Easy to read, funny and shocking, Marilyn will tell what it is like to be a woman in a male dominated underworld - the rules, the taboos, the glamour, the inside secrets, the sex and the scandal.
The floozy, the gangster's moll, the nasty debutante: Most Hollywood actresses played at least one of these bad girls in the 1930s. Since censorship customarily demanded that goodness prevail, vixens were in mainly supporting roles--but the actresses who played them were often colorful scene stealers. These characters and the women who played them first began to appear in film in 1915 when Theda Bara played home-wrecker Elsie Drummond in The Vixen. Movie theaters filled and the industry focused on heaving bosoms and ceaseless lust. Bara never shed the vamp image. The type evolved into the flapper, the gangster's moll, the "dame," and the "bad girl." This work covers the lives and careers of 28 actresses, providing details about their lives and giving complete filmographies of their careers.
From the Pulitzer Prize-winning reporter and author of Missing Beauty comes a fascinating inside look at the mafia. Growing up among racketeers on the Lower East Side of New York City, Arlyne Brickman associated with mobsters. Drawn to the glamorous and flashy lifestyle, she was soon dating "wiseguys" and running errands for them; but after years as a mob girlfriend, Arlyne began to get in on the action herself—eventually becoming a police informant and major witness in the government's case against the Colombo crime family.
"McNicoll has a keen eye for lurid detail, and her narratives moves along with compelling force" - Canadian Book Review Annual Who were the gangster women who risked everything to stay with the men of the underworld? This gripping account chronicles the history of gangsters' molls and mob queens, from harbouring criminals to life on the run. Susan McNicoll investigates these intriguing unions from the heady days of the 1930s flapper era and beyond. Had they abandoned everything for love, or did the idea of being with these hardened criminals seem glamorous and exciting? Covers the life stories of: • Bonnie Parker, from the infamous Bonnie and Clyde double act • Virginia Hill, the glamorous girlfriend of Bugsy Siegel who died mysteriously • Evelyn Frechette, who was charged with harbouring murderous mobster John Dillinger • Vi Mathis, the partner of Kansas City massacre gunman Verne Miller With photographs to accompany these shocking tales, Gangster Women is an honest and gritty account of these "gun molls" and their criminal lovers.
The insightful essays in this book shine a new light on the roles of women within criminal networks, roles that in reality are often less traditional than researchers used to think. The book seeks to answer questions from a wide range of academic disciplines and traces the portrait of women tied to organized crime in Italy and around the world. The book offers up accounts of mafia women, and also tales of severe abuse and violence against women.
The gun-toting woman holds enormous symbolic significance in American culture. For over two centuries, women who pick up guns have disrupted the popular association of guns and masculinity, spurring debates about women's capabilities for violence as well as their capacity for full citizenship. In Her Best Shot, Laura Browder examines the relationship between women and guns and the ways in which the figure of the armed woman has served as a lightning rod for cultural issues. Utilizing autobiographies, advertising, journalism, novels, and political tracts, among other sources, Browder traces appearances of the armed woman across a chronological spectrum from the American Revolution to the present and an ideological spectrum ranging from the Black Panthers to right-wing militias. Among the colorful characters presented here are Deborah Sampson, who disguised herself as a man to fight in the American Revolution; Pauline Cushman, who posed as a Confederate to spy for Union forces during the Civil War; Wild West sure-shot Annie Oakley; African explorer Osa Johnson; 1930s gangsters Ma Barker and Bonnie Parker; and Patty Hearst, the hostage-turned-revolutionary-turned-victim. With her entertaining and provocative analysis, Browder demonstrates that armed women both challenge and reinforce the easy equation that links guns, manhood, and American identity.
This book not only includes chapters on more than twenty new screen sleuths but also updates information on several detectives included in the first two volumes of Famous Movie Detectives. Author Michael Pitts also provides new material on sleuths in silent films and serials, as well as a listing of radio and television detective programs.
