Dilyniant i Beti Bwt. Mae'r teulu bellach wedi ymgartrefu yn Lerpwl. Dyma gyfnod cyffrous sy'n cael ei bortreadu trwy lygaid merch yn ei harddegau, pan oedd y Beatles ar eu hanterth. Profiadau grymus a'r berthynas a'r tensiynau rhwng Beti a'i theulu a'i ffrindiau a gawn yn y nofel sensitif hon, sy'n rhoi darlun byw o'r 1960au.
Hunangofiant gwladwr o bysgotwr o ben draw LlA*n, yn cynnwys portreadau o'i fro, ei deulu, a throeon trwstan ei fywyd, ac ambell hanesyn am gymeriadau lliwgar pen draw'r byd. 29 llun lliw a 7 llun du-a-gwyn.
A stimulating overview of the intellectual arguments and critical debates involved in the study of British and Irish cinemas British and Irish film studies have expanded in scope and depth in recent years, prompting a growing number of critical debates on how these cinemas are analysed, contextualized, and understood. A Companion to British and Irish Cinema addresses arguments surrounding film historiography, methods of textual analysis, critical judgments, and the social and economic contexts that are central to the study of these cinemas. Twenty-nine essays from many of the most prominent writers in the field examine how British and Irish cinema have been discussed, the concepts and methods used to interpret and understand British and Irish films, and the defining issues and debates at the heart of British and Irish cinema studies. Offering a broad scope of commentary, the Companion explores historical, cultural and aesthetic questions that encompass over a century of British and Irish film studies—from the early years of the silent era to the present-day. Divided into five sections, the Companion discusses the social and cultural forces shaping British and Irish cinema during different periods, the contexts in which films are produced, distributed and exhibited, the genres and styles that have been adopted by British and Irish films, issues of representation and identity, and debates on concepts of national cinema at a time when ideas of what constitutes both ‘British’ and ‘Irish’ cinema are under question. A Companion to British and Irish Cinema is a valuable and timely resource for undergraduate and postgraduate students of film, media, and cultural studies, and for those seeking contemporary commentary on the cinemas of Britain and Ireland.
I ddathlu 30 mlynedd o fod yn actor proffesiynol, dyma hunangofiant Ieuan Rhys, yr actor a'r diddanwr adnabyddus a fu'n chwarae rhan Sgt Glyn James, y bobi pentre, ar opera sebon boblogaidd Pobol y Cwm am dair blynedd ar ddeg.
Dydd Llun, 30 Mawrth, 4.35 a.m. Cysgai'r rhan fwyaf o boblogaeth y dref a'r ardal gyfagos gwsg diofal yn eu gwlau - oddeutu chwe mil ohonynt. Yng nghanol Cors Ddyga roedd gweithwyr y shifft nos ar y safle ffracio yn ddiwyd wrth eu gwaith. Yn ddirybudd, daeth ochenaid ddofn o grombil y ddaear. Nofel arobryn Gwobr Goffa Daniel Owen yn Eisteddfod Genedlaethol Sir Ddinbych, 2013.
Nofel gyntaf Bet Jones ar gyfer plant, yn son am Huw yn gorfod gadael ei gartref ar lan y traeth a symud i fyw i'r dre. Ond pan aiff yn ol yno gyda'i ffrind newydd, maen nhw'n darganfod hen dwnnel, a dyna ddechrau ar antur a hanner. Nofel a ddaeth yn agos i'r brig yng Nghystadleuaeth T. Llew Jones 2013.
When the nuclear-powered submarine USS Triton was commissioned in November 1959, its commanding officer, Captain Edward L. Beach, planned a routine shakedown cruise in the North Atlantic. Two weeks before the scheduled cruise, however, Beach was summoned to Washington and told of the immediate necessity to prove the reliability of the Rickover-conceived submarine. His new secret orders were to take the Triton around the world, entirely submerged the total distance. This is Beach's gripping firsthand account of what went on during the 36,000 nautical-mile voyage whose record for speed and endurance still stands today. It brings to life the many tense events in the historic journey: the malfunction of the essential fathometer that indicated the location of undersea mountains and shallow waters, the sudden agonizing illness of a senior petty officer, and the serious problems with the ship's main hydraulic oil system. Intensely dramatic, Beach's chronicle also describes the psychological stresses of the journey and some touching moments shared by the crew. A skillful story teller, he recounts the experience in such detail that readers feel they have been along for the ride of a lifetime.
This book focuses on how Latin American people and cultural practices have moved from one continent to another, and specifically to London. How do Latin Americans experience such a process and what part do different people play in the re-making of Latin identities in the neighbourhoods, parks, bars and dance clubs of London? Through a critical engagement with theories of globalization, the geography of power, cultural identity and the transformation of places, the book explores how the formation of Latin identities is directly related to wider social, economic and political processes. Drawing on the voices of migrant peoples, community activists, shop owners, sports organizers, club owners, dancers, dance teachers, musicians and disc jockeys, the book argues that the micro movements of people - through a shopping mall or across a dance floor in a club - are directly connected to global processes involving the regulated movement of citizens, sounds and images across national boundaries and through cities.
THIS is a story of life among the Reformed Party of Bengal, the members of which have to some extent adopted western customs. It shows the change that touch with Europe has brought upon the people of India, but in their inner nature the Hindus are still quite different from western races. The ideals and traits of character that it has taken thousands of years to form are not affected by a mere external change. This story, it is true, touches on one side of Indian life only, for in a small book it is difficult to depict many of the numerous phases of our Society; still I trust it will give the western reader some insight into the Hindu nature.