The reputation of Elizabeth Gaskell is undergoing a renaissance as we enter the new millennium. The variety of her work and the range of her acquaintance makes her one of the most interesting literary figures of her century. This new collection of her letters illustrates the richness and diversity of her involvement in a remarkable range of social and literary activities. Out of the 270 letters included in this volume only 40 have been previously published.
These letters, covering such subjects as scarlet fever, the Lancashire cotton famine and the American Civil War, bring history alive. They also throw light on Gaskell's own writings, especially her biography of Charlotte Brontèe.
The letters of the four Gaskell daughters open a door into the social and cultural lives of a well-connected middle-class Victorian family. Events that impinged on the lives and the letters of these women include the Indian Mutiny, the assassination of Lincoln, the Franco-Prussian War, the Boer Wars and Fenian agitation. They witnessed the effects in England of the American Civil War, and engaged in the religious controversies of the day. They take a close interest in the impact of Darwin's discoveries, discuss the latest news, Ruskin's lectures on Venice, the Pre-Raphaelites, and what it is like to play Beethoven's piano pieces under Sir Charles Halle's tuition. They also shed light on the network of Unitarian friends and scholars who undertook the stewardship of Elizabeth Gaskell's writing. This richly annotated edition will appeal to anyone interested in Transatlantic relations, in Mrs Gaskell, in women's networking, in Victorian ideas and social life, and in the intellectual culture of dissenting circles.
In the last few decades Elizabeth Gaskell has become a figure of growing importance in the field of Victorian literary studies. She produced work of great variety and scope in the course of a highly successful writing career that lasted for about twenty years from the mid-1840s to her unexpected death in 1865. The essays in this Companion draw on recent advances in biographical and bibliographical studies of Gaskell and cover the range of her impressive and varied output as a writer of novels, biography, short stories, and letters. The volume, which features well-known scholars in the field of Gaskell studies, focuses throughout on her narrative versatility and her literary responses to the social, cultural, and intellectual transformations of her time. This Companion will be invaluable for students and scholars of Victorian literature, and includes a chronology and guide to further reading.
This chronology will set Elizabeth Gaskell in her historical, social and literary contexts. It will focus on her career as a writer but will also underline her interactive roles as wife, mother, practical and tolerant Christian, radical sympathizer. Graham Handley discusses her early life, her marriage, the beginnings of her writing, the years of achievement, her social, humanitarian concerns, love of travel and its influence, with the balance of domesticity and creativity which is the key to her character.
This book shows how authors in nineteenth-century Britain used the materials of writing (and of reading, drawing, and handicraft) for inspiration and creative composition. In doing so, it reshapes the sensory history of working on and with paper. These activities were many and varied: Charlotte Brontë composed poems and doodled in the margins of school books, George Eliot recorded writing ideas on her blotter, Elizabeth Barrett Browning sewed paper to paper to edit her poems, and Jane Austen employed straight pins to "cut and paste." Albums provided a playful space to collect and to produce text-and-collage gifts for friends, circumventing print culture for a more intimate book making, as Elizabeth Gaskell and Anna Atkins knew. Notebooks and commonplace books were vital to Eliot, Michael Field, and Emily Brontë as part of a writing process. Writers experimented with crafts and needlework to compose text without paper and ink, most notably in the case of samplers. What writing and drawing happened on—including bibles, sewing patterns, and walls—mattered, as related to, and generative of, the themes of the work. This expansive field of meanings that creativity with textual (and material) things could have was common to the Victorians, but the writers explored here were extravagant even among their self-reflexive contemporaries in their undoing, remaking, miniaturizing, encrypting, reusing, and transforming. The edge of the page, the width of the margin, the covers of the book, were limiting factors, but also provocations to push on further, be radical.
Critical assessments of Elizabeth Gaskell have tended to emphasise the regional and provincial aspects of her writing, but the scope of her influence extended across the globe. Building on theories of space and place, the contributors to this collection bring a variety of geographical, industrial, psychological, and spatial perspectives to bear on the vast range of Gaskell’s literary output and on her place within the narrative of British letters and national identity. The advent of the railway and the increasing predominance of manufactory machinery reoriented the nation’s physical and social countenance, but alongside the excitement of progress and industry was a sense of fear and loss manifested through an idealization of the country home, the pastoral retreat, and the agricultural south. In keeping with the theme of progress and change, the essays follow parallel narratives that acknowledge both the angst and nostalgia produced by industrial progress and the excitement and awe occasioned by the potential of the empire. Finally, the volume engages with adaptation and cultural performance, in keeping with the continuing importance of Gaskell in contemporary popular culture far beyond the historical and cultural environs of nineteenth-century Manchester.
This literary biographical study examines the life and works of the mid-Victorian woman novelist, Elizabeth Gaskell, whose popularity is now well established. It places her writing in the context of her attitudes towards creative production, her relationship with publishers, and her literary friendships, as well as examining those events of her life which fed into her work. It pays particular attention to the ways in which she sought to reconcile the conflicting demands made upon her, as woman and as artist.
"A great deal has been written about Elizabeth Gaskell in the past decade, and Elizabeth Gaskell: An Annotated Guide to English Language Sources, 1992-2001 builds upon Weyant's 1994 work which covered some 350 sources published between 1976 and 1991. This supplement identifies almost 600 new books, book chapters, journal articles, dissertations, and master and honor theses on the life and writings of Gaskell. Contents include two appendixes of new editions of Gaskell's works in print and digital, audio, and video formats; a selection of websites; citations of many brief articles in the Gaskell Newsletter that are generally ignored in standard indexes; numerous sources that would otherwise be difficult to locate; and an author and subject index."--Quatrième de couverture
This book is the first full-length study to focus on the representation of masculinity in Elizabeth Gaskell’s novels. In examining Gaskell’s understanding of masculine identity as a social construct and considering how her writing engages with Victorian ideologies of gender, this book demonstrates that Gaskell defies an essentialist approach to gender and instead explores masculinity over time, genre, region, and class, making it clear that masculinity is not monolithic but relational, culturally constructed, and dependent on many contexts. It analyses Gaskell’s depiction of what it means to be a ‘man’ and a ‘gentleman’, exploring Mary Barton, North and South, Ruth, Cousin Phillis, Sylvia’s Lovers, and Wives and Daughters, as well as contemporary Victorian works and key contexts such as sympathy, historic change, and industrialism. The target audiences are academics, as well as undergraduate and postgraduate students and research specialists, and it will most appeal to Victorian Literature, Gender Studies, and Masculinity Studies disciplines.