In this life, nothing comes easy. James "Mac" Maccari is proof of that. Having fought his way through the ranks of the Pivetti Crime Family, Mac is willing to do whatever it takes to maintain that position. His wife and son are his everything. But sometimes when a man thinks he has it all, life throws a curveball. When it comes to Cosa Nostra, some curveballs are deadly. Melina Morgan Maccari never imagined having the life she does now. A powerful husband. A child she loves more than her own life. Newly secure in her position as a made man’s wife, Melina is finally starting to believe a happily ever after might exist. That is, until she's reminded that there is danger where you least expect it. Some bosses are made, not born. When the powerful Pivetti crime boss is targeted by law enforcement, his seat is up for grabs, and there is more than one man who thinks he is right for the job. But one man in power could spell disaster for Mac and Melina. Mac is left with no choice but to make one last attempt to secure the future for both his families or watch everything he loves go up in flames. Come Hell or high water, when Melina vowed to be Mac's moll, it was for life. With an organization in chaos, and threats facing her family, she is ready to do anything necessary to stamp out the danger once and for all. Sometimes, bloodshed requires a woman's touch.
While the gangster film may have enjoyed its heyday in the 1930s and ’40s, it has remained a movie staple for almost as long as cinema has existed. From the early films of Humphrey Bogart, James Cagney, and Edward G. Robinson to modern versions like Bugsy, Public Enemies, and Gangster Squad, such films capture the brutality of mobs and their leaders. In Gangsters and G-Men on Screen: Crime Cinema Then and Now, Gene D. Phillips revisits some of the most popular and iconic representations of the genre. While this volume offers new perspectives on some established classics—usual suspects like Little Caesar, Bonnie and Clyde, and The Godfather Part II—Phillips also calls attention to some of the unheralded but no less worthy films and filmmakers that represent the genre. Expanding the viewer’s notion of what constitutes a gangster film, Phillips offers such unusual choices as You Only Live Once, Key Largo, The Lady from Shanghai, and even the 1949 version of The Great Gatsby. Also included in this examination are more recent ventures, such as modern classics The Grifters and Martin Scorsese’s The Departed. In his analyses, Phillips draws on a number of sources, including personal interviews with directors and other artists and technicians associated with the films he discusses. Of interest to film historians and scholars, Gangsters and G-Men on Screen will also appeal to anyone who wants to better understand the films that represent an important contribution to crime cinema.
"Kathryn Kelly: The Moll Behind Machine Gun Kelly" is a biography of the woman who made a career of crime. With a lust for danger, she masterminded the crimes that took her and her husband, and others who included her own mother and stepfather, on a spree across Minnesota, Tennessee, Oklahoma, and Texas. Starting with smaller crimes that included bootlegging, smuggling liquor onto an Oklahoma Indian reservation, and other petty crimes, she encouraged her husband, George Barnes aka George Kelly, toward a life of more serious criminal activity that eventually escalated into bank robberies, kidnapping and extortion. Many believe that it was Kathryn, after giving him a machine gun, who developed George's feared persona and the name of "Machine Gun Kelly." FBI Director J. Edgar Hoover was even convinced that the two were somehow connected in the Lindbergh kidnapping. Kathryn and Machine Gun Kelly were eventually captured after kidnapping Charles Urschel, a wealthy Oklahoma City oilman, and collecting a $200,000 ransomthe largest ransom ever paid at that time. Eventually, the two were captured in Memphis, where Kelly had grown up as a boy. During their trial in Oklahoma City, movie cameras were allowed into the courtroom for the first time as curious spectators across the nation watched. Kathryn, while claiming to be an innocent victim in a bad marriage, remained unrepentant, smiling and primping for the cameras, and writing threatening letters to the judge and attorneys assigned to the case as well as her victims. Convicted in 1933, Kathryn served twenty-five years of her life sentence at FPC Alderson, West Virginia, when in 1958 she was finally released into obscurity. Although much has been written about Machine Gun Kelly, there is very little known about Kathryn. Through narrative, FBI files, rare quotes from George Kelly's son and other relatives and associates, extensive research, and several photographs, "Kathryn Kelly ¬The Moll behind Machine Gun Kelly" is the first book ever written about a woman who chose to follow a life of crime during the Prohibition era.