Have you ever wonder about the significance of the various vibrant festivals celebrated by the Chinese people every year, or why the Chinese eat with their Chopsticks? Or how did the intricate characters of their written language come to be? Ancient Chinese thinkers like Confucius and Sun-zi have left their mark on the Chinese Culture, but who were they? And with the Chinese cuisine that is available in Chinese restaurants all across the world, there's hardly any needs for introductions! Join us on a tour of the ancient and colourful Chinese culture in this part of this Montage Culture Series! First published in 2003, this book is in its 11th reprint in 2013. ISBN: 9789812293282 Page Count: 166 Year Published: 2003 Language: English
Have you ever wonder about the significance of the various vibrant festivals celebrated by the Chinese people every year, or why the Chinese eat with Chopsticks? How did the intricate characters of their written language come to be? Ancient Chinese thinkers like Confucius and Sun-zi have left their mark on the Chinese Culture, but who were they? And with the Chinese cuisine that is available in Chinese restaurants all across the world, there's hardly any needs for introductions! Join us on a tour of the ancient and colourful Chinese culture in this part of this Montage Culture Series!
Have you ever wonder about the significance of the various vibrant festivals celebrated by the Chinese people every year, or why the Chinese eat with Chopsticks? How did the intricate characters of their written language come to be? Ancient Chinese thinkers like Confucius and Sun-zi have left their mark on the Chinese Culture, but who were they? And with the Chinese cuisine that is available in Chinese restaurants all across the world, there's hardly any needs for introductions! Join us on a tour of the ancient and colourful Chinese culture in this part of this Montage Culture Series!
You are probably familiar with the spicy Peranakan cuisine or even have friends who are great at cooking it. But there is definitely more to the Peranakan culture than what's cooking in the kitchen. Have you ever wondered why they speak the way they do? Why are they always singing the dondang sayang? What is the big deal about cherki games? And, more importantly, what does it mean to be a Peranakan? With a heritage that combines the best of the Chinese and Malay cultures, the hybrid nature of the Peranakans has yielded enviable works of art in the realm of architecture, embroidery, beadwork and the culinary arts. Join us on a colourful journey into the history, lifestyle and unique character of the Peranakan people.
Origins of Chinese Culture guides you through the perplexing maze of all things Chinese. Pick up interesting facts about the "Four Treasures of the Study"--the brush, ink, paper and inkstone--which form the cornerstone of Chinese culture. Be enthralled by the charming stories of Chinese icons: * Cao Cao, who hinted that he wanted a door widened just by writing a character on the door. * Shi Kuang, whose music was said to resurrect the dead. * Wu Daozi, who never completed his paintings for fear that they would come alive. You will be amazed by the wisdom and exquisite allure of Chinese culture, and be treated to insights into Chinese music, weiqi, xiangqi, calligraphy and painting!
Backward Glances reveals that the passionate love one woman feels for another occupies a position of unsuspected centrality in contemporary Chinese mass cultures. By examining representations of erotic and romantic love between women in popular films, elite and pulp fiction, and television dramas, Fran Martin shows how youthful same-sex love is often framed as a universal, even ennobling, feminine experience. She argues that a temporal logic dominates depictions of female homoeroticism, and she traces that logic across texts produced and consumed in mainland China, Hong Kong, and Taiwan during the twentieth century and the early twenty-first. Attentive to both transnational cultural flows and local particularities, Martin shows how loving relations between women in mass culture are usually represented as past experiences. Adult protagonists revel in the repeated, mournful narration of their memories. Yet these portrayals do not simply or finally consign the same-sex loving woman to the past—they also cause her to reappear ceaselessly in the present. As Martin explains, memorial schoolgirl love stories are popular throughout contemporary Chinese cultures. The same-sex attracted young woman appears in both openly homophobic and proudly queer-affirmative narratives, as well as in stories whose ideological valence is less immediately clear. Martin demonstrates that the stories, television programs, and films she analyzes are not idiosyncratic depictions of marginal figures, but manifestations of a broader, mainstream cultural preoccupation. Her investigation of representations of same-sex love between women sheds new light on contemporary Chinese understandings of sex, love, gender, marriage, and the cultural ordering of human life.
D. R. Howland explores China’s representations of Japan in the changing world of the late nineteenth century and, in so doing, examines the cultural and social borders between the two neighbors. Looking at Chinese accounts of Japan written during the 1870s and 1880s, he undertakes an unprecedented analysis of the main genres the Chinese used to portray Japan—the travel diary, poetry, and the geographical treatise. In his discussion of the practice of “brushtalk,” in which Chinese scholars communicated with the Japanese by exchanging ideographs, Howland further shows how the Chinese viewed the communication of their language and its dominant modes—history and poetry—as the textual and cultural basis of a shared civilization between the two societies. With Japan’s decision in the 1870s to modernize and westernize, China’s relationship with Japan underwent a crucial change—one that resulted in its decisive separation from Chinese civilization and, according to Howland, a destabilization of China’s worldview. His examination of the ways in which Chinese perceptions of Japan altered in the 1880s reveals the crucial choice faced by the Chinese of whether to interact with Japan as “kin,” based on geographical proximity and the existence of common cultural threads, or as a “barbarian,” an alien force molded by European influence. By probing China’s poetic and expository modes of portraying Japan, Borders of Chinese Civilization exposes the changing world of the nineteenth century and China’s comprehension of it. This broadly appealing work will engage scholars in the fields of Asian studies, Chinese literature, history, and geography, as well as those interested in theoretical reflections on travel or modernism.
Bridging the traditional divide between East and West, the Eurasian people are able to draw on an unmatched wealth of traditions for inspiration in the arts and cuisine. Join us on a voyage of discovery as we explore the rich and unique heritage of a true world culture in this part of the Montage Culture series!
Cultural Foundations of Chinese Education describes the evolution of Chinese education for more than 5,000 years, and analyzes in depth its interaction with Chinese culture. From the Imperial Civil Examinations to the Western Learning; from the transplant of Western systems of education to the New Democratic Education Movement; from the copying of the Soviet experience in education to the explorations for approaches to establish new education in China since the Economic Reforms in the late 1970s, this book provides unique analyses on conflicting elements in Chinese education, and leads to the understanding of the issues in modernizing education in China. With condensed and concentrated analyses on the process of historical evolution and the interactions between Chinese education and Chinese cultural traditions, this book can be used as a major reference for international readers to understand education in China from the perspective of cultural evolution.
