Originally published in 1867, this book is a collection of songs of African-American slaves. A few of the songs were written after the emancipation, but all were inspired by slavery. The wild, sad strains tell, as the sufferers themselves could, of crushed hopes, keen sorrow, and a dull, daily misery, which covered them as hopelessly as the fog from the rice swamps. On the other hand, the words breathe a trusting faith in the life after, to which their eyes seem constantly turned.
Under the editorship of Edmund Goldschmid, the Clarendon Historical Society reprinted a series of miscellaneous pamphlets, mainly dating originally from the Civil War period (1639-1650). Each pamphlet bears its original, individual title, e.g. : 'A declaration of the vile and wicked wayes of the cruell Cavaliers (1644)'. Each pamphlet is paginated individually at the top of each page, and also the whole sequence is assigned a continuous run of page numbers at the bottom of each page.
Charles Valley’s legendary dowagers, the three Miss Margarets, have lost one of their own: Peggy Garrison, who married into a huge fortune but was constantly overshadowed by the legacy her husband’s first wife, the great Myrtis Garrison. When Peggy’s will is read, the news of who will take over the Garrison fortune shakes the town to its core. To everyone’s shock, Peggy has left all of the Garrison holdings–the world-famous botanical gardens, the massive resort, and the lovely Garrison “Cottage,” where FDR once visited–to the town’s down-and-out wild child, Laurel Selene McCready. Laurel was like a daughter to Miss Peggy, but the last thing she wants to do is step into Miss Peggy’s shoes as the wealthiest, most powerful person in town, especially since the Garrison fortune never bought Peggy any happiness. On top of that, when Laurel reluctantly explores her hew home, the storied Garrison Cottage, she discovers that mysteries abound when it comes to the great Miss Myrtis. What clues are hidden in an old suitcase containing a child’s dress and sheet music dating back to the Southern Vaudeville circuit? Who is the elderly woman outside Atlanta who has been keeping track of the Garrison estate’s every development via the Charles Valley Gazette? And how will Laurel avoid the fate of her two predecessors whose secrets have far greater implications than Laurel could ever have imagined? Culminating in an unforgettable sleight of hand, proving that behind every great fortune there is a great crime, The Ladies of Garrison Gardens is as page-turning and irresistible as its predecessor.
Every day people tune in to The Writer's Almanac on public radio and hear Garrison Keillor read them a poem. And here, for the first time, is an anthology of poems from the show, chosen by the narrator for their wit, their frankness, their passion, their "utter clarity in the face of everything else a person has to deal with at 7 a.m." The title Good Poems comes from common literary parlance. For writers, it's enough to refer to somebody having written a good poem. Somebody else can worry about greatness. Mary Oliver's "Wild Geese" is a good poem, and so is James Wright's "A Blessing." Regular people love those poems. People read them aloud at weddings, people send them by e-mail. Good Poems includes poems about lovers, children, failure, everyday life, death, and transcendance. It features the work of classic poets, such as Emily Dickinson, Walt Whitman, and Robert Frost, as well as the work of contemporary greats such as Howard Nemerov, Charles Bukowski, Donald Hall, Billy Collins, Robert Bly, and Sharon Olds. It's a book of poems for anybody who loves poetry whether they know it or not.
PRINT VERSION. The inaugural issue of ""garrison"" features the best research and writers on the JFK assassination, Watergate, Chappaquiddick, the RFK assassination, 9/11, Genocide in Rwanda, Pearl Harbor, Jim Garrison, and more. This 116-page magazine is filled with information and contains very few ads. It is aimed at those who want to challenge the historical establishment, mainstream media, and textbook conglomerates that control information today. Read Lisa Pease, Jim DiEugenio, Jim Hougan, Joseph Green, William Davy, Douglas Horne, Caitlin Johnstone, Kenn Thomas & John Judge, Richard Bartholomew, Randy Benson, David Denton, Walt Brown, Donald Jeffries, Keith Harmon Snow, and Nicholas Levis. Were you taught history the way it really happened? Find out more in the first issue of ""garrison: The Journal of History & Deep Politics,"" a publication of MidnightWriterNews.com.
The Strangers Book explores how various nineteenth-century African American writers radically reframed the terms of humanism by redefining what it meant to be a stranger. Rejecting the idea that humans have easy access to a common reserve of experiences and emotions, they countered the notion that a person can use a supposed knowledge of human nature to claim full understanding of any other person's life. Instead they posited that being a stranger, unknown and unknowable, was an essential part of the human condition. Affirming the unknown and unknowable differences between people, as individuals and in groups, laid the groundwork for an ethical and democratic society in which all persons could find a place. If everyone is a stranger, then no individual or class can lay claim to the characteristics that define who gets to be a human in political and public arenas. Lloyd Pratt focuses on nineteenth-century African American writing and publishing venues and practices such as the Colored National Convention movement and literary societies in Nantucket and New Orleans. Examining the writing of Frederick Douglass in tandem with that of the francophone free men of color who published the first anthology of African American poetry in 1845, he contends these authors were never interested in petitioning whites for sympathy or for recognition of their humanity. Instead, they presented a moral imperative to develop practices of stranger humanism in order to forge personal and political connections based on mutually acknowledged and always evolving differences.
Valerie Bertinelli, then: bubbly sitcom star and America's Sweetheart turned tabloid headline and rock star wife. Now: actress, single working mother of teenage rock star, and weight-loss inspiration to millions. We all knew and loved Valerie Bertinelli years ago when she played girl-next-door cutie Barbara Cooper in the hit TV show One Day at a Time, and then starred in numerous TV movies. From wholesome primetime in America's living rooms, Valerie moved to late nights with the hardest-partying band of the decadent eighties when she became, at twenty, wife to rock guitarist Eddie Van Halen. Losing It is Valerie's frank account of her life backstage and in the spotlight. Here are the ups and downs of teen stardom, of her complicated marriage to a brilliant, tormented musical genius, and of her very public struggle with her weight. Surprising, uplifting, and empowering, Losing It takes you behind the scenes of Valerie's acting career and marriage, recalling the comforts, friendships, and problems of her television family, her close relationships with her parents and brothers, the stress and worries of being the wife of a rock star, and the joys of motherhood. Like many women, Valerie often remembers the state of her life by the food she ate and the numbers on her scale. So despite her celebrity, Valerie's voice is so down-to-earth, honest, and appealing that you'll feel as if you're talking with a girlfriend over coffee. Funny and candid, Valerie recounts her attempts to maintain a healthy self-image while dealing with social pressures to look and act a certain way, and to overcome career insecurities and relationship problems, all of which will be familiar to the hundreds of thousands of women who struggle every day with these same issues. From marital turmoil to the joys of a new career, from being named among Penthouse's ten sexiest women in the world to overhearing whispers about her weight gain in the grocery store, this is Valerie's inspiring journey as she finds new love, raises a terrific kid, and motivates other women as a spokesperson for Jenny Craig.
