian culture also focuses on the larger development of art in the Pacific in the era following its first European contact. Twelve insightful and original essays about Paul Gauguin and Polynesia, written by eminent scholars in the field of art history and ethnology, present the development of Polynesian art before and after Gauguin's stay in Polynesia at the end of the 19th century. The book presents over 60 works by Paul Gauguin, fully revealing the extent of the influence of Polynesian art and culture on his work, while also highlighting more than 60 works from the Pacific that exemplify the dynamic exchanges of Pacific Island peoples with Europeans throughout the 19th century."--Publisher's website.
"An original study of Gauguin's writings, unfolding their central role in his artistic practice and negotiation of colonial identity. As a French artist who lived in Polynesia, Paul Gauguin (1848-1903) occupies a crucial position in histories of European primitivism. This is the first book devoted to his wide-ranging literary output, which included journalism, travel writing, art criticism, and essays on aesthetics, religion, and politics. It analyzes his original manuscripts, some of which are richly illustrated, reinstating them as an integral component of his art. The seemingly haphazard, collage-like structure of Gauguin's manuscripts enabled him to evoke the "primitive" culture that he celebrated, while rejecting the style of establishment critics. Gauguin's writing was also a strategy for articulating a position on the margins of both the colonial and the indigenous communities in Polynesia; he sought to protect Polynesian society from "civilization" but remained implicated in the imperialist culture that he denounced. This critical analysis of his writings significantly enriches our understanding of the complexities of artistic encounters in the French colonial context."--Publisher's description.
This book's extensive text and accompanying photos reveal the ethnographic sources of Gaugin's fascination with the iconography of his native Tahitian tongue. Color/bandw illustrations.
This illustrated book, focuses on Gauguin's use of narrative, both as inspiration and fuel for his work and as a tool to create a personal mythology around himself as an artist
An unprecedented exploration of Gauguin's works in various media, from works on paper to clay and furniture Paul Gauguin (1848-1903) was a creative force above and beyond his legendary work as a painter. Surveying the full scope of his career-spanning experiments in different media and formats--clay, works on paper, wood, and paint, as well as furniture and decorative friezes--this volume delves into his enduring interest in craft and applied arts, reflecting on their significance to his creative process. Gauguin: Artist as Alchemist draws on extensive new research into the artist's working methods, presenting him as a consummate craftsman--one whose transmutations of the ordinary yielded new and remarkable forms. Beautifully designed and illustrated, this book includes essays by an international team of scholars who offer a rich analysis of Gauguin's oeuvre beyond painting. By embracing other art forms, which offered fewer dominant models to guide his work, Gauguin freed himself from the burden of artistic precedent. In turn, these groundbreaking creative forays, especially in ceramics, gave new direction to his paintings. The authors' insightful emphasis on craftsmanship deepens our understanding of Gauguin's considerable achievements as a painter, draftsman, sculptor, ceramist, and printmaker within the history of modern art.
A journal of the two years Gauguin spent in Tahiti, this work presents keen observations of the island and its people, and the artists' passionate struggle to achieve the inner harmony he expressed so profoundly on canvas. 24 black-and-white illustrations.
An exploration of contemporary Tahitians and a long-dead French painter, sex today and sex in the late 19th century, and colonialism new and old. Written on the boundary between art history and anthropology, it reads like a biography and a mystery.
"Modern Gauguin studies—complex interpretations of the works based on the identification of the artist's sources in ancient sacred art from around the world—began in the early 1950s with the pioneering research of Bernard Dorival and Henri Dorra. The Symbolism of Paul Gauguin: Erotica, Exotica, and the Great Dilemmas of Humanity, Dorra's ultimate meditation on the art of Gauguin, constitutes a milestone in the history of Post-Impressionism."—Charles Stuckey is an independent scholar and consultant
